Top related persons:
Top related locs:
Top related orgs:

Search resuls for: "Lowry"


25 mentions found


CNN —“The White Lotus” hasn’t lost any of its intoxicating allure, shifting its mix of rich-people problems and staff struggles to a new island (Sicily), with Jennifer Coolidge as the one holdover from the Emmy-winning original. It’s an impressive exercise in reloading by writer-director Mike White, who based on this encore should have plenty of frequent-flyer miles in his future if he chooses. Jennifer Coolidge returns in season 2 of 'The White Lotus.' When a character utters a line like, “Please don’t make me regret this,” in the environs of “The White Lotus,” it immediately feels like a warning that he eventually will. “The White Lotus” premieres October 30 at 9 p.m. on HBO, which, like CNN, is a unit of Warner Bros.
Share Share Article via Facebook Share Article via Twitter Share Article via LinkedIn Share Article via EmailTwitter has been 'held hostage by its woke employees,' says National Review's Rich LowryJonathan Greenblatt, CEO and national director of the Anti-Defamation League, and Rich Lowry, editor-in-chief of the National Review, join CNBC's 'Squawk Box' to discuss Elon Musk's takeover of Twitter and what it means for content on the platform.
The portrait of an underground abortion network pre-Roe v. Wade is obviously timely, but its slightly askew focus blunts the overall impact. Part of that has to do with making Elizabeth Banks’ Joy, a privileged housewife living in Chicago in 1968, the film’s centerpiece, introducing her as being somewhat oblivious to the tumult of the times. Joy initially applies to the hospital board for permission to terminate the pregnancy, only to have her petition dismissively denied by the all-male panel. The sequence slowly and painfully captures the mix of fear and discomfort Joy feels, after her blindfolded trip to the location and the dimly lit room where it happens. The writers clearly intended to personalize the abortion conversation through their Everywoman protagonist, and Banks ably fills that role.
The star forward shot 16 of 25, grabbed 14 rebounds, added five assists and also hit 10 of 14 free throws. Bruce Brown scored 18 points, Jamal Murray scored 13 points and Jeff Green scored 10 for the Nuggets. Kentavious Caldwell-Pope also had 13 points before spraining his left ankle on a drive late in the third quarter. John Collins supplied 19 points and 11 rebounds for the Hawks while De'Andre Hunter tossed in 17 points before fouling out. Washington, Kelly Oubre Jr. and reserve Jalen McDaniels all added 17 for the Hornets.
CNN —Animation has been the driving creative force behind the “Star Wars” universe for some time, a state of affairs cast into sharper focus by how live-action series Lucasfilm has produced for Disney+ have drawn upon those shows. That relationship continues with “Star Wars: Tales of the Jedi,” an animated anthology that provides an opportunity to flesh out the stories of peripheral but familiar lightsaber-wielding figures. The anthology format creates the opportunity to drop in at different inflection points scattered across the “Star Wars” timeline. Animation has also become a vehicle for greater experimentation, as witnessed in the “Star Wars: Visions” anime shorts that premiered last year. “Star Wars: Tales of the Jedi” premieres October 26 on Disney+.
A Wyoming hunter was recovering Monday after he shot himself while trying to fight off an attacking grizzly bear over the weekend, authorities said. Francis’ son used a handheld satellite emergency notification device to call for help, sheriff’s Sgt. The Wyoming Game and Fish Department is investigating the bear attack and searching for the bear. It was the second reported bear attack in Wyoming this month. Wildlife officials have said that there has been "an abundance of bear activity" in the area of the Shoshone National Forest attack, also in western Wyoming.
That includes a pair of original ideas from del Toro himself, “Lot 36” and “The Murmuring,” as well as two by horror author H.P. Del Toro has also handpicked the various directors, reflecting an eclectic range of projects and styles. Rupert Grint in "Dreams In The Witch House," an episode of "Guillermo del Toro's Cabinet Of Curiosities." Yet even with those disclaimers, “Cabinet of Curiosities” feels stocked with stories lacking in heft – throwing open its doors with del Toro’s buoyant enthusiasm, and too often finding its shelves looking a little bare. “Guillermo del Toro’s Cabinet of Curiosities” premieres October 25-28 on Netflix.
Editor’s Note: This story contains spoilers about the “House of the Dragon” season finale. CNN —The two giant fantasy series that premiered within weeks of each other shared massive scope and scale. The “Dragon” season finale that premiered October 23, subtitled “The Black Queen,” in a sense brought this first season – at times uneven, but always interesting – full circle. Although it wasn’t a direct competition between “Dragon” and “Rings,” the parallels between them and the timing of their release made comparisons virtually inevitable. But based on its opening salvo, score “House of the Dragon” as a victory for the old guard.
CNN —The Miami Heat’s 112-109 victory over the Toronto Raptors was almost the secondary story from a game that was stopped for several minutes after a scuffle between Miami’s Caleb Martin and Toronto’s Christian Koloko. Both were ejected from the game after it was stopped for several minutes while referees made their decision. Overall, I’ve got to be more professional in the way I handle those type of situations.”Jimmy Butler of the Miami Heat looks on against the Toronto Raptors. Megan Briggs/Getty ImagesKoloko, meanwhile, said per ESPN, “I just stood up for myself and I get ejected. That’s what happened.”Losing 81-59 at the time, the scuffle seemed to rejuvenize the Raptors who embarked on a 17-2 run to make the game competitive again.
CNN —In terms of Nolan brothers productions, “The Peripheral” appears to have been made for people who think “Tenet” and the fourth season of “Westworld” weren’t complicated enough. Because of Flynne’s role in that future threats keep invading her present, which is every bit as confusing as that sounds. Although there’s plenty of violent action and cool futuristic weaponry, “The Peripheral” feels like a mashup of sci-fi ideas put to better use elsewhere, from “Avatar” to “Free Guy,” with a lot in between. Mostly, other than the sometimes-striking set design, there’s nothing particularly distinctive about the villains or the scenario, which feels more convoluted than engaging. It’s produced by Warner Bros. Television, like CNN, a unit of Warner Bros.
CNN —Think of “Ticket to Paradise” like a postcard of beautiful people having fun in a beautiful place and you’ll get along just fine. Giving it much more thought than that won’t help this rom-com vehicle for George Clooney and Julia Roberts, although the “com” part proves a trifle deficient in a movie that’s significantly better when it’s sweet than salty. Here We Go Again”), “Ticket to Paradise” fares better in the inevitable softer moments, allowing the leads to mug less and feel more. “Ticket to Paradise” does tend to shine when Clooney and Roberts soften their rough edges or let their hair down, as they do during a game of drunken mystery-alcohol (not beer) pong. “Ticket to Paradise” premieres in US theaters on October 21.
CNN —Producer Ryan Murphy has premiered three series in roughly a month, so a degree of overlap is perhaps understandable. Even so, the new season of his long-running FX franchise, this one dubbed “American Horror Story: NYC,” feels like a companion in its central themes to “Monster: The Jeffrey Dahmer Story,” which premiered last month on Netflix. This being “American Horror Story,” though, the emphasis skews toward the serial killing, dropping hints and clues about who might ultimately be responsible. “American Horror Story” has hardly been known for its restraint, which made the relative lack of bloody excess in these episodes notable, with less emphasis on the horror than the serial-killer aspect. FX will air back-to-back “American Horror Story” episodes over the next four weeks (with subsequent availability on Hulu), by which time the monster’s identity should be revealed.
'The School for Good and Evil' review
  + stars: | 2022-10-19 | by ( Review Brian Lowry | ) edition.cnn.com   time to read: +3 min
CNN —Although immersed in fantasy, “The School for Good and Evil” gets lost in a nether realm somewhere between Disney Channel fare like “Descendants” and more epic theatricals like Harry Potter. There’s plenty of action along the way, as well as more wasted cameos, like Patti LuPone and Michelle Yeoh. Yet if you’re going to arrive this late to the party, at least bring something significantly new to it. Granted, that’s not an easy assignment at this stage of the game, but “The School for Good and Evil” doesn’t pass the test. “The School for Good and Evil” premieres October 19 on Netflix.
CNN —Two powerful documentaries explore different aspects of Black history this week, in each case shedding light on misrepresented or under-covered chapters. Presented by Barack Obama’s company under its Netflix deal, “Descendant” examines the discovery of a long-sunk ship that brought enslaved Africans to Alabama, while “The Rebellious Life of Mrs. Rosa Parks” reclaims a figure whose legacy was too often characterized as the product of tired feet. Rosa Parks” highlights the selflessness of its subject and seeks to provide a detailed portrait of a woman who, through the vagaries of history, was frequently reduced to a symbol. Parks, rather, wanted – indeed devoted her life to fighting for – justice and equality. “The Rebellious Life of Mrs. Rosa Parks” premieres October 19 on Peacock.
CNN —“Black Adam” features a protagonist of almost unlimited power, which only makes its puny script more conspicuous. There’s simply no getting around the clunkiness of the dialogue, or the sense “Black Adam” overestimates the character’s appeal. Times being what they are, playing an actual superhero represents an inevitable addition to Johnson’s action resume, and “Black Adam” (setting aside “DC’s League of Super-Pets”) checks off that box. “Black Adam” premieres October 21 in US theaters and is rated PG-13. DC and Warner Bros., which is distributing the movie, are units of Warner Bros.
CNN —The bizarre and salacious nature of “The Vow,” with its intensely detailed look at the Nxivm cult, made the docuseries an understandable sensation, so much so that HBO came back for more. While “The Vow Part Two” gives viewers a front-row seat of the federal trial against founder Keith Raniere, it’s a more fragmented exercise that feels unduly stretched over six parts. Despite Nxivm’s obsession with loyalty, it’s a good reminder that what happens in Vegas seldom stays there. “Allison is a victim who was sent out to do something that she believed was good because she believed Keith was good,” Salzman explains. Warts and all, the totality of “The Vow,” including the earlier episodes, makes for fairly intoxicating viewing.
Editor’s Note: The following contains spoilers about “The Lord of the Rings: The Rings of Power” season finale. CNN —“The Lord of the Rings: The Rings of Power” has ended its first season, with plans for several more to come. Yet the real battle for Amazon could be convincing everyone that its very expensive – and mostly underwhelming – gamble on J.R.R. Amazon founder Jeff Bezos was personally involved in acquiring rights from the Tolkien estate way back in 2017, reflecting the company’s high-stakes bet. It’s become popular to refer to certain large corporations as being “Too big to fail,” and in TV terms, “Rings of Power” is about as big as they come.
CNN —Tapping into the twin markets of A) lovers of rom-coms and B) recovering English majors, “Rosaline” promotes a fleetingly mentioned “Romeo and Juliet” character front and center, then builds a very clever and breezy movie around her. The result is a welcome starring showcase for Kaitlyn Dever more likely to prosper in the hamlet of Hulu than it would have fared in the province of theaters. For those a little rusty on their Shakespeare, Romeo had actually been pining for Juliet’s cousin before they met and set in motion that whole star-crossed lovers thing. When their get-together prevents her from attending a party, the feckless Romeo falls for the visiting Juliet (Isabela Merced). “Rosaline” premieres October 14 on Hulu in the US, Star+ in Latin America and Disney+ in other territories.
CNN —Getting the delicate balance of the story mostly right, “Till” captures how Mamie Till Mobley turned the inconsolable grief over the murder of her son, Emmett, into resolve and activism. Anchored by Danielle Deadwyler’s towering performance, it’s a wrenching portrayal of reluctant heroism under the most horrific of parental circumstances. Danielle Deadwyler as Mamie Till Mobley. More than 65 years after his death, the Emmett Till Antilynching Act was signed into law earlier this year – a sign, as Chukwu notes in a director’s statement, of “present cultural and political realities” that echo through the film. “Till” clearly felt the weight of that legacy, and there’s a difficult-to-avoid aspect to the production that can’t entirely escape a movie-of-the-week feel.
Halloween movies to get you into the spooky spirit
  + stars: | 2022-10-14 | by ( Chloe Melas | ) edition.cnn.com   time to read: +3 min
CNN —Halloween entertainment is serving major nostalgia this year, with some of our favorite spooky classics being remade, or better yet, getting a sequel. “Hocus Pocus 2” brings back Bette Midler, Sarah Jessica Parker and Kathy Najimy as your favorite witches to get you ready for Halloween. “Halloween Ends”Jamie Lee Curtis in "Halloween Ends" Ryan Green/Universal PicturesForty-four years and 13 movies later, “Halloween Ends” is back to give you a fright. The movie tells the story of a man named Michael Myers who escapes an insane asylum. “Beetlejuice”1988 Warner BrothersBeetlejuice, Beetlejuice, Beetlejuice!!!
Editor’s Note: The following contains spoilers about “She-Hulk’s” season finale. CNN —“She-Hulk: Attorney at Law” revealed both its superpower and Achilles heel in the season finale: It’s a TV show for people who watch too much TV in general and too much of Marvel’s output in particular. Designed to test the parameters of how far Marvel could go with this sort of exercise, “She-Hulk” clearly delivered an unabashed out-there comedy. It’s tempting to credit “She-Hulk” for taking chances, but frankly, that has clearly been the plan with Marvel’s expansion into streaming for some time now. Part of the show’s legacy, as noted, will be the way it reintroduced Daredevil.
The producers do seek to bring finality to this latest trilogy featuring Jamie Lee Curtis, although that turns out to be the only original idea they conjure in an odd, tedious film. 13 turns out to be not so lucky, creatively speaking, as director/co-writer David Gordon Green takes his third consecutive turn in that chair. Curtis’ Laurie Strode has certainly paid a high price for her decades-long dance with the killer Michael Myers, a.k.a. In fact, Laurie takes the initiative and introduces Allyson to Corey (Rohan Campbell), a shy guy bearing emotional scars from his own Halloween-timed tragedy, which risks making them the weirdest possible soulmates. It’s been four years since “Halloween” relaunched the franchise – delivering a huge opening weekend – with an extra-long gap before the sequel “Halloween Kills” due to Covid.
“All that success came at a price,” says Andrew Olsen, a devotee of “Barney” history and its memorabilia. It’s a reasonable point at first, but one the documentary overplays, especially when there’s so much odd, specific stuff about the show to mine here. “I Love You, You Hate Me” has already generated media attention for Peacock, so score it as a win by that measure. But while the project captures a very specific moment in time, it runs out of insight before its time is up. “I Love You, You Hate Me” premieres October 12 on Peacock.
Lansbury also amassed 11 Emmy nominations for her role as Jessica Fletcher in “Murder, She Wrote,” but never won. Mondadori Portfolio/Getty Images Lansbury, seen here in 1945, moved to United States from England in 1940. Ron Frehm/AP Lansbury celebrates the 100th episode of the TV series "Murder, She Wrote" in 1989. Mychal Watts/WireImage/Getty Images Lansbury, with various Broadway cast members, performs at the Light the Lights Broadway Is Back! Jonathan Brady/Getty Images Lansbury attends the 25th anniversary screening of "Beauty and the Beast" in 2016.
CNN —The curse of “Stranger Things” means every sci-fi/macabre concept involving teenagers will seemingly have its day on TV, with “The Midnight Club” as the latest example. The diverse makeup of the key group and approach to things like LGBTQ rights give “Midnight Club” a contemporary feel, despite its foundation in the past. As for the broader secrets, “Midnight Club” is in no hurry to disgorge those, perhaps hoping curiosity will pull viewers into a second season. Stranger things have happened, but if not, this could be the latest series in this genre that struggles to keep the midnight oil burning. “The Midnight Club” premieres October 7 on Netflix.
Total: 25