It was that rare occasion on Wednesday: There was an encore at Carnegie Hall.
I mean a literal, French-for-“again” encore, when a musician, brought back at the end of a concert by applause and more applause, gives another rendition of a piece he has already played.
Bowing modestly after making his Carnegie debut with a confident, supple, eventually dazzling performance of Chopin’s 27 études, the teenage pianist Yunchan Lim had given three eloquent encores of other Chopin works.
So he returned to the stage and started the gentle undulations of the A-flat major étude he had played some 40 minutes earlier — now with even more flowing naturalness.
Lim was courting comparison with himself after a concert spent courting comparison with the canon.
Persons:
“, Yunchan Lim, Chopin, Lim, Chopin’s
Organizations:
Carnegie Hall, Carnegie