While there have been improvements in diversity within writers' rooms in recent years, writers of color, women of color, disabled writers and LGBTQ+ writers in Hollywood still lag in opportunities.
Demands for more compensation and larger writers' rooms may be newer concerns for what Hines refers to as the "upper echelon of writers," but this has been an unresolved struggle for underrepresented writers for years.
"When it comes to the issues of writers of color, there's a constant feeling of being left out of the negotiation," Hines said.
Many WGA members also believe the specific strike demands, including adding larger writers' rooms, offer a better chance for writers on the sidelines to join in.
"That would be absolutely huge for all kinds of underrepresented writers, and disabled writers as well, because we are wildly underrepresented," said Jamey Perry, vice chair of the WGA's Disabled Writers Committee and "Lincoln Rhyme: Hunt for the Bone Collector" writer.