WashingtonThe disparate realms of art and science have often converged in attempts to explicate the rarefied and indescribably beautiful paintings of Johannes Vermeer (1632-1675).
Revered by his fellow painters in Delft, the Dutch artist fell into obscurity after his death, in part because of the scarcity of his output.
Vermeer’s rediscovery by 19th-century scholars, connoisseurs, and especially the French art critic Théophile Thoré-Bürger spurred a crucial reassessment of his art, his stature in Holland’s Golden Age likened to that of Rembrandt.
While only about 35 works can now be ascribed with certainty to the artist, a smattering of others—including likely copies, outright counterfeits, and paintings inspired by his own—have been considered over the years as candidates for inclusion in his prestigious oeuvre.
“Vermeer’s Secrets,” a small exhibition at the National Gallery of Art that is drawn exclusively from its own holdings, navigates this contested territory with the aid of new research and imaging technology, and the results are as riveting as they are convincing (the show is a prelude to the Vermeer retrospective to be held in 2023 at the Rijksmuseum in Amsterdam).