Almost any of the 16 Giorgio de Chirico paintings in “Horses: The Death of a Rider” could sustain an exhibition by itself.
A couple from the late 1920s are less polished, and you could reasonably call “Two Horses on a Seashore,” 1970, a little glib.
As the exhibition title suggests, every canvas also holds one or more horses, often backed by one of the mysterious landscapes he’s known for.
The majestic white steed in the title piece, “Death of a Rider,” rears up on a twilit beach, letting its rider tumble off like Icarus behind it.
In the distance stands a city on a hill; nearby, two voyagers or gods watch from a rowboat.
Persons:
Giorgio de Chirico, de Chirico, It’s, Chirico, ”, HEINRICH