Ari Aster’s “Beau Is Afraid” is a supersized, fitfully amusing, self-important tale of fear and loathing.
As the title announces, its protagonist, Beau Wassermann — a terminal sad-sack played by the invariably watchable Joaquin Phoenix — is anxious, well, about everything.
Outwardly, “Beau Is Afraid” seems to be a departure for Aster, whose first two features center on horrific happenings and some seriously bad relationships.
In “Hereditary” and “Midsommar,” Aster meticulously peels back the ostensibly ordinary surface of the world, its patina of normalcy, to reveal the annihilating malevolence beneath it.
In “Beau Is Afraid,” Aster changes things up by making Beau difficult to cozy up to.