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Opinion | How Trump Sabotaged His Own Apotheosis
  + stars: | 2024-07-20 | by ( Ross Douthat | ) www.nytimes.com   time to read: +1 min
The six days that carried Donald Trump from the stage in Butler, Pa., to the rostrum at the Republican National Convention seemed at times like the buildup to a moment of total political domination, an apotheosis for the Republican nominee and confusion and defeat for his opponents. The image of Trump rising, alive and fighting and undaunted, under the red, white and blue. The cohesive and enthusiastic Republican convention that followed, complete with the anointing of a youthful vice president and heir apparent, all in contrast to the spectacle of a Democratic Party trying desperately to jettison its senescent standard-bearer. The promises of a conciliatory and unifying acceptance speech, finally delivering the “presidential” Trump that Republicans have strained to see these last eight years. For the first nearly 20 minutes of the speech, as Trump walked the audience through the experience of surviving an assassin’s bullet, the apotheosis seemed to be on track.
Persons: Donald Trump, Trump, ” Trump, transmuting, Joe Biden, Kamala Harris Organizations: Republican National Convention, Republican, Democratic Party, Republicans, Trump Locations: Butler, Pa, shapelessness
Following the success of 2015's "Max Mad: Fury Road," which took in over $380 million at the worldwide box office, "Furiosa" tells the origin story of one of the main characters from "Fury Road," Charlize Theron's Imperator Furiosa. Mel Gibson, the original Mad Max, rarely spoke; same for Tom Hardy, who played Max in "Fury Road." AdvertisementBut it's not as good as "Fury Road"Tom Hardy and Charlize Theron on "Mad Max: Fury Road." Warner Bros. PicturesFor all the praise "Furiosa" is receiving, many critics believe it doesn't surpass Miller's thrilling opus, "Mad Max: Fury Road." "'Furiosa' is a big step down from 'Mad Max: Fury Road,'" opined The Hollywood Reporter critic David Rooney.
Persons: , Max, George Miller's, Furiosa, Anya Taylor, Joy, Taylor, Chris Hemsworth's, Critics, Jasin Boland, Owen Gleiberman, Miller, Hannah Strong, Joy doesn't, that's, shouldn't, Mel Gibson, Tom Hardy, John Nugent of, emoting, Charlize Theron, IndieWire's David Ehrlich, Chris Hemsworth, Dementus, He's, there's, Liz Shannon Miller, it's, who's, David Rooney, wouldn't Organizations: Service, Business, Cannes Film, Warner Bros, Hemsworth, Fury, Hollywood, The New York Times Locations: Dementus
In some cases, it simply dissipates — mass protest as release valve. In others, it is repurposed by more strategic actors with clearer objectives, often political agents friendlier to the establishment and working to enclose the protest energy in a big centrist tent. In still others, the initial protests present the provocation around which outraged others can mobilize a reactionary backlash. The pattern holds not just across the poorer parts of the world, where Bevins concentrates, but in more affluent and outwardly “stable” parts of Europe and North America as well. Here, recent protests have been characterized by the same two distinctive features: their enormous scale and their mercurial shapelessness.
Persons: Bevins, , Lula Organizations: Occupy Wall, Tea Party Locations: Gezi Park, Turkey, Brazil, Chile, Ukraine, Hong Kong, Jair, Europe, North America
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