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Not so long ago, landing a helicopter on a Broadway stage was kind of a big deal. In “El Mago Pop,” the charming, thrilling, silly Broadway show by the Spanish illusionist Antonio Díaz, it is one of the more minor stunts. Like most professional magicians, he discovered magic early and worked at it obsessively, a process he details in a long video sequence that begins the brief show. He is short and slight, with long, nimble fingers — watch those fingers when you can, the precision and economy are gorgeous — and a high, fast voice. But maybe that’s what happens when the boy next door comes to Broadway.
Persons: El Mago, Antonio Díaz, Díaz, Doug Henning, Ethel Barrymore, Mag Locations: Spanish, Barcelona, Spain
Six years ago, the Cornley Polytechnic Drama Society brought its production of “The Murder at Haversham Manor” from its home base in England to Broadway. After the leading lady was knocked unconscious by a door, she was replaced by the stage manager; when knocked unconscious as well, he was replaced by a sound technician and eventually, somehow, a grandfather clock. Barrie’s “Peter Pan.” Many of the same disasters happen chez Darling as happened at Haversham Manor, or close variations on them. Let’s just say that Peter doesn’t fly so much as flail while airborne. He, too, is knocked unconscious.
“Death of a Salesman” actor Wendell Pierce, “The Piano Lesson” director LaTanya Richardson Jackson and “Till” star John Douglas Thompson are among the honorees set for the inaugural Salute to Broadway presented by the African American Film Critics Association. The event is set for Oct. 17 at The Lambs Club in the heart of Midtown’s theater district. “It’s no secret that some of our greatest actors have come from the stage or have tested their chops on it,” said Gil Robertson, co-founder of AAFCA. Suzan-Lori Parks’ Pulitzer-winning “Topdog/Underdog” — which starred Corey Hawkins and Yahya Abdul-Mateen II and was directed by Kenny Leon in its first Broadway revival — is slated for the Spotlight Award. The production, which began previews Sept. 19 and opens Oct. 13 at Ethel Barrymore Theatre, makes Richardson Jackson the first woman to direct a Wilson play on the Main Stem.
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