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Search resuls for: "William Kentridge"


3 mentions found


"Vogue Opera" - a mix of classical music, hip-hop, protest songs and dance - tells the story of Nkoli, whose activism helped to enshrine gay rights in South Africa's constitution - the first country on the continent to do so. Nkoli faced prejudice even from fellow anti-apartheid activists while serving a four-year prison sentence on treason charges when he revealed his sexuality. The opera reveals not only Nkoli's struggles but also the happiness he brought to others. "If there isn't social buy-in, we're not done," the show's co-writer and rapper S'bo Gyre said. Reporting by Catherine Schenck, Thando Hlophe and Anait Miridzhanian; Editing by Emelia Sithole-MatariseOur Standards: The Thomson Reuters Trust Principles.
Persons: Simon Nkoli, Africa's, Nkoli, Philip Miller, William Kentridge's, London's, Miller, Abiah, Lishivha, Gay, we're, S'bo Gyre, Catherine Schenck, Thando, Emelia Sithole Organizations: Market, London's Tate, Theatre, International Lesbian, Thomson Locations: South Africa, Johannesburg, JOHANNESBURG, South Africa's, New, Harlem
In Public Art, Sometimes Subtlety Just Doesn’t Cut It
  + stars: | 2023-11-01 | by ( Blake Gopnik | ) www.nytimes.com   time to read: +3 min
The challenge for Frankel’s video is to do that in the train hall, and it can’t. Frankel’s piece matches our expectations for screen-play rather than transcending them, which means we’re not likely to notice it at all. Like lots of critics, curators and artists, I’ve always thought it made a lot of sense to insert video art, or art of almost any kind, into our everyday lives and communal spaces. And up on the screens at Moynihan, Frankel’s piece functions, whether he wants it to or not, as another ad for us to ignore. But would corporate titans stand to see their ads screened alongside art that’s wild enough to outshine them?
Persons: Moynihan, we’ve, Frankel, I’ve, , I’d, Marcel, , Mona Lisa, it’s, William Kentridge Organizations: Amtrak, Art
Kouoh said that she decided to take the job after many conversations with Black colleagues. Kouoh has changed “how the local community see Zeitz,” said the Cape Town-based artist Igshaan Adams, who recently spent eight months in residence there. What influences come from an artist like Issa Samb or Gerard Sekoto to younger artists today? “There is a lot of mutual support, of generosity and care across the continent. I am part of that generation of African art professionals who have pride and knowledge about the beauty of African culture, which has often been defined by others in so many wrong ways.
Persons: Kouoh, Black, , Zeitz, William Kentridge, Carsten Holler, Wangechi, Igshaan Adams, , Koyo, — Tracey Rose, Johannes Phokela, Mary Evans —, Issa Samb, Gerard Sekoto, haven’t, won’t, Okwui Enwezor Locations: Zeitz
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