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☆ ‘X: The Life and Times of Malcolm X’ Review: Songs of Struggle at the Metropolitan Opera
▼ + stars: | 2023-11-14 | by ( Heidi Waleson | ) www.wsj.com time to read: 1 min

Will Liverman (center) in a scene from Anthony Davis's ‘X: The Life and Times of Malcolm X’ Photo: Marty Sohl/The Metropolitan OperaNew YorkNearly four decades after its birth, Anthony Davis ’s “X: The Life and Times of Malcolm X” has arrived at the Metropolitan Opera. At the time of its 1986 New York City Opera world premiere across the Lincoln Center Plaza, its controversial subject and unconventional musical idiom would have been unthinkable at the conservative Met; today, it is part of a vigorous company initiative predicated on the idea that new operas attract new audiences. The times have finally caught up with “X,” even as the events that it chronicles have receded into the more distant past.

Persons: Will Liverman, Anthony Davis's ‘, Malcolm X ’, Marty Sohl, Anthony Davis ’, Malcolm X ” Organizations: Metropolitan Opera New, Metropolitan Opera, York City Opera, Lincoln Center Plaza, Met Locations: Metropolitan Opera New York

☆ Opera Philadelphia Cuts Its Budget, but Not Its Ambition
▼ + stars: | 2023-09-25 | by ( Joshua Barone | More About Joshua Barone | ) www.nytimes.com time to read: +3 min

And opera needs works like “10 Days,” which treats the medium with affection and respect while also chafing at its tropes throughout history. For this is an opera that jerks between beauty and terror — seamlessly under the baton of Daniela Candillari, leading an ensemble of about a dozen instrumentalists. The patients (members of Opera Philadelphia Chorus, led by Elizabeth Braden) can sing the same hymn with serenity in one scene and chaotic dissonance in the next, with few indications of which is the truer rendition. The most tragic of the patients is Lizzie (the mezzo-soprano Raehann Bryce-Davis, who sings with a lush and moving elegance that would make her ideal for mid-20th century American opera). Her repetitive ramblings come into logical focus with a long, crushing aria about the death of her daughter.

Persons: Nellie Bly’s, —, Bly, Daniela Candillari, Elizabeth Braden, Josiah Blackwell, Will Liverman, Joanna Settle’s, Andrew Lieberman, Kiera Duffy, Lauren Pearl, Raehann Bryce, Davis, Lizzie doesn’t, She’s Organizations: Opera Philadelphia, Academy of Music Locations: Roosevelt

“The idea of the hysterical woman trope really does persist today,” the soprano said ahead of Thursday night’s premiere of Rene Orth’s musical adaptation at Opera Philadelphia. An all-woman creative team was commissioned to develop the work by Opera Philadelphia and Toronto’s Tapestry Opera. “I have a lot to say about women’s rights being taken away and how women are treated,” director Joanna Settle explained. Bryce-Davis views Roosevelt Island quite differently following her immersion in the traumatic story. “My sister lives on Roosevelt Island and so whenever I’m in New York, that’s where I am,” she said.

Persons: — Kiera Duffy, Nellie Bly, Rene Orth’s, “, you’re, ” Siobhan Duffy Gaffney’s, Bly, Joanna Settle, Britney Spears, Orth, ‘ ” Orth, Hannah Moscovitch, Moscovitch, David Devan, Harold Pinter’s, ”, ” Moscovitch, ” Duffy, Bess, Missy Mazzoli’s, Lars von Trier, “ I’m, Susannas, Mozart, Donizetti, Judith Blegen, Kathleen, I’m, Will Liverman, Josiah Blackwell, Raehann Bryce, Davis, Lizzie, Anthony Davis ’, Malcolm X, ” Soprano Laurel Pearl, Ratched, Daniela Candillari, Jeanine Tesori’s, Liverman, ” Liverman, ” Candillari, Andrew Leiberman, Bryce, Roosevelt Organizations: PHILADELPHIA, Opera Philadelphia, New York, Toronto’s, Philadelphia, Metropolitan Opera, Opera, Washington National Opera, Philadelphia Museum of Art, Wilma Theater Locations: New York, Vegas, Roosevelt, that’s

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