Last summer the hot-pink feminism of “Barbie” took more than $1 billion at box offices worldwide. In Italy, however, “Barbie” was beaten by another film, a feminist dramedy with a clear nod to Italian neorealism set in postwar Rome. The film presents a monolithic patriarchy which the women bear stoically and symbolically counter, at the end — spoiler alert — by voting. At least part of the answer lies in the fact that “There’s Still Tomorrow” is a safe film set in a very binary world. The plot follows Delia, a woman devoted to her family and dominated by her violent, sexist husband, Ivano, himself the son of a violent, sexist father.

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Persons: “ Barbie ”, “, ”, David, Donatello, Delia, Ivano, Marcella Locations: Italy, Rome