Bringing this moment of cultural collision back to life would represent as sweeping a challenge as Fisk had ever faced. The sets would represent a kind of culmination of Fisk’s careerlong obsession with reclaiming the rough contours of American history. On set, Malick refers to Fisk as “my eyes.”Fisk has a background in the fine arts, but he considers himself more strictly speaking a “worker” — the conduit of someone else’s vision. (Noirs of the 1940s are crosshatched with shadows partly to conceal threadbare sets.) In early Hollywood, most were painters, hired to illustrate literal backdrops on massive rolls of canvas hung behind the actors.

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Persons: Fisk, Scorsese, derrick, Terrence Malick, Sissy Spacek —, Malick, ” Fisk, ”, unvarnished, David O, Selznick, William Cameron Menzies Organizations: Canadian Rockies Locations: Hollywood, French