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Trenton, New Jersey AP —New Jersey’s ban on the AR-15 rifle is unconstitutional, but the state’s cap on magazines over 10 rounds passes constitutional muster, a federal judge said Tuesday. “Bans on so-called ‘assault weapons’ are immoral and unconstitutional. He added: “We look forward to pressing our arguments on appeal.”Several challenges to state assault weapons bans have cited the Bruen decision. A gun rights group has challenged Connecticut’s landmark 2013 gun control law, passed after the Sandy Hook Elementary School shooting, that bans assault weapons, including certain AR-15-style rifles and large capacity magazines. The state’s assault weapons ban dates to 1990 and includes various other weapons, but Sheridan focused on the Colt AR-15, citing the plaintiffs’ concentration on that weapon in their court filings, and the law specifying that make of the rifle.
Persons: Peter Sheridan’s, Sheridan’s, Sheridan, , Sandy, , Brandon Combs, Matt Platkin, Phil Murphy, Murphy, ” Murphy Organizations: Trenton , New Jersey AP, District of Columbia, Elementary, Firearms Policy Coalition, New, Sandy, National Association for Gun Rights, Democratic Gov Locations: Trenton , New Jersey, Jersey’s, New York, Los Angeles, Newtown , Connecticut, United States, New Jersey
PARK CITY, Utah (AP) — Chiwetel Ejiofor had read Jeff Hobbs’ “The Short and Tragic Life of Robert Peace” years before Antoine Fuqua asked if he might consider writing and directing an adaptation. Some of the narratives chalked it up to the fact that he went back to where he came from. “I thought it was very special and very powerful,” Ejiofor told The Associated Press in a recent interview. “I never felt that it was a story about somebody who was able to play a role in different places,” Ejiofor said. Ejiofor wants audiences to have a sense of hope in Rob’s story as well as to feel enriched by knowing him.
Persons: Chiwetel Ejiofor, Jeff Hobbs ’, Robert Peace ”, Antoine Fuqua, Peace’s, , Peace, Ejiofor, Hobbs, ” Ejiofor, hadn’t, Fuqua, Rebecca, ” Antoine Fuqua, Rob Peace ”, , Alex Kurtzman, Rob, Jay Will, Jay, He’s, Maisel ”, Taylor Sheridan’s “, Mary J, Blige, Jackie, Camila Cabello, Naya, Skeet, he’d, Kurtzman marveled, , ” Kurtzman, He’d, Ksenia Sereda, you’re Organizations: Yale, St, Benedict’s Preparatory School, Associated Press, Sundance, Taylor Sheridan’s “ Tulsa Locations: CITY , Utah, East Orange , New Jersey, Newark, Malawi
After bland western prequels to his flagship drama “Yellowstone,” producer Taylor Sheridan finds marginally more fertile territory in “Lawmen: Bass Reeves,” a series that will devote each season to a different frontier lawman or outlaw. Eventually, Bass escapes, hiding out during the remaining days of the Civil War before settling down and trying his hand at farming. Dennis Quaid in "Lawmen: Bass Reeves." In that context, “Bass Reeves” kicks off what Paramount clearly hopes will be an ongoing franchise with a solid if unspectacular opening salvo, without fully doing justice to its intriguing subject. “Lawmen: Bass Reeves” premieres November 5 on Paramount+.
Persons: Taylor Sheridan, Bass Reeves, , David Oyelowo, George Reeves, Shea Whigham, Bass, Dennis Quaid, Reeves, Sheridan, Judge Parker, Donald Sutherland, , Chad Feehan, “ Ray Donovan ”, “ Bass Reeves ”, Lauren Smith, Dick Wolf, Tulsa King ”, there’s, ” –, it’s, Bass Reeves ” Organizations: Paramount, Confederate Army, Tulsa King Locations: Kingstown,
‘Special Ops: Lioness’ Reconsidered
  + stars: | 2023-09-11 | by ( Mike Hale | More About Mike Hale | ) www.nytimes.com   time to read: +2 min
Also present was the cynical frontier moralism, balanced by sentimentality, that runs through most of Sheridan’s shows (including “Yellowstone” and its Old West spinoffs). But Sheridan’s tics were easier to take in “Special Ops,” which felt more relaxed but also more tightly constructed than his previous shows (with the exception of the droll gangster drama “Tulsa King,” which is overseen by Terence Winter). Maybe it’s just practice — across his six dramas, Sheridan has written or co-written close to 80 episodes of television over the last five years. supervisor and Morgan Freeman, in a few scenes, as the querulous secretary of state. The problem with Sheridan’s other shows is that they give you too much time to think; in “Special Ops,” you could just focus on the mission.
Persons: Cruz, Joe, Terence Winter, Sheridan, Anthony Byrne, Paul Cameron, John Hillcoat, Saldaña, De Oliveira, Nicole Kidman, Joe’s, Morgan Freeman Organizations: Hamptons, Tulsa
CNN —“Yellowstone” writer-producer Taylor Sheridan has excelled at luring big stars to television with relatively thin material, a formula that feels especially transparent with “Special Ops: Lioness,” his latest series for Paramount+. Zoe Saldaña takes point in this fact-based tale of female special-ops soldiers, which races through the set up by relying on a litany of war-story cliches. “You came to the right place,” she’s told, before acing her training and being quickly drafted to join Joe’s unit. Nevertheless, when it comes to training an audience to come back week after week, “Special Ops: Lioness” feels about as basic as it gets. “Special Ops: Lioness” premieres July 23 on Paramount+.
Persons: Taylor Sheridan, , Zoe Saldaña, Joe, , Laysla De Oliveira, ” she’s, De Oliveira, Netflix’s “ Locke, Nicole Kidman, Morgan Freeman Organizations: CNN, Paramount, CBS Locations: Cruz
Opinion | Can the Writers’ Strike Fix Hollywood?
  + stars: | 2023-05-20 | by ( Ross Douthat | ) www.nytimes.com   time to read: +2 min
A somewhat more pessimistic analysis, offered by writers like Sonny Bunch and Jessa Crispin, emphasizes that the superhero-sweatshop corporate strategy evolved because it’s giving audiences what they want. And so even if the strike is an opportunity for reconsiderations, it’s probably not a lever that can change the system as a whole. Personally I would like to see the strike lever a different Hollywood system into being. (HBO’s “Westworld,” for instance, or lately Showtime’s “Yellowjackets.”) Sometimes they play like thin imitations of the previous decade’s antihero dramas. Or they take on the character of the theatrical experience but somewhat worse — with too-big-to-fail franchises that nobody really enjoys.
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