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Season 4, Episode 6: Part 6One of the tricky parts of a ghost story like “True Detective: Night Country” is the banal, inevitable business of having to explain events that were once teasingly inexplicable. This is the risk the creator Issa López has courted all season, as the show’s procedural elements have been intermingled with obscure symbols, hidden traumas and outright ghostly hallucinations. In order to solve the practical mysteries facing Danvers and Navarro, it would have to come crashing back to earth. Yet the achievement of this flawed but compelling finale is that López succeeds in having her cake and eating it, too. From the beginning, the strongest element of “Night Country” has been its evocation of Ennis, Alaska, as this northernmost outpost of humanity, a border town to oblivion.
Persons: Issa López, Danvers, Navarro, López, Annie K, Werner, Locations: Ennis , Alaska
This week’s recap is posting earlier than usual because the episode premiered Friday on Max. Season 4, Episode 5: Part 5She’s awake. After last week’s episode spend too much time fussing over underdeveloped subplots and supernatural occurrences, this week’s hour snaps to attention like a procrastinating student who had been putting off a term paper. Their only feasible guide is Otis, a cagey German heroin addict with scorched eyeballs who once mapped the caves. They manage to get to base of the cave, but it is on mine company property and the entrance has been blown to pieces.
Persons: Max, , Danvers, Navarro, Annie K, Jack Nicholson, Raymond Clark Locations: Ennis, Chinatown
It is a realistic, down-to-earth police procedural that’s swarming with supernatural beings and lots of storytelling bric-a-brac. One of the great strengths of “Night Country” — and the three Nic Pizzolatto seasons of “True Detective” before it — is how beautifully it can conjure these modern noir images from distinct locales. And yet, so little narrative real estate was given over to Julia until this final episode that her death feels more like a device than an emotional payoff. In a pre-credits scene, we witness Danvers’s compassion in scooping her off the streets and bringing into the station, which brings her closer to Navarro. As for Navarro herself, the heaviness of this loss is a family curse that now threatens to swallow her, too.
Persons: , Issa López, there’s, Navarro’s, Julia, Aka, Nic Pizzolatto, scooping, Navarro Organizations: brac Locations: Navarro
An Inupiaq herself, she has been hiding away from her own identity. To be a police officer in Ennis is often to represent the interests of the town’s biggest employer. Navarro and Danvers are not in the business of administering environmental justice or blowing the whistle on polluted groundwater. If there is tension around the mine, they’re the ones squelching protests or arresting activists like Annie for breaking the law. That, inevitably, puts them on one side of a stark racial line.
Persons: Scott Tobias, Annie Kowtok, Annie, Navarro, we’ve, Inupiaq, Danvers Locations: Ennis
Where to Stream the 2024 Oscar Nominees
  + stars: | 2024-01-23 | by ( Scott Tobias | ) www.nytimes.com   time to read: +2 min
But ultimately, it became a motif that runs the whole way through the film. And I think, to some degree, applying the pressure to Cillian as Oppenheimer that this hearing was applying. Robert Downey Jr. as Lewis Strauss being shot on IMAX black-and-white film. And he’s here talking to Alden Ehrenreich who is absolutely indicative of the incredible ensemble that our casting director John Papsidera put together. And we try to give that as much visibility, grandeur, and glamour to contrast with the security hearing that’s so claustrophobic.
Persons: I’m Christopher Nolan, “ Oppenheimer, Jen Lane, Andrew Jackson, Kai Bird, Martin, , Murphy, Hoyte van Hoytema, Oppenheimer, ” “ We’re, Emily Blunt who’s, Kitty Oppenheimer, Robert Downey Jr, Lewis Strauss, Alden Ehrenreich, John Papsidera Locations: Trinity
One question we might have asked ourselves was whether “North Country” would become a genuine ghost story or a hybrid, blending the noir sleuthing of previous “True Detective” seasons with mere intimations of the supernatural. This second hour throws a little bit of ice-cold water on the weird stuff, at least insofar as it pertains to the deaths of these scientists and the unsolved murder of Annie, a young Inupiaq activist. When Navarro asks Rose about Travis, an ex-lover who turns up to her as a spirit, it is blithely accepted that such ghosts can appear in the darkness from time to time. As for the case itself, there’s a lot of strong, meat-and-potatoes procedural work in this episode that suggests it can be solved. The show no longer seems in danger of drifting into the inexplicable.
Persons: Liz, Hank mused, , Rose, Annie, That’s, Navarro, Travis, Locations: Tsalal, Ennis, Danvers
We have seen these types in Noah Hawley’s TV “Fargo,” too, like David Thewlis as a mirthless, ruthless British business V.M. Varga in the third season or Billy Bob Thornton as the hit man Lorne Malvo in the first season, a satanic figure who believes people are primal beasts and acts accordingly. His clients are now his targets and it is safe to say they don’t know much about him. Neither do we, frankly, even after the episode makes an unexpected leap to early 16th-century Wales, when Munch or a Munch-like ancestor takes part in a sin-eating ritual. That has turned Munch into a 21st-century debt collector, owed much more than money.
Persons: Coen, Leonard Smalls, Randall “ Tex ” Cobb, Charlie Meadows, John Goodman, “ Barton Fink, , Anton Chigurh, Javier Bardem, Noah Hawley’s, David Thewlis, V.M, Varga, Billy Bob Thornton, Lorne Malvo, Hawley, Sam Spruell, Ole Munch, Steve Buscemi, Peter Stormare, Munch, He’s, , Roy Tillman Locations: “ Raising, , , Wales
CNN —Angelo Badalamenti, the composer behind several beloved soundtracks, including David Lynch’s cult hit “Twin Peaks,” has died at 85. Badalamenti and Lynch worked together for decadesBefore he was a film composer, the Brooklyn-born Badalamenti was a musical jack-of-all-trades. “I tried to make the music have a haunting feeling,” Badalamenti said in 2019 of his “Twin Peaks” score. Film writer Scott Tobias remembered the immediate impact of watching “Twin Peaks” for the first time and recognizing it was something special. “One of the greatest.”Kyle MacLachlan, who played the unusual, coffee-loving Agent Dale Cooper on “Twin Peaks,” called Badalamenti a “brilliant and talented maestro who was a master at setting a mood.
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