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Search resuls for: "Renata Tebaldi"


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Following is an overview of some of Callas’s career highlights at La Scala. “Aida” (Verdi): April 12, 1950Callas’s very first performance onstage at La Scala was as a substitute for the much-adored Renata Tebaldi, who was unwell. “I Vespri Siciliani” (Verdi):Dec. 7, 1951This was the first time that Callas was headlining a La Scala production — kicking off the opera house’s season, in fact — and it was a triumph. It also “encapsulated so much” of the Maria Callas that audiences have come to know and revere. Musically, she gave it her all, triggering 24 minutes of applause (according to the Edwards biography), a La Scala record.
Persons: Aida ”, Renata Tebaldi, “ Maria Callas, Anne Edwards, Franco Zeffirelli, Callas, , Maria Meneghini Callas, Franco Abbiati, David Bret, Abbiati, ” “ Lucia di Lammermoor ”, Donizetti, Herbert von Karajan, , Lucia, — Callas, barehanded, Cynthia Jolly, , Bret, Violetta, Donizetti’s “ Lucia di Lammermoor ”, Bellini’s “ Norma, Luchino Visconti, Fisher, Maria Callas, Carlo Maria Giulini, Giuseppe Di Stefano, “ Anna Bolena ”, Visconti, Anne Boleyn, Henry VIII, Edwards Organizations: La Scala, Scala, della, Opera, The Times Locations: “ La, Belle
Renata Scotto, the firebrand Italian soprano and Metropolitan Opera favorite who was acclaimed for her acting and insights into opera characters as much as for her voice, died on Wednesday in Savona, Italy. At her best, in roles like Puccini’s Cio-Cio San in “Madama Butterfly” and Mimì in “La Bohème,” Verdi’s Violetta in “La Traviata” and Bellini’s “Norma,” Ms. Scotto achieved a dramatic intensity that electrified audiences and elicited the highest praise from her fellow opera stars. “Renata is the closest I have ever worked with a real singing actress,” the tenor Plácido Domingo said in The New York Times Magazine in 1978. “There is an emphasis, a feeling she puts behind every word she interprets.”Vocally, Ms. Scotto could not match the sensuousness of Renata Tebaldi or the astonishing technique and range of Joan Sutherland. But Ms. Scotto’s charisma and stage presence made critics overlook her shortcomings.
Persons: Renata Scotto, Filippo Anselmi, ” Verdi’s Violetta, Bellini’s “ Norma, ” Ms, Scotto, “ Renata, , Plácido Domingo, Renata Tebaldi, Joan Sutherland, Harold C, Schonberg Organizations: firebrand, Metropolitan Opera, The New York Times Magazine, The New York Times, Carnegie Hall Locations: Savona, Italy, , “ La, The
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