Last summer the hot-pink feminism of “Barbie” took more than $1 billion at box offices worldwide.
In Italy, however, “Barbie” was beaten by another film, a feminist dramedy with a clear nod to Italian neorealism set in postwar Rome.
The film presents a monolithic patriarchy which the women bear stoically and symbolically counter, at the end — spoiler alert — by voting.
At least part of the answer lies in the fact that “There’s Still Tomorrow” is a safe film set in a very binary world.
The plot follows Delia, a woman devoted to her family and dominated by her violent, sexist husband, Ivano, himself the son of a violent, sexist father.
Persons:
“ Barbie ”, “, ”, David, Donatello, Delia, Ivano, Marcella
Locations:
Italy, Rome