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☆ Opinion: ‘The Ministry of Ungentlemanly Warfare’ has a surprising secret
▼ + stars: | 2024-04-20 | by ( Opinion Noah Berlatksy | ) edition.cnn.com time to read: +7 min

Watch “Apocalypse Now” (1979), “Full Metal Jacket” (1987) or “Platoon” (1986) and you should know what war really means. “Ungentlemanly Warfare” features a disreputable band of riff raff brought together for a super-secret mission. Ritchie makes no such concessions to authenticity in “Ungentlemanly Warfare.”Henry Cavill is Gus March-Phillips in Guy Ritchie’s “The Ministry of Ungentlemanly Warfare." Even when a war movie doesn’t actively mislead you, the promise of being privy to an unvarnished, authentic and extreme experience can be seductive. “It would decay in eternal peace.”Compared to that kind of cult of authentic war, “Ungentlemanly Warfare” feels fairly harmless, and not in a bad way.

Persons: Noah Berlatsky, Ryan, ”, Noah Berlatsky Noah Berlatsky Guy Ritchie’s “, it’s, Fernando Po, raff, Winston Churchill, Rory Kinnear, Gus March, Phillips, Henry Cavill, Anders Lassen, Alan Ritchson, Marjorie Stewart, Eiza, Ritchie, ” Henry Cavill, Gus, Guy Ritchie’s “, Daniel Smith, electroshock, Quentin Tarantino’s, Inglourious, Hitler, He’s, “, Tarantino, Brad Pitt, B.J, Novak, Quentin Tarantino's, they’ve Organizations: CNN, Ungentlemanly, British, Lionsgate Locations: Chicago, “ Dunkirk, ”, Spanish, Fernando, Vietnam

☆ Opinion: Why a line of dialogue truly can define a film
▼ + stars: | 2024-03-05 | by ( Opinion Arash Azizi | ) edition.cnn.com time to read: +10 min

“Frankly, I hate dialogue,” Villeneuve told The Times of London. I don’t remember movies because of a good line, I remember movies because of a strong image. This supposed truism is heard everywhere in the film world and even taught to film writers. Cinema has never been a language of “pure image and sound.”Even in the age of silent films, dialogue rendered as inter-titles was critical to cinema. Charlie Chaplin stars in his 1931 silent film, "City Lights."

Persons: Arash Azizi, ”, CNN — Denis Villeneuve, It’s, Zoe Prinds, ” Villeneuve, I’m, Rolling Stone, Federico Fellini, Villeneuve, Fellini, Alexander Steele, ” Josh Brolin, Gurney Halleck, Paul Atreides, Carla Simón’s “, Gorgeously, Ethan Hawke, ” Hawke, “, they’ve, Charlie Chaplin, Chaplin, Virginia Cherrill, Adenoid Hynkler, Adolf Hitler, Institute’s, Quentin Tarantino’s, Jackie Brown ”, Pam Grier, Marlon Brando’s, Mario Puzo, Francis Ford Coppola, Merve, Greta Gerwig’s, Bird ”, wouldn’t, Palme d’Or, Jane Campion, David Lynch’s, Golden, Martin Scorsese glowed, ” Scorsese Organizations: Oneworld, CNN, Warner Bros, Times, Gotham Writers, Chalet, Warner Bros ., Sundance, Film Society of Lincoln Center, United, Getty, New York Times, Villeneuve, Janus, Atlanta ”, Derry Girls ”, Cannes Locations: French, Canadian, London, Italian, Cannes, Berlin, Catalonia, Jewish, Iran, cinema’s, “

☆ At Flamenco Festival, Molting Into a New Idea of Spanish Dance
▼ + stars: | 2024-03-02 | by ( Marina Harss | ) www.nytimes.com time to read: +1 min

For Olga Pericet, flamenco is an invitation: to play and to explore the limits of her imagination onstage. Pericet, who comes from a family of flamenco dancers and teachers, has a deep respect for the traditions of the form. Over the years the Flamenco Festival, which arrives in New York each spring, has offered a window on its evolution. This year the festival has three dance programs at City Center, beginning March 8, each invoking a range of associations: to past dance forms, to flamenco auteurs, and to the central role of the flamenco guitar. Pericet’s “La Leona,” takes its inspiration from a 19th-century guitar prototype that produced the rich, resonant sound we now associate with flamenco music.

Persons: Olga Pericet, “, ”, Pericet, Quentin Tarantino’s, Martha Graham, Pericet’s “ La Leona Organizations: Flamenco, City Center, Ballet Nacional Locations: Madrid, Roma, Spain, New York

☆ ‘Kill B.’ Review: Dances of Dominance
▼ + stars: | 2024-02-11 | by ( Siobhan Burke | ) www.nytimes.com time to read: +1 min

The dancer Mia Zalukar lay collapsed on the stage of NYU Skirball, seemingly exhausted after a long solo — but she wasn’t doing it quite right. This is one of many such exchanges in “Kill B.,” a 2019 work by Isakovic and Zalukar that had its United States premiere on Friday evening as part of the Queer New York International Arts Festival. Organized by the Croatian curator Zvonimir Dobrovic, the festival features artists from Croatia, Canada, Argentina, Brazil and Germany exploring “what it is to be outside of the norm,” Dobrovic said in a curtain speech. He stressed that this outsider status is contextual; it might mean one thing in post-socialist Zagreb, another in São Paulo. Inspired by Quentin Tarantino’s “Kill Bill” movies, the decidedly brief “Kill B.” doesn’t evoke the bloody violence of the films (though there are some choice references) so much as the fraught director-actress relationship at their core.

Persons: Mia Zalukar, NYU Skirball, Bruno Isakovic, ”, Isakovic, Zvonimir Dobrovic, ” Dobrovic, —, Quentin Tarantino’s “, Bill ” Organizations: NYU, Queer New York International Arts Locations: “, States, Croatian, Croatia, Canada, Argentina, Brazil, Germany, Zagreb, São Paulo

☆ ‘Out of Sight,’ 25 Years Later
▼ + stars: | 2023-06-27 | by ( Jason Bailey | ) www.nytimes.com time to read: +2 min

“I said sure, I’d read it right away, and I did,” Soderbergh wrote. In other hands, “Out of Sight” might not have proved to be such a game changer for Clooney, who was having a rough time making the transition from “E.R.” heartthrob to movie star. And another director might not have cast Jennifer Lopez, whose movie-star stock also rose considerably after her tough, sexy turn in the film. “Out of Sight” (streaming on Peacock) was part of a mini-bonanza of Leonard adaptations, following the success of “Get Shorty” (1995). (Tarantino told him that “Jackie Brown” was “nothing like ‘Out of Sight,’” Soderbergh wrote in March.

Persons: Steven Soderbergh, Casey Silver, “, Elmore Leonard, George Clooney, ” Soderbergh, Casey, ”, Soderbergh, Clooney, ” heartthrob, Jennifer Lopez, Leonard, Shorty ”, “ Shorty, Barry Sonnenfeld, Scott Frank, Frank, Cameron Crowe, Mike Newell, Quentin Tarantino’s, “ Jackie Brown, Tarantino, Jackie Brown ” Organizations: ”, ” Jersey Films, New York Times Locations: ” Jersey, Black

☆ Nice Guy Meets Iron Man in the First Novel by Tom Hanks
▼ + stars: | 2023-05-07 | by ( Alexandra Jacobs | ) www.nytimes.com time to read: +1 min

THE MAKING OF ANOTHER MAJOR MOTION PICTURE MASTERPIECE, by Tom Hanks. Sidelined by the pandemic, some actors fired up ceramics or sang fragments of “Imagine.” Tom Hanks, one of the most prominent to contract an early case of Covid, bounced back by making a run at the Great American Novel. Alas, it is more Forrest Gump trotting from coast to coast than Sully landing on the Hudson. Titled “The Making of Another Major Motion Picture Masterpiece,” the book arrives at a crossroads for Hollywood. The novel also acknowledges a fading time when leading actors, even avatars of Everyman decency like the author, were royalty: their work shown not in living rooms but red-velvet-swagged “palaces.”

☆ Kumail Nanjiani defends Tarantino and Scorsese’s right to criticize Marvel
▼ + stars: | 2023-01-12 | by ( Brahmjot Kaur | ) www.nbcnews.com time to read: +2 min

Kumail Nanjiani, star of Marvel’s “Eternals,” recently defended directors Martin Scorsese and Quentin Tarantino’s right to criticize Marvel Cinematic Universe. The actor, who played Kingo in the 2021 Marvel film, told Esquire in an interview this week he believes Tarantino and Scorsese’s long-standing contribution to the film industry is enough to justify their right. “I obviously love the movies Tarantino makes or Scorsese makes, and I may disagree with Scorsese’s opinion on superhero movies, but I mean, who else has earned the right to have an opinion? If Scorsese hasn’t earned the right to have an opinion on movies, then none of us should have an opinion on movies,” Nanjiani said in the interview. “If the only gatekeepers to movie stardom came from Tarantino and Scorsese, I would never have had the opportunity to lead a $400 million plus movie,” Liu tweeted.

☆ Law & Order SVU's Maurice Compte: Boundaries between good and bad can be 'blurry'
▼ + stars: | 2023-01-12 | by ( Arturo Conde | Arturo Conde Is An Editor | A Bilingual Freelance Journalist. He Writes For La Opinión A Coruña | ) www.nbcnews.com time to read: +4 min

Police dramas often define a clear line between good and bad. But Cuban American actor Maurice Compte, who plays Captain Mike Duarte on the 24th season of “Law & Order: Special Victims Unit,” says the policemen and gang members he grew up with make that line more blurry in real life. The actor told NBC News that he knew both policemen and gang members — some of whom he said were in the Latin Kings. Beyond the imaginary TV line that divides characters into good and bad, there's a more complicated reality that drives both sides to belong to a community, he said. “At its best, I understood why they were doing it,” Compte said, referring to the gang members that he knew from his neighborhood.

☆ ‘Shang-Chi’ star Simu Liu pushes back on Quentin Tarantino’s anti-Marvel comments
▼ + stars: | 2022-11-22 | by ( Sandra Gonzalez | ) edition.cnn.com time to read: +2 min

“If the only gatekeepers to movie stardom came from Tarantino and Scorsese, I would never have had the opportunity to lead a $400 million plus movie,” Liu, the star of Marvel’s “Shang-Chi and the Legend of the Ten Rings,” wrote on Twitter. But they don’t get to point their nose at me or anyone.”He continued: “No movie studio is or ever will be perfect. As Liu referenced, Martin Scorsese is among the other legendary filmmakers who have publicly taken issue with the box office dominance of Marvel movies. “Shang-Chi and the Legend of the Ten Rings” made more than $432 million worldwide during the course of its box office run. As of last year, director Destin Daniel Cretton was set to develop a sequel.

☆ Quentin Tarantino’s Greatest Hits of the ’70s
▼ + stars: | 2022-11-11 | by ( Tom Shone | ) www.nytimes.com time to read: +2 min

CINEMA SPECULATION, by Quentin TarantinoMost film directors would no more comment on one another’s movies than they would score each other’s performance in bed. Then there is the Quentin Tarantino approach. “When Daryl Hannah walks down the hall of the hospital in ‘Kill Bill Vol. Any film critic would give her left arm to have made that connection. He never sees Reggie again, and whenever young Quentin brings him up, his mother just shrugs her shoulders and says, “Oh, he’s around.”

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