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Search resuls for: "Pablo Picasso’s"


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Pablo Picasso's 1932 painting "Femme a la Montre" is displayed at an auction at Sotheby's, in New York City, U.S., November 8, 2023. REUTERS/Ben Kellerman Acquire Licensing RightsNEW YORK, Nov 8 (Reuters) - Pablo Picasso’s 1932 painting “Femme à la montre” sold for more than $139 million on Wednesday at a Sotheby’s New York auction, making it the most valuable work of art sold globally at an auction this year. “Femme à la montre,” which translates from French to “Woman with a Watch,” is a portrait of the artist’s lover Marie-Thérèse Walter seated in a throne-like chair against a blue background. Walter became his subject for a number of artworks, including the 1932 painting "Femme nue couchée," which sold for $67.5 million at auction in 2022. Picasso painted “Femme à la montre” at a pivotal year in his career.
Persons: Pablo Picasso's, Ben Kellerman, Pablo Picasso’s, , Emily Fisher Landau, , Marie, Thérèse Walter, Picasso, Olga Khokhlova, Walter, Khokhlova, Fisher Landau, Rod Nickel Organizations: REUTERS, Tate, York’s Pace, Thomson Locations: Sotheby's, New York City, U.S, New York, York, Christie’s, Ukrainian, Paris, Manhattan
CNN —Claude Ruiz-Picasso, the younger son of Pablo Picasso, has died in Switzerland at age 76. A young Claude Ruiz-Picasso with his father Bettmann Archive/Getty ImagesIn a statement emailed to CNN, Neuer said: “Claude Ruiz-Picasso, son of Pablo Picasso, has died. The Picasso Museum in Barcelona, the city where the artist spent his adolescence, reacted to the news of Ruiz-Picasso’s death in a string of posts on X, formerly Twitter. Her mother, Gilot, died earlier this year at age 101. Gilot met Picasso, who was 40 years her senior, in 1943.
Persons: Claude Ruiz, Picasso, Pablo Picasso, Jean, Jacques Neuer, Bettmann, Neuer, “ Claude Ruiz, Madame Sylvie Picasso, née Vautier, Jasmin, Solal, “ Picasso, Claude, Françoise Gilot, Gilot, Paloma, Paulo, Olga Khokhlova, Marie, Thérèse Walter, Ruiz, Richard Avedon, , ” Ruiz, Paloma Picasso, Luc Simon Organizations: CNN, Picasso Museum, Vogue, Picasso Museum’s Locations: Switzerland, Barcelona, France, Spain
Can You Spot the Dog Hidden in This Picasso Painting?
  + stars: | 2023-05-17 | by ( Jesus Jiménez | ) www.nytimes.com   time to read: +1 min
In Pablo Picasso’s 1900 painting “Le Moulin de la Galette,” revelers sporting dresses or top hats appear to be drinking, dancing and chatting. Beneath the partyers, under layers of paint, there is a hidden dog that the artist seems to have hastily painted over. But recent research and extensive restoration of the painting for an exhibition revealed an auburn-coated King Charles spaniel with a red bow. The treatment revealed subtleties — such as the brushwork, color palette and spatial definition — that had previously gone unnoticed in the painting. Then, technical imaging unveiled an earlier version of the painting that included the lap dog in the foreground.
6 Picasso Shows to See This Year
  + stars: | 2023-04-06 | by ( Gabe Cohn | ) www.nytimes.com   time to read: 1 min
Pablo Picasso’s 1921 painting “Three Women at the Spring” will be shown at the Museum of Modern Art this fall, in one of several exhibitions at American and European museums marking the 50th anniversary of the artist’s death. Credit... Estate of Pablo Picasso/Artists Rights Society (ARS), New York; via The Museum of Modern Art
Picasso: Love Him or Hate Him?
  + stars: | 2023-04-05 | by ( Deborah Solomon | April | ) www.nytimes.com   time to read: +14 min
It is not hugely cool to profess a love for Picasso these days. This is what Picasso’s detractors — like Hannah Gadsby, the Australian comedian and Picasso basher, who will help curate a Picasso show at the Brooklyn Museum opening on June 2 — often miss. Picasso, by contrast, brought the weight of lived experience into his work, even when he was tethered to archetypal subjects. “The Mother” (1901), an early painting by Picasso, shows a view of motherhood purged of Renaissance idealization. The conventional view of the painting holds that the women are “dolled-up cocottes,” as John Richardson glibly put it in his biography of Picasso.
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