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☆ Ultra-gory 'Terrifer 3' kicks 'Joker 2' off the top of the box office chart, as Art the Clown is hailed a new horror icon
▼ + stars: | 2024-10-14 | by ( Eammon Jacobs | ) www.businessinsider.com time to read: +4 min

Horror fans are calling the main character, Art the Clown, a new icon for the genre. Fans say the success of "Terrifier 3" has cemented its lead character, the demonic, mute serial killer Art the Clown, as a horror icon. Now, fans have hailed Art as a modern horror icon akin to other slasher villains such as Norman Bates, Leatherface, Michael Myers, and Freddy Krueger. My horror hot take:Art the Clown is the first true horror icon to emerge thus far this century (Pennywise was already an icon under Tim Curry, and the “Saw” films have gone on without Jigsaw). He’s the horror icon we need right now.

Persons: —, David Howard Thornton, Art, Todd Phillips, Norman Bates, Leatherface, Michael Myers, Freddy Krueger, Pennywise, Tim Curry, Freddy, pic.twitter.com, S7xUQYjWAp — Shawn, dHGeWMkPap — John Squires 🎃, rueger Organizations: Service, Marvel

☆ 'Longlegs' isn't based on a true story, but it has a surprising connection to one famous murder
▼ + stars: | 2024-07-19 | by ( Caralynn Matassa | ) www.businessinsider.com time to read: +7 min

Part of its viral marketing also included a website about the so-called "Birthday Murders," styled like a throwback '90s webpage. AdvertisementA website about the fictional Birthday Murders created by Neon. The Birthday Murders website looks like any number of actual true-crime forums frequented by people who like to talk about and dissect unsolved murders. The 'Longlegs' director says his movie's dolls were inspired by a small detail in JonBenét Ramsey's murder caseFBI agent Lee Harker investigates the Longlegs murders. In the ending of "Longlegs," Longlegs is revealed to be a Satan-loving dollmaker who handcrafts life-sized dolls that look just like the daughters of each family he kills.

Persons: Nicolas Cage, Oz Perkins, Lee Harker, Maika Monroe, who's, Lee, Ed, Lorraine Warren, it's, Longlegs, Ruth Harker, Ruth, Ruby, Carter's, Perkins hasn't, NEON Perkins, Perkins, Gus Van Sant, Anthony Perkins, Norman Bates —, James George Frazer, JonBenét, JonBenét Ramsey, Ramsey, ciphered Organizations: Service, FBI, Business, Collider, Longlegs, Lambs Locations: Boulder , Colorado

☆ Opinion: It’s time more horror films push back against queer stereotypes
▼ + stars: | 2024-07-13 | by ( Opinion Noah Berlatsky | ) edition.cnn.com time to read: +7 min

But the portrayal of trans women as predators was a new innovation that had a huge impact on the horror genre. Andit had a big impact on Jonathan Demme’s “The Silence of the Lambs” in which the terrifying serial killer, Buffalo Bill, is a predatory trans woman (or more precisely, as Jos Truitt has explained, Bill is a transphobic caricature of a trans woman). The danger isn’t from trans women — it’s from heterosexual cis patriarchs — a reality much truer to life than Hitchcock’s fever dream. Perhaps in part for that reason, the director is careful not to make Longlegs trans or gay. It’s not just “Longlegs” which displaces violence onto queer people: Movies like “Psycho” and “Silence of the Lambs” are often acts of aggression aimed by male directors at queer people (and especially at queer women).

Persons: Noah Berlatsky, —, Noah Berlatsky Noah Berlatsky, Oz Perkins, Julia Ducournau’s “, ”, John Logan’s “, Longlegs ”, “, Lee Harker, Maika Monroe, Perkins, Anthony Perkins, Norman Bates, Alfred Hitchcock’s, ” Hitchcock, Bates, he’s, Norman, fatales, Hitchcock, Brian DePalma’s, Jason, James Wan’s, Andit, Jonathan Demme’s “, Bill, Jos Truitt, Alfred Hitchcock, Harker, it’s, Harker’s, Hunter ”, Perkins doesn’t, Longlegs, Nicholas Cage, Berry Berenson, Ted Levine, Ken Regan, Orion, queerness, Marc Bolan, Buffalo Bill, It’s Organizations: CNN, FBI, Lambs, Paramount, “, DOJ, Buffalo, Twitter Locations: Chicago, Hollywood, UCLA

☆ What if Mom’s Not to Blame?
▼ + stars: | 2024-02-27 | by ( Mark Harris | Keita Morimoto | ) www.nytimes.com time to read: +3 min

The past year has brought an exceptionally varied and thematically rich crop of movies exploring men and their — to use the proper scientific term — mommy issues. By the end of most of them, blood is on the floor, and the collateral damage is steep. Men who couldn’t, or worse, didn’t want to, were portrayed as marionettes tied to and practically strangled by their mothers’ apron strings. “I’ve been talking to this psychiatrist about my mother for two years now,” his character says in “Pillow Talk” (1959), adding, “It’s perfectly healthy. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.

Persons: Beau, ”, who’s, Freud, Robert Walker’s simpering, mommy, Anthony Perkins, Norman Bates, Marion Crane, Janet Leigh, Tony Randall, Doris, “ I’ve Organizations: Hudson, The

“It’s fascinating how people seek queerness — and where they seek queerness,” Fuller added. Murnau’s “Faust” and “Nosferatu,” such moments of levity keep viewers engaged while they’re soaking up early Hollywood’s rich queer history. “Whether you’re ideologically queer or sexually queer, you might relate to the monster’s narrative, because you, too, have felt ‘outsidered’ or villainized in some way.” Bryan fuller, 'queer for fear' executive producer“The Dracula costume kit is basically drag. So this, to me, is the experience of being a gay man.”As Alaska’s assessment demonstrates, “Queer for Fear” isn’t interested in just exploring how horror has provided a haven for queer creatives. Because of the Hays Code, LGBTQ creators and those, like Hitchcock, who wanted to include those themes had to do so through subtext, which counterintuitively gave birth to some of the most essential queer horror ever made.

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