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Search resuls for: "More About Aruna D Souza"


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“I come from show people,” the sculptor and installation artist Karon Davis said in an interview on Wednesday. “The minute I was born, I was handed tap shoes, ballet shoes.” She’s only half joking: her mother, Nancy Bruner, was a ballerina; her sister, Naja, who died at the age of 16, was an aspiring ballerina; and her father is the Tony- and Emmy-award-winning actor, dancer and singer Ben Vereen. That immersion inspired her recent exhibition, “Beauty Must Suffer,” which opened on Oct. 12 at Salon 94 in Manhattan. On the second floor, plaster children practice at the barre, dancers rest, bow and stretch alongside floor-to-ceiling columns composed of pink tutus and piles of “dead” toe shoes. (Until fairly recently, the major makers of ballet slippers didn’t produce a diverse range of colors.)
Persons: Karon Davis, , ” She’s, Nancy Bruner, Naja, Tony, Ben Vereen, they’re Organizations: barre Locations: Manhattan, Paris
The blur offers a similar anonymity to the residents of Harlem in Ming Smith’s nighttime photos from her “Invisible Man” series (1988-91). Where Smith uses long exposure to create her effect, Sondra Perry, in her video loop, “Double Quadruple Etcetera Etcetera I & II” (2013) relies on a tool in Photoshop that removes unwanted elements to partially obscure the bodies of two dancers. John Edmonds overexposes his film to create solarized prints with velvety surfaces in which his Black male subjects take refuge in the shadows. The hoodie, not surprisingly, shows up in many forms. Kevin Beasley casts it in resin in “ … ain’t it?” (2014), while Edmonds depicts young men who are doubly obscured — hoods up and seen from the back — in his large-scale photographs from 2018.
Persons: Smith, Sondra Perry, Joiri Minaya, John Edmonds overexposes, Kevin Beasley, Edmonds, Carrie Mae Weems, Trayvon Martin Locations: Harlem, Ming
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