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Search resuls for: "Miles Bron"


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Rian Johnson is taking Benoit Blanc back to America in "Wake Up Dead Man." Daniel Craig as Benoit Blanc in "Knives Out." "Knives Out" is set in a quirky mansion in Massachusetts, while "Glass Onion" takes place on a Greek island owned by Edward Norton's egotistical billionaire, Miles Bron. Business Insider spoke to director Rian Johnson back in December 2022, and he revealed that "Wake Up Dead Man" will be set in the US. "I've got the premise, I've got the setting, I've got what the movie is in my head.
Persons: Rian Johnson, Benoit Blanc, Daniel Craig, Edward Norton's, Miles Bron, Johnson, he's, I've, It's Organizations: Netflix, Business, Writers Guild of America Locations: America, Massachusetts, Paris
Rian Johnson is taking Benoit Blanc back to America in "Wake Up Dead Man." "Knives Out" is set in a quirky mansion in Massachusetts, while "Glass Onion" takes place on a Greek island owned by Edward Norton's egotistical billionaire, Miles Bron. Business Insider spoke to director Rian Johnson back in December 2022, and he revealed that "Wake Up Dead Man" will be set in the US. I obviously couldn't work during the strike, and now that it's over, I'm diving in full force, and so it's coming along," said Johnson. "I've got the premise, I've got the setting, I've got what the movie is in my head.
Persons: Rian Johnson, Benoit Blanc, Daniel Craig, Edward Norton's, Miles Bron, Johnson, he's, I've, It's Organizations: Netflix, Business, Writers Guild of America Locations: America, Massachusetts, Paris
"Glass Onion" director Rian Johnson joked that Netflix might have funded the Twitter takeover. Johnson said this wasn't intentional, saying the character reflected general tech billionaire foibles. I hope there isn't some secret marketing department at Netflix that's funding this Twitter takeover," Johnson said. Johnson told Wired that Norton's character was originally based on an amalgamation of tech billionaire personalities. Asked if he would ever write a sequel about the downfall of Twitter, Johnson responded: "Didn't I just do that?"
Just in time for the streaming debut of its hotly anticipated "Glass Onion: A Knives Out Mystery," the streaming service's marketing team has listed the film's eponymous Greek island compound on the popular real estate site. "Sleek architecture and sophisticated design, with an equal eye toward nature and extravagance, provide an unparalleled luxury living experience accessible only by boat and crowned by a Glass Onion atrium," the listing reads. Of course, even if you have the millions to shell out, the "Glass Onion" estate doesn't exist. A link to "learn more" about the listing brings visitors to the "Glass Onion" page on Netflix's website. But viewers will be able bring the villa to their living rooms: "Glass Onion" hits Netflix on Dec. 23.
“Spoiler Alert” opened in U.S. theaters Dec. 2. “Women Talking” opened in select U.S. theaters Dec. 2. “The Whale” opens in U.S. theaters Dec. 9. “Babylon” opens in U.S. theaters Dec. 23. “I Wanna Dance With Somebody” opens in U.S. theaters Dec. 23.
Still, the nattily attired Blanc is not only a detective dandy, he’s a dandy detective, and “Glass Onion: A Knives Out Mystery” is breezy holiday entertainment. All of them accept the offer to be guests at the lavish Greek island property of a jovial billionaire, Miles Bron ( Edward Norton ). We learn that he used to hang out with all of them at a tavern called the Glass Onion before he launched the tech business that made his fortune. Now he’s doing well enough to have built himself an enormous mansion topped by a palatial structure shaped like a glass onion. He boasts to his old friends that, unknown to his insurers, he has installed an override button that removes the protective glass housing around the masterpiece.
“Glass Onion: A Knives Out Mystery” is a bit of a clunky title. But the film itself, which only ever calls itself “Glass Onion” on screen, is a delightful trifle of a mystery movie, a laugh-out-loud comedy that deserves to be a mass market theatrical hit. Perhaps “Glass Onion” is better experienced on streaming — at least philosophically. But perhaps “Glass Onion” is better experienced on streaming — at least philosophically. That being said, “Glass Onion” is as wonderfully enjoyable as its predecessor, even though there’s little need to connect the two.
CNN —Rising to the challenge of matching its successful predecessor, “Glass Onion: A Knives Out Mystery” maintains the razor-sharp formula, with a setup that feels even more conspicuously like an Agatha Christie homage before an extremely clever series of twists kick in. Writer-director Rian Johnson again assembles a solid cast behind Daniel Craig, but it’s his use of language – where nary a word is wasted – that finally gives the sequel its edge. Netflix opportunistically stepped up to acquire the “Knives Out” franchise and, departing from its usual “Stroke the filmmakers’ egos” approach to theatrical distribution, will actually give the movie a wide one-week-only release before it hits the streaming service in late December. Happily, “Glass Onion” finds new layers to explore, in a way that makes the prospect of a new “Knives Out Mystery” every few years sound like a perfectly reasonable idea, wherever and however one chooses to consume it. “Glass Onion: A Knives Out Mystery” premieres November 23 in US theaters and December 23 on Netflix.
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