All of these musicals use a pop vernacular, “Bad Cinderella” somewhat less so.
Is pop, particularly pop written and produced by men, a useful form for feminist discourse?
Martin and the generation of pop architects who followed him treat lyrics almost as an afterthought.
COLLINS-HUGHES Inattention to lyrics is a limitation of jukebox musicals, but it doesn’t hold for original pop songs, which can be whatever the writer makes them.
It would help, though, if more of the songwriters getting musicals produced were women.
Persons:
Max Martin, Martin, “, Juliet ”, Shakespeare, TILLET, I’m, COLLINS, HUGHES, ZOLADZ, Ariana Grande
Organizations:
Backstreet Boys