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Search resuls for: "Marjorie Ingall"


3 mentions found


Children’s books, which present subtle truths in simple terms, offer a valuable tool in retaining our moral bearings, especially amid a maelstrom of grief and rage. In the books I read with my son, I saw the Palestinian children’s authors of today doing something I recognize from my research on the Yiddish children’s literature of the previous century: striving to help children make sense of the world they stand to inherit while writing a better world into being. Instead of reinforcing conventional nationalism, these works followed the general tendency of Yiddish literature, art and film to explore how culture might define a nation. They were created to write a better world into being: Now we must use them to read a better world into being. Children’s literature can’t solve these problems.
Persons: I’ve, Emily Style, Maurice Sendak, Naomi Shihab Nye, Hannah Moushabeck’s “, Amahl, Marjorie Ingall, Janice Hechter’s, , “ Daniel, Ismail ”, Juan Pablo Iglesias Organizations: Palestinian, West Bank, Aida Locations: Gaza, Palestinian American, Palestine, , Old City, Jerusalem, Bethlehem, Israel
An Embarrassment of Witches
  + stars: | 2023-10-27 | by ( Marjorie Ingall | ) www.nytimes.com   time to read: +3 min
$17.99, ages 8 to 12) shares with Del the realization that self-love can be an act of resistance. Not only can her powers help save the world, but they may also heal her fractured Scottish family. Stories involving spirits and witches (including “Where the Wild Things Are,” “A Wrinkle in Time,” and the Harry Potter and Lord of the Rings series) have triggered book bans and challenges. These three novels are far more likely to be banned for featuring Black and Jewish characters than for witchcraft. Is it any wonder kids want to read about a magical world they have the power to improve?
Persons: Del, Eden Royce —, who’ve, ’ Lundy, Elle McNicoll’s, , McNicoll, Harry Potter Organizations: Pond Press, PEN America Locations: South Carolina, Edinburgh
When Marjorie Ingall and Susan McCarthy decided to write "Sorry, Sorry, Sorry: The Case For Good Apologies," they wanted to figure out why. The two journalists were fascinated by how difficult it is to formulate a sincere — or at least sincere-sounding — apology. Ingall also had a personal stake in finding out how to teach kids to say "sorry." One potential reason we're so bad at saying "sorry," Ingall said, is that good apologies weren't modeled for us growing up. To be good at apologizing as an adult, you have to witness it and learn how to do it as a kid, she said.
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