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Search resuls for: "Lise Davidsen"


3 mentions found


In 1910, Puccini was in New York to supervise the opening night of his opera “La Fanciulla del West,” the Met’s very first world premiere. With the tenor Enrico Caruso and the soprano Emmy Destinn, household names in their day, in the leading roles, “Fanciulla” was a runaway hit. Now, more than 100 years later, with a severe lack of music education in our schools and competition from an ever-expanding array of streaming entertainment options, opera faces its greatest existential challenge. We are fighting to survive economically (our European colleagues are better off with substantial government funding), regain our artistic footing and secure new audiences and donors. This is particularly difficult to accomplish because for decades there has been resistance to substantial artistic change from administrators, academics and critics.
Persons: Lise Davidsen, Giacomo Puccini’s “, , Puccini, Enrico Caruso, Destinn, “ Fanciulla ” Organizations: Metropolitan Opera, scalpers Locations: New York, Fanciulla del West
As dramatic music swirled late Monday evening, the woman trudged a few steps pushing a filthy shopping cart — so hunched and bedraggled that she seemed like an extra, sent onstage to set the scene before the star entered. Then she opened her mouth, and a note emerged so pure and clear, widening into a cry before narrowing back into a murmur, that it could only be the soprano Lise Davidsen, cementing her stardom in a new production of Verdi’s “La Forza del Destino” at the Metropolitan Opera. In her still-young Met career, Davidsen has triumphed in works by Tchaikovsky, Wagner and especially Strauss. She has quickly become the rare singer you want to hear in everything. But Verdi and the Italian repertoire traditionally belong to voices more velvety and warm than hers, which has the coolly powerful authority of an ivory sword, particularly in flooding high notes.
Persons: Lise Davidsen, Davidsen, Tchaikovsky, Wagner, Strauss, Verdi Organizations: Forza, Metropolitan Opera Locations: Italian
Across the monumental, hourslong opera “Don Carlo,” two female characters take a journey unparalleled in Verdi’s canon of 28 operas. Just two real-life characters from history caught in a love triangle that rocked 16th-century Spain. For her and Yulia Matochkina, a Russian mezzo-soprano, it’s a chance to delve into two of Verdi’s most complicated and fully realized female characters. It portrays a real-life Spanish prince, Don Carlo, and Elisabeth of Valois, a French princess, who are secretly in love, although she is betrothed to his father, King Philip II of Spain. But for many, it’s the women who move the story forward and offer perhaps the richest characterizations in Verdi’s repertoire.
Persons: Don Carlo, , Nicholas Hytner’s, Lise Davidsen, Elisabeth of Valois, Yulia Matochkina, it’s, “ Don Carlo ”, Friedrich Schiller, King Philip II of Spain, Princess Eboli, Carlo, Rodrigo Organizations: Royal Locations: Spain, Norwegian, Russian
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