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Experts noted then, as they note today, that high costs and complex logistics make mass deportation more complicated than campaign promises suggest. Immigrants deported from the United States arrive in Guatemala City on an ICE deportation flight on February 9, 2017. John Moore/Getty ImagesSo what would deporting the millions of undocumented immigrants living in the United States cost? The organization also argues that mass deportation would make more jobs available for Americans. The economic impact of mass deportation, he says, would amount to “utter disaster.”“We Americans, we, the country, we, in our communities, would be significantly damaged,” he says.
Persons: Donald Trump, he’ll, he’s, Trump, they’ve, Tom Homan, Stephen Miller, JD Vance, he’d, Biden, , John Sandweg, Obama, ” Trump, wasn’t Trump, “ It’s, Laura Collins, George W, Sandweg, John Moore, Collins, Miller, Jason Houser, , Houser, “ That’s, ” Collins, , you’re, ” Sandweg, they’re, ” Houser, it’s, “ They’re, who’d, , Lisa Sherman Luna, Saul Young, Michael Ettlinger, Zeke Hernandez, Hernandez, that’s Organizations: CNN, Republican National Convention, Customs, Trump, Migration, ICE, Bush Presidential, Immigrants, American Action, American Immigration, Pew Research Center, of Homeland Security, Syracuse University, Department of Homeland Security, Migration Policy, MPI, Pew Research, Tennessee, Refugee Rights Coalition, Community, Knoxville News Sentinel, USA, Carsey School of Public, University of New, Taxation, University of Pennsylvania’s Wharton School, Federation for American Immigration Reform Locations: United States, United, Guatemala City, China, Cuba, India, Russia, Venezuela, Mississippi, Tennessee, Morristown , Tennessee, University of New Hampshire
Broadway shows usually come with a back story about the yearslong slog it took to get them there. Not so with Heidi Schreck’s new translation of Chekhov’s “Uncle Vanya,” which arrived at Lincoln Center Theater’s Vivian Beaumont Theater not even 12 months after its inception. Directed by Lila Neugebauer, it is Schreck’s first Broadway show since “What the Constitution Means to Me,” in 2019, and the ensemble is a starry one. William Jackson Harper, best known for “The Good Place,” plays Astrov, the eco-nerd doctor whom Sonia loves. Anika Noni Rose, a Tony Award winner for “Caroline, or Change,” is the glamorous Elena, Sonia’s stepmother, for whom both Vanya and Astrov yearn.
Persons: Heidi Schreck’s, Uncle Vanya, , Vivian Beaumont, Lila Neugebauer, Steve Carell, Vanya, Sonia, Alison Pill, Alfred Molina, William Jackson Harper, Anika Noni Rose, “ Caroline, Elena, Sonia’s, Astrov Organizations: Broadway, Lincoln Center
Somewhere close to the four-hour mark in “Bark of Millions,” the polychromatic cavalcade of splendor that is Taylor Mac and Matt Ray’s new rock opera, I finally realized why the woman in front of me had been reading on her phone throughout the performance. The words on her phone were excerpts from the show’s lyrics, a free digital version of the printed fan deck on sale at concessions. More than 50 songs in, she was grasping at that text in an attempt to follow along. Because the great frustration of “Bark of Millions,” which continues through Saturday at the Brooklyn Academy of Music’s Harvey Theater, is that there are far too many songs in which the music drowns out the lyrics, making the meaning a bafflement. If “Bark of Millions” were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.
Persons: Taylor Mac, Matt Ray’s, Brendan Aanes, Mac Organizations: Brooklyn Academy of Music’s Locations: Versailles, Vegas
Mind you, “Jonah” will charm you anyway, and make you laugh. So will Jonah, the adorable day student (or is he?) whom Ana, our teenage heroine, meets at her boarding school (or does she?). The flirty, funny banter between the self-assured Ana (Gabby Beans, in a top-of-her-game performance) and the more broken-winged Jonah (a disarming Hagan Oliveras) is utterly adolescent, as is the way they occupy their bodies. They still have the flop-on-the-floor looseness of little kids, but it’s mixed with cheeky daring (mostly hers) and mortified caution (mostly his), because hormones and desire have entered the picture.
Persons: “ Jonah, ” Rachel Bonds’s, Jonah ”, Jonah, Ana, Laura Pels, Gabby Beans, Hagan Oliveras
Whose Last Show Is It, Anyway?
  + stars: | 2024-02-01 | by ( Laura Collins-Hughes | ) www.nytimes.com   time to read: +1 min
Outside the big, tall windows of Ellen Maddow and Paul Zimet’s Manhattan loft, in a former garment factory on Mercer Street in SoHo, is a slice of the New York skyline: up close, rooftops of old brick buildings, solid as can be; farther off, glass towers — taller, sleeker, colder, newer. In a city forever in flux, Maddow, 75, and Zimet, 81, have stayed put for half a century, creating experimental theater in the skylighted boho oasis that cost $7,000 to buy in 1973, and where they raised their family. Having arrived in the neighborhood when it was scary-scruffy, long before it went way upscale, they have remained stubbornly devoted to each other, and to their venerably niche downtown company, Talking Band, which turns 50 this year. That kind of history can sound utopian from the outside. But misunderstanding is a risk they’re taking, cautiously, with “The Following Evening,” a new play in which they portray slightly fictionalized versions of themselves, in slightly fictionalized versions of their lives.
Persons: Ellen Maddow, Paul Zimet’s, Maddow Locations: Paul Zimet’s Manhattan, SoHo, York
Seldom have a pair of alcoholics looked as glamorous as they do in Craig Lucas and Adam Guettel’s bruised romance of a Broadway musical, “Days of Wine and Roses,” starring Kelli O’Hara and Brian d’Arcy James as midcentury-modern Manhattan lovers free-falling all the way to hell, drinks in hand. And yet we can sense the allure: how alcohol might become the one true thing that matters, smoldering wreckage be damned. Adapted from JP Miller’s recovery-evangelizing 1958 teleplay and 1962 film of the same name, this “Days of Wine and Roses” is like a jazz opera melded seamlessly with a play. Deeper, wiser and warmer than it was in its premiere at Off Broadway’s Atlantic Theater Company last year, it is no longer so wary of melodrama that it’s afraid of feeling, too. Gone is the emotional aridity that kept the story at a strange remove.
Persons: Craig Lucas, Adam Guettel’s, , Kelli O’Hara, Brian d’Arcy James, doesn’t, Michael Greif’s Organizations: Atlantic Theater Company Locations: Manhattan
On a summer lawn outside Ballybeg Hall, the O’Donnell siblings loll under lemony sunlight perfect for a family reunion. A wedding has lured back two of the émigrés among them, but Claire, the bride-to-be, has always lived at home. A widower with young children he wants her to raise, he has promised her a car for Christmas, and days full of nothing to do. None of which matches the dreams she once had of channeling her musical talent into a performing career. “He’s buying a piano so that I can teach the children to play,” Claire says, the flatness of her voice the barest camouflage for her anguish.
Persons: Claire, , ” Claire, Brian Friel’s, Organizations: Irish Locations: Ballybeg, County Donegal
Best Theater of 2023
  + stars: | 2023-12-04 | by ( Jesse Green | Laura Collins-Hughes | Scott Heller | ) www.nytimes.com   time to read: +3 min
Jesse Green’s Best Theater | Unforgettable ExperiencesJESSE GREENYear of the DramedyIf 2023 was a tragedy in the world, on New York stages it was a dramedy year, highlighted not only by serious plays with great jokes, but also by flat-out comedies with dark underpinnings. Its residents included an unemployed man in his 50s, his barely-holding-on mother, a pregnant woman, two refugees — and us. Seated adjacent to the facility’s dingy common room, we became, in the playwright’s own staging, fellow residents. But if the others eyed us like we might steal a precious sandwich, we could blithely leave when the play was over. The New York Theater Workshop audience, too, learned a great deal, as the questions bedeviling so many relationships — the complexity of consent and the meaning of control — played out before us in this perfectly timed hot-button play.
Persons: Jesse Green’s, Alexander Zeldin, , Henrik Ibsen, Jessica Chastain, Nora, Jamie Lloyd’s, Amy Herzog, Chastain, Liliana Padilla, , gorgeously, Rachel Chavkin, Steph Paul Organizations: Armory, Zeldin, bros, New York Locations: New York, York City, Norway, New York City
Mid-morning on Tuesday at St. Ann’s Warehouse in Brooklyn, a puppet named Michael K had just grabbed a mug when the director Lara Foot called a pause to the action onstage. Even frozen mid-gesture, he was subtle, human, uncanny — a striking alchemy of art and imagination. In “Life & Times of Michael K,” based on the 1983 novel of the same name by the South African-born Nobel laureate J.M. Coetzee, this puppet is the sinewy, carved-wood star, designed and created by Adrian Kohler of Handspring Puppet Company. At two-thirds the size of an average adult human, Michael is operated bunraku-style by a team of three puppeteers.
Persons: Michael K, Lara Foot, , , J.M . Coetzee, Adrian Kohler, Michael, Craig Leo Organizations: Handspring Puppet Locations: St, Ann’s, Brooklyn
Underscored by music, the montage of images has a visceral impact; we don’t need language to understand it, or to think and feel in response. “Amid Falling Walls,” though, relies heavily on lyrics and spoken text, almost all of it in Yiddish; non-Yiddish speakers, like me, will spend the performance reading supertitles, which are in English and Russian. Curated by Avram Mlotek, who wrote the libretto, and his father, Zalmen Mlotek, who is the show’s music director and arranger as well as the company’s artistic director, “Amid Falling Walls” sounds gorgeous. Its 28 musical numbers — folk music and cabaret, elegies and anthems — are played by a nine-piece orchestra tucked away upstage. But before bloodshed comes the process of dehumanization that features in all ethnic hatred, and “Amid Falling Walls” delineates that vividly.
Persons: Brad Peterson, Dan Moses Schreier, , Jessica Alexandra Cancino, we’re, Avram Mlotek, Zalmen Mlotek, , , Steven Skybell, Tevye, Reuven Lipshitz’s “, ” Skybell Locations: Vilna, Lithuania, Germany, Warsaw
Hurlin and his sound designer, the superb Dan Moses Schreier, are inviting us to take in their clues and envision a story as well. And why does her prim, princess-sleeved dress seem from a different wardrobe than the clothes hanging up? ***Over at La MaMa proper, on nearby East Fourth Street, my favorite festival performance of last weekend was Tom Lee’s mesmerizing “Sounding the Resonant Path,” upstairs at the Ellen Stewart Theater. Entering with an ax slung over one plaid-shirted shoulder, he walks slowly and deliberately along a curving wooden track, ostensibly alone. Never mind the puppeteer (Lee) seated just behind him, dressed in black and scooting along on a small, wheeled box.
Persons: Dan Moses Schreier, prim, Tom Lee’s, Ellen Stewart, Lee Organizations: La, Ellen, Ellen Stewart Theater Locations: bunraku
Then he moved a metal barricade away from the graveyard entrance — “It’s just a makeshift thing,” he said — and let me in. The bright green grass was so soft under my feet that I said so, and the man said it probably should have been farmland all those years ago. The graveyard has only a single marker, inscribed in Irish: a 20th-century monument to the dead buried there beginning in 1846. That’s the year after the failure of potato crops started the Great Famine, making poverty a scourge in rural Ireland. So much covered-over misery, such an alluringly pastoral setting: This felt like Friel to me.
Persons: , , , Friel Locations: Ireland, Inishkeel, Narin, Portnoo
The playwright Rebecca Gilman moved away from small-town Alabama long ago, but a soft Southern lilt still shapes her words. In all the years she lived and worked here in her adopted city of Chicago, she remained immune to its Bill Murray accent. After more than a decade of traveling back and forth from Chicago, Gilman relocated full-time to Green County, Wis., about four years ago. Some of the plants have to be pollinated by particular butterflies. Particular butterflies have to have lupine to lay their eggs.
Persons: Rebecca Gilman, Bill Murray, Gilman, , , ” Gilman Organizations: Goodman Theater, Prairie Enthusiasts Locations: Alabama, Chicago, Wisconsin, Rural Wisconsin, Green County, Wis, Swing, New York
That seems to epitomize what theater is to you: art and politics and hanging out. The thing I love the most about these 30 years is the community of people that I’ve got to know and bond with. What grabbed you about the old Wooster Street space? I was consciously trying to make a statement to myself and maybe to everybody that I’m going to continue to do theater past this date. I’m going to stop running a theater, but I’m not done making theater.
Persons: I’ve, it’s
The composer and lyricist Alex Bechtel didn’t go looking for Penelope, the mythical character in “The Odyssey” famed for her clever weaving and steadfast endurance of long abandonment. At a low moment in Bechtel’s romantic life, Penelope came to him, inspiring music that developed into a concept album. A breakup album, really, begun in 2020 during the early months of the coronavirus pandemic. The music, then, was also fed by what he called his “terror and confusion and grief and longing for this thing that I have chosen to do with my life.”“I started writing songs from the point of view of Penelope,” he said. “I never sat down to say, ‘Wouldn’t it be interesting to do an adaptation of “The Odyssey” from her point of view?’ It’s just, I was going through this large experience, and that character was within arm’s reach.”
Persons: Alex Bechtel didn’t, Penelope, Bechtel, ” “, , Locations: Philadelphia, Boston, arm’s
Here is a chance to see it live, in a McCarter Theater Center-Berkeley Repertory Theater co-production. The play was a Pulitzer Prize finalist in 2007, when Vogel was on the jury. James Warwick directs the world-premiere production. Directed by John Collins, the company’s artistic director, this world-premiere production instead samples chunks from each of the novel’s 18 episodes, letting them erupt in all their verbosity, vulgarity, vivacity and — it is Joyce, after all — opacity. Cross that with the trans-Atlantic success of “Six,” and you arrive at this production: a Lizzie Borden rock musical with an all-female cast.
Persons: Paula Vogel, underproduced, Davis, Vogel, Donald Margulies, , Karen Allen, Reed Birney, James Warwick, Ulysses ’, , James Joyce’s, Leopold Bloom’s, John Collins, Joyce, Scott Shepherd, Wladyslaw Szpilman, Polanski, Emily Mann, Iris Hond, georgestreetplayhouse.org, Lizzie ’, Lizzie Borden, Steven Cheslik, Tim Maner, Alan Stevens Hewitt, Lainie Sakakura, twhartford.org Organizations: McCarter Theater Center, Berkeley Repertory Theater, McCarter Theater Center , Princeton, Shakespeare & Company, Service, Fisher, New Brunswick Performing Arts Center Locations: California, N.J, Lenox, Dublin, Bard, Annandale, Hudson, N.Y, Polish, Warsaw, New Brunswick Performing Arts Center , New Brunswick, TheaterWorks Hartford, Hartford, Conn
Two Musicals, One Lonesome World
  + stars: | 2023-08-21 | by ( Laura Collins-Hughes | ) www.nytimes.com   time to read: +1 min
There is little to be gained from getting overly attached to source material. When a story told first in one form is adapted into another, it becomes a different creature — in the details and sometimes the broad outlines, too. The book is a quiet, gentle thing, and it takes its time, layering in the details of Addie and Louis’s pasts and presents. Each has been lonely since long before their spouses died: his marriage marred by a scandalous affair, hers numbed by the death of a child. When Addie’s young grandson, Jamie, comes to stay with her, he’s lonely at first, too, and scared of the dark.
Persons: Kent Haruf’s, Addie, Louis, gingerly, Addie’s, Jamie, Emily Mann, Lucy Simon, Carmel Dean, Susan Birkenhead, Susan H, Schulman, Lauren Ward, Stephen Bogardus Organizations: Berkshire, Broadway Locations: Stockbridge , Mass,
This company has a knack for magnificent vistas. Its new home is high above the Hudson River in Garrison, N.Y., with breathtaking views. Picnicking, should you care to, is very much part of the preshow experience, and performances are alfresco, under a sturdy, festive, big white tent. But productions here often use the landscape just outside for striking tableaus, with the tent’s wide, arced entrance framing bits of action on the sloping lawn. (hvshakespeare.org)
Persons: Henry V ”, Davis McCallum, Amanda Dehnert, André, Penelope ”, , Eva Steinmetz, Alex Bechtel, Grace McLean, Steinmetz Locations: Garrison, N.Y
Poor old Malvolio. Amid the comic romance of Shakespeare’s “Twelfth Night,” he is the imperious steward who gets cruelly pranked for sport, duped by a band of smart alecks who forge a love letter seemingly addressed to him. Then he is locked away in darkness, where his tormentors continue to mess with his mind. Twenty years after the end of “Twelfth Night,” Malvolio is long gone from the island of Illyria. A respected military general in a stubborn war, he is the leader of the Legion of the Cross-Gartered.
Persons: Shakespeare’s, he’s, Betty Shamieh, Allen Gilmore, Celeste Jennings, festers Organizations: of Harlem, Legion Locations: Illyria
Leaning close in the flickering candlelight, Sonya and the man who makes her stomach flutter share a sneaky midnight snack. He is Astrov, her houseguest, and he is frankly a bit of a mess — drinks too much, is in fact drunk at the moment. He is also endearingly odd and smart and sweet, an eco-nerd physician who’s sending her some incredibly mixed signals. So is Sonya’s Uncle Vanya, whose play this is meant to be. Doomed to receive nothing better from Yelena, the professor’s wife, than a pathetic kiss on the forehead, Vanya doesn’t even have a woman to love him.
Persons: Sonya, We’re, , sotto, Laura, Uncle Vanya, Chekhov, Jack Serio, , ” Sonya, Astrov, Will Brill, Maisel, Yelena, Bill Irwin, Vanya doesn’t Organizations: Marin Locations: Flatiron, Manhattan, Marin Ireland, Oklahoma
The play is like a musical. This play and this cast require that in a very similar way, but there’s nobody keeping a drumbeat, and there’s nobody playing a melody. So we need to learn how to blend in with the scenery in moments and pop forward in moments. We need to figure out which mole, and when, do we pop out of the hole. No matter what the format is, whether it’s musical theater comedy or whether it is absent of music, there’s still music to it.
Persons: JASON ALEXANDER, LILLI COOPER We’re, BUNDY, there’s
named Terri Hooley runs into a pair of local toughs — young men who’ve found their purpose in the gunfire and explosions of a sectarian conflict pitting Protestants against Catholics. “Take them dancing, like you used to.”Is it bad to call a punk rock musical charming? I hope not, because “Good Vibrations” — a biomusical about the real Terri Hooley, who became the idealistic, stalwart champion of Belfast’s nascent punk scene — absolutely is. Directed by Des Kennedy for the Lyric Theater, Belfast, it portrays music as a defiantly joyous refuge from ugliness and danger. Far from romanticizing mayhem, it presents Northern Irish punk as a youthful life force in opposition to it.
Persons: Terri Hooley, who’ve, Hank Williams, , Des Kennedy, Colin Carberry, Glenn Patterson Organizations: Lyric Theater, Northern, Beach, Irish Arts Center Locations: Belfast, Northern Ireland, Manhattan
Tony voters struck a perfect equilibrium with the awards for scenic design. Beowulf Boritt won for the musical “New York, New York,” a big, buoyant throwback of a show whose aesthetic is decidedly classic Broadway. “There’s no video wall in ‘New York, New York,’” he assured the audience, which sounded glad to hear it. Recognizing such different kinds of excellence, the Tonys gracefully embraced both tradition and tradition-breaking. LAURA COLLINS-HUGHESSmall is beautiful
Persons: Tony, Beowulf Boritt, , , ’ ”, Tim Hatley, Andrzej Goulding, LAURA COLLINS, HUGHES Organizations: Locations: York , New York, ‘ New York , New York
If not for the unbridled drinking, it might easily have been a screwball comedy. Just look at them: Kirsten, blondly beautiful with a tolerant smile and a quick riposte; Joe, curly-haired cute but too arrogant to grasp that he’ll have to up his game to win this woman. It can’t be me; you don’t know me.”This is the addiction-canon classic “Days of Wine and Roses,” though, so some of us already know them. In Craig Lucas and Adam Guettel’s jazzy, aching musical based on the teleplay and the film, Kelli O’Hara and Brian d’Arcy James are an awfully glamorous Kirsten and Joe — O’Hara, in exquisite voice, singing 14 of the show’s 18 numbers, seven of them solos. Directed in its world premiere by Michael Greif for Atlantic Theater Company, this “Days of Wine and Roses” fills the old Gothic Revival parish house that is the Linda Gross Theater with glorious sound.
Persons: Kirsten, blondly, , , Miller’s, Piper Laurie, Cliff Robertson, Lee Remick, Jack Lemmon, Joe, Craig Lucas, Adam Guettel’s, Kelli O’Hara, Brian d’Arcy James, Joe — O’Hara, Michael Greif, Linda Gross Organizations: Atlantic Theater Company Locations: New York City, Miller’s
from Yale is in music. She followed up that show with two more Broadway musicals, “Rodgers and Hammerstein’s Cinderella” (2013) and “Gigi” (2015). Around 2018, she set aside a solo show she’d been making about the impact of music on her life, worried that she might run out of voice onstage. “I had to fall in love again with myself and figure out how to love myself as I was changing,” she said. But it’s not that she can’t hit the high notes anymore, even if only one song in the pop-style “Kimberly Akimbo” asks her to.
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