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Your Fall Movie Preview
  + stars: | 2023-09-09 | by ( Melissa Kirsch | More About Melissa Kirsch | ) www.nytimes.com   time to read: +1 min
Searching for something to look forward to in the last light of summer, the fall movie schedule beckons. When the sun sets too early, what better refuge than the movies, where Annette Bening is playing Diana Nyad (October), Colman Domingo plays Bayard Rustin (November) and Timothée Chalamet is Willy Wonka (December)? Some studios pushed their big theatrical releases to 2024 while the ongoing actors’ strike prevents stars from promoting films. Peter Dinklage, Anne Hathaway and Marisa Tomei star in Rebecca Miller’s romantic comedy “She Came to Me,” about a composer who’s having trouble composing. That one’s set in my neighborhood, so I’m presold on it.
Persons: Annette Bening, Diana Nyad, Colman Domingo, Bayard Rustin, Chalamet, Willy Wonka, I’m, “ Dicks, , Nathan Lane, Megan Mullally, Larry Charles, Kristen Roupenian’s, Nicholas Braun, Peter Dinklage, Anne Hathaway, Marisa Tomei, Rebecca Miller’s, who’s
But reading “The Lottery” as a connect-the-dots political commentary misses the primary source of the story’s power: its ambiguity. Today, readers across the political spectrum seem to be losing their appetite for literary discomfort. I was reminded again of that quality in 2017 by a different story in The New Yorker. Just as the #MeToo movement was getting underway, “Cat Person,” a short story by Kristen Roupenian, went viral for very similar reasons. The reaction was not unlike the reaction to “The Lottery.” “People get angry when they can’t figure out what something means,” Ms. Roupenian told me.
Persons: Jackson, McCarthy, Elizabeth Gilbert, Wesley Morris, we’re, it’s, Kristen Roupenian, Ms, Roupenian Organizations: Yorker, Trump, The Locations: Soviet, Ukraine, Russia, New
If this reads as a quite on-the-nose critique of contemporary conversations about race and appropriation, that’s because it is. It is in fact so obvious that it makes one wonder why Kuang uses the device of an unreliable narrator at all. Instead, June’s methodology is consistently to tell the reader her trespasses and offer flimsy justifications for them. These moments suggest the kinds of layers and intrigue the book could have maintained if it weren’t so committed to showing its hand. “Yellowface” is a kind of Art Monster story, but one that can’t allow room for ambiguity or revelation without rushing in to fill that space.
The Sundance Film Festival was back in person for the first time since 2020. In five days I saw eight films, and while I'm not a critic, I can affirm that not one of them was a clunker. Asked about the film's aspect ratio in an audience Q&A, Jalali said, "It was prettier that way." The bulk of the films I saw were more commercial, and four of them centered on relationships. And then there was "Cat Person," based on a 2017 New Yorker story about dating by Kristen Roupenian.
The Sundance Film Festival was back in person for the first time since 2020. A-list stars like Anne Hathaway and Jason Momoa were present to promote their buzzy films. It was impossible not to feel optimistic about the state of independent film at the opening weekend of the Sundance Film Festival. In five days I saw eight films, and while I'm not a critic, I can affirm that not one of them was a clunker. At an event like Sundance, even amid some hand-wringing over the future, the excitement is contagious.
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