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Marvel - 1 Reed Richards - 1 Miles Teller - 1 Sue Storm - 1 Kate Mara - 1 Johnny Storm - 1 Michael B - 1 Jordan - 1
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☆ All 81 movies based on Marvel comics, ranked according to critics
  + stars: | 2024-02-16 | by ( Gabbi Shaw | ) www.businessinsider.com   time to read: +1 min
The worst-reviewed film ever based on a Marvel comic is the 2015 reboot of "Fantastic Four," which has a measly 9% score on Rotten Tomatoes. Rotten Tomatoes score: 9%"Fantastic Four" is the second on-screen iteration of the famed Marvel family consisting of Reed Richards/Mister Fantastic (Miles Teller), his love interest Sue Storm/Invisible Woman (Kate Mara), her brother Johnny Storm/Human Torch (Michael B. Jordan), and their friend Ben Grimm/The Thing (Jamie Bell). After they travel to a different dimension and acquire fantastic, if gruesome, powers, they face off against Doctor Doom, played by Toby Kebbell, a former friend turned homicidal maniac. "A poorly constructed, ineptly executed, flatfooted piece of Branded Product that plays as though it were written by a piece of software fed every superhero movie script to date and instructed to synthesize them," wrote Flavorwire's Jason Bailey.
Persons: Marvel, Reed Richards, Miles Teller, Sue Storm, Kate Mara, Johnny Storm, Michael B, Jordan, Ben Grimm, Jamie Bell, Doctor Doom, Toby Kebbell, ineptly, Jason Bailey Organizations: Rotten
☆ 'Call Jane' review: Elizabeth Banks stars in fictionalized look at a pre-Roe world through one woman's abortion journey
  + stars: | 2022-10-27 | by ( Review Brian Lowry | ) edition.cnn.com   time to read: +3 min
The portrait of an underground abortion network pre-Roe v. Wade is obviously timely, but its slightly askew focus blunts the overall impact. Part of that has to do with making Elizabeth Banks’ Joy, a privileged housewife living in Chicago in 1968, the film’s centerpiece, introducing her as being somewhat oblivious to the tumult of the times. Joy initially applies to the hospital board for permission to terminate the pregnancy, only to have her petition dismissively denied by the all-male panel. The sequence slowly and painfully captures the mix of fear and discomfort Joy feels, after her blindfolded trip to the location and the dimly lit room where it happens. The writers clearly intended to personalize the abortion conversation through their Everywoman protagonist, and Banks ably fills that role.
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