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Search resuls for: "Karen Wilkin"


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Installation view Photo: Annie Schlechter/Neue GalerieNew YorkThe name “ Max Beckmann ” evokes images of side-show stages crowded with ambiguous acrobats, Fisher Kings, mutilated women, bound and masked figures and the like, often in confrontational, over-sized triptychs. Are these mysterious people actors or nightmare personages? Torturers or the tortured? Emblems of larger issues? Add lush paint and intense color, and it’s not surprising that once seen, these works can haunt us.
Persons: Annie Schlechter, Max Beckmann, Fisher Kings, it’s Organizations: Neue Galerie New Locations: Neue Galerie New York
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/arts-culture/fine-art/manet-degas-review-modern-masters-side-by-side-at-the-met-museum-paris-art-83a42199
Persons: Dow Jones, manet, degas Locations: paris
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/articles/canova-sketching-in-clay-review-sculptures-in-the-rough-national-gallery-of-art-34622cd7
Persons: Dow Jones, canova
Fine Art - Latest News, Reviews and Analysis
  + stars: | 2023-07-19 | by ( Ann Landi | Lance Esplund | Karen Wilkin | ) www.wsj.com   time to read: 1 min
‘Black Orpheus: Jacob Lawrence and the Mbari Club’ Review: Global OriginsAn exhibition at the Toledo Museum of Art highlights the African-American painter’s trips to Nigeria and the influence of the vibrant postcolonial community he found there, displaying his paintings alongside art by his contemporaries from around the world.
Persons: Orpheus, Jacob Lawrence Organizations: Toledo Museum of Art Locations: American, Nigeria
HoustonEither Robert Motherwell (1915-1991) never produced a drawing that wasn’t compelling or never allowed one to leave his studio. That conviction is borne out by “Robert Motherwell Drawing: As Fast as the Mind Itself” at the Menil Drawing Institute here. Organized by Edouard Kopp , the Institute’s chief curator, to coincide with the publication of “Robert Motherwell Drawings: A Catalogue Raisonné,” it is the most comprehensive survey to date of works on paper by the youngest and, it can be argued, most sophisticated and intellectual of the Abstract Expressionists. More than 100 works from the 1940s to the late 1980s, from public and private collections, including the artist’s foundation, trace Motherwell’s exploration of different mediums and papers, as well as varied gestures and marks, in major series such as “Elegies to the Spanish Republic,” “Beside the Sea,” “Lyric Suite” and “Opens.”
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/articles/vittore-carpaccio-master-storyteller-of-renaissance-venice-review-discovering-and-decoding-11672178469
‘Matisse in the 1930s’ Review: A Dance Through a Decade
  + stars: | 2022-11-19 | by ( Karen Wilkin | ) www.wsj.com   time to read: +1 min
PhiladelphiaIn the fall of 1930, Henri Matisse , age 58, visited his patron Albert Barnes ’s collection, just outside of Philadelphia, for the first time. The great mural “The Dance,” to be installed permanently in the three arches of the main gallery, was commissioned then. Now it provides the impetus for the visually lush, thought-provoking “Matisse in the 1930s,” at the Philadelphia Museum of Art, the first major exhibition to focus on an often overlooked decade that proved pivotal for the artist. (Born in 1869, Matisse died in 1954, a month short of his 85th birthday.) Jointly organized by the PMA’s Matthew Affron , Cécile Debray of the Musée Picasso, Paris, and Claudine Grammont of the Musée Matisse, Nice, the show assembles about 140 paintings, sculptures and a fabulous group of drawings from public and private European and American collections, plus prints, illustrated books, photographs and films.
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/articles/cubism-and-the-trompe-loeil-tradition-review-braque-picasso-illusions-metropolitan-museum-of-art-11668637199
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