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Search resuls for: "Judith H. Dobrzynski"


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☆ ‘Connecticut Modern: Art, Design, and the Avant-Garde, 1930-1960’ Review: A Creative Corridor
  + stars: | 2023-11-30 | by ( Judith H. Dobrzynski | ) www.wsj.com   time to read: 1 min
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/arts-culture/fine-art/connecticut-modern-art-design-and-the-avant-garde-1930-1960-review-a-creative-corridor-623b0412
Persons: Dow Jones Locations: connecticut
☆ ‘Making Her Mark’ and ‘Remix: The Collection’ Review: Centuries of Creative Women
  + stars: | 2023-11-04 | by ( Judith H. Dobrzynski | ) www.wsj.com   time to read: 1 min
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com. https://www.wsj.com/arts-culture/fine-art/making-her-mark-and-remix-the-collection-review-baltimore-museum-of-art-national-museum-of-women-in-the-arts-c57bba94
Persons: Dow Jones Locations: baltimore
☆ Fine Art - Latest News, Reviews and Analysis
  + stars: | 2023-07-19 | by ( Ann Landi | Lance Esplund | Karen Wilkin | ) www.wsj.com   time to read: 1 min
‘Black Orpheus: Jacob Lawrence and the Mbari Club’ Review: Global OriginsAn exhibition at the Toledo Museum of Art highlights the African-American painter’s trips to Nigeria and the influence of the vibrant postcolonial community he found there, displaying his paintings alongside art by his contemporaries from around the world.
Persons: Orpheus, Jacob Lawrence Organizations: Toledo Museum of Art Locations: American, Nigeria
☆ ‘Roman Landscapes: Visions of Nature and Myth From Rome and Pompeii’ Review: Idylls of Ancient Italy
  + stars: | 2023-03-11 | by ( Judith H. Dobrzynski | ) www.wsj.com   time to read: 1 min
‘Wall Painting With Sculptures and Birds in a Garden’ (late first century B.C.-early first century A.D.)San AntonioIf, as the medieval saying goes, all roads lead to Rome, might the artistic path to landscape painting trace back to the eternal city as well? That is a theme of “Roman Landscapes: Visions of Nature and Myth From Rome and Pompeii” at the San Antonio Museum of Art, which has gathered about 65 wall paintings, relief sculptures, mosaics, and glass and metal vessels created between 100 B.C. and about A.D. 250 as evidence.
☆ ‘Van Gogh in America’ Review: Tracking an Acquired Taste
  + stars: | 2022-10-13 | by ( Judith H. Dobrzynski | ) www.wsj.com   time to read: 1 min
DetroitVincent van Gogh (1853-1890) had been dead for 32 years before any American museum bought a painting by him. While he was famously (if exaggeratedly) unsuccessful in life, by then Europe had long since embraced him. Yet at the landmark 1913 Armory Show in New York— Van Gogh ’s public debut here, with at least 21 paintings on view—nothing of his sold, and one critic wrote that Van Gogh had “little if any sense of beauty and spoiled a lot of canvas with crude, quite unimportant pictures.” In 1920, when New York’s Montross Gallery gave him a retrospective, only three of 67 pictures sold, all to one collector. And when in 1921 the Metropolitan Museum of Art presented “A Loan Exhibition of Impressionist and Post-Impressionist Paintings,” including seven Van Gogh loans, it was condemned by many as degenerate art.
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