“He has created an entirely new phase of musical art and has produced a thoroughly American opera.”The anonymous critic who wrote these bold words didn’t have a performance of Scott Joplin’s “Treemonisha” to evaluate, or a recording.
In June 1911, all the reviewer had to go on was Joplin’s 230-page piano-vocal score.
“Its production would prove an interesting and potent achievement,” the critic added, “and it is to be hoped that sooner or later, it will be thus honored.”It turned out to be decidedly later.
More than half a century passed before the opera finally premiered.
When it did, its brilliance, shortcomings and unfinished aspects made it a work begging to be completed — giving creative artists room to experiment boldly with this “new phase of musical art.”◆ ◆ ◆Written and narrated by John Leland
Persons:
Scott Joplin’s, “, John Leland