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Summer used to be when playgoing in the city came to a full stop. But now that urban theater is a year-round sport, Memorial Day is more like a comma than a period. So what has happened to the regional festivals, straw-hat theaters and avant-garde outposts that once flourished as the city languished? There’s something different about summer theater outside the city. Dress is casual — by which I mean “more casual than usual” because I’ve seen people at Shakespeare in the Park in pajamas.
Persons: I’ve Organizations: Shakespeare
Enjoy the splendor of chairs lined up behind three conjoined conference tables! Admire the care with which pens, stacks of paper and wee bottles of water have been laid like dinner settings! Warily consult the large clock on the upstage wall that offers the real time — at least at first. The Elevator Repair Service production, playing at Bard through July 14, somehow manages to reduce the novel’s more than 260,000 words to 2 hours and 40 minutes with much of its humor, pathos and bawdiness intact. It’s not the complete text, of course; for that you must spend 24 hours at a Bloomsday marathon, during which even the readers may fall asleep.
Persons: College’s, Ulysses ” Organizations: College’s Fisher, Repair, Bard
Best and Worst Moments From the 2024 Tony Awards
  + stars: | 2024-06-17 | by ( The New York Times | ) www.nytimes.com   time to read: 1 min
The producers and director were the same, but so much about this year’s telecast was a vast improvement on that of previous years. The pacing was swifter: The main broadcast ended on time and the pre-broadcast ended early. The transitions were smoother: Sets were changed live on camera, saving time and showing us how theater actually works. All this allowed the show to deliver better entertainment while leaving room for thoughtfulness and giddiness, and both together. For the first time in a long time, the Broadway on TV felt like the one I know.
Persons: , JESSE GREEN Organizations: Broadway
The Tony recognizes Groff’s empathetic portrayal of Franklin Shepard, a Juilliard-trained composer who jettisons his youthful idealism, his stage career and his co-writer to become a successful film producer. Groff uses his considerable charm to give the character, who can seem like a sellout, more depth, and in the process has helped make the musical, which was a notorious flop in 1981, into a huge hit this time around. (Another key factor: One of Groff’s co-stars is Daniel Radcliffe, of “Harry Potter” fame.) Groff’s performance, which is the scaffolding on which the production is constructed, was widely praised by critics. Jesse Green, writing in The New York Times, described Groff as “thrillingly fierce,” and said “Groff, always a compelling actor, here steps up to an unmissable one.” And Charles McNulty, writing in The Los Angeles Times, said, “The key to making this work — which is to say making us care — is the performance of Groff, who humanizes Frank’s choices without sentimentalizing his arc.”
Persons: Jonathan Groff, Tony, Sven, Disney’s, , King George, Franklin Shepard, Groff, Groff’s, Daniel Radcliffe, Harry Potter ”, Jesse Green, , “ Groff, Charles McNulty Organizations: Broadway, Juilliard, New York Times, Los Angeles Times Locations: “ Hamilton
Tony Awards 2024: Who Will Win (and Who Should)
  + stars: | 2024-05-14 | by ( Jesse Green | ) www.nytimes.com   time to read: +1 min
But the combination of factors makes for quite a horse race as the Tony Awards presentation approaches. As always, that includes a plea for the addition of new awards; if we can change, why can’t the Tonys? The people and productions listed in the “Should Win” category are not necessarily more deserving than those in “Will Win.” There’s often little if any excellence gap between the two groups. The “Should Have Been Nominated” category obviously includes Broadway work that was eligible but spurned. Less obviously, it also includes work from Off Broadway and beyond (indicated by an *asterisk*) that’s totally ineligible for the Tonys, just because.
Persons: Tony, I’m, Will Win, ” There’s, that’s
Here are our thoughts on this season’s inadvertent (and possibly advertent) snubs, delightful (or mystifying) surprises and other notable anomalies. A melancholy morning for ‘Vanya.’Television stars are considered good box office but not always good Tony bait. This year’s crop, including Sarah Paulson, Jeremy Strong, Steve Carell and William Jackson Harper, complicates that wisdom. Spreading all that love helped take the show to Number One with a Bullet — the most nominated play in Broadway history. On the other hand, the superb ensemble casts of “Jaja’s African Hair Braiding” and “Illinoise” were skunked.
Persons: , ‘ Vanya, , Tony, Sarah Paulson, Jeremy Strong, Steve Carell, William Jackson Harper, Paulson, Carell, Harper, Uncle Vanya, , Chekhov, David Adjmi’s, Tom Pecinka, Sarah Pidgeon, Juliana Canfield, Will Brill, Eli Gelb, Illinoise Organizations: Broadway, Lincoln Center Theater
Dissent is necessary to democracy, sure. That’s the fundamental question posed by Henrik Ibsen’s “An Enemy of the People” — and, in highly dramatic fashion, by the preview I attended of its latest Broadway revival. Surely not the Ibsen, which aligns closely with their views and is a distant source of them. (The play was first performed, as “En Folkefiende,” in 1883.) Nor does it make sense that they would object to Sam Gold’s crackling and persuasive production, which drove those views home despite having to regroup once the protesters were ejected.
Persons: Henrik Ibsen’s “, ” —, Jeremy Strong, Ibsen, Sam Gold’s crackling, , Amy Herzog, Strong, Thomas Stockmann Locations: ,
Here are a few things Sister Aloysius cannot abide: ballpoint pens, “Frosty the Snowman,” long fingernails like Father Flynn’s, Father Flynn himself. She is what you’d call a forbidding nun, a Sister of Charity without much of it. Add to Sister Aloysius’s catalog of unholy tendencies his suggestion that they occasionally take the students for ice cream. But John Patrick Shanley’s “Doubt: A Parable,” first seen on Broadway in 2005, is much more than that. It is a sturdy melodrama, an infallible crowd-pleaser, a detective yarn, a character study and an inquest into the unknowable.
Persons: Aloysius, Frosty, Flynn’s, Father Flynn, , Sister James, , Aloysius’s, John Patrick Shanley’s Organizations: Vatican Council, basketball Locations: Bronx
When emotions get too big for speech, you sing; when too big even for song, you dance. But what if the emotions are huge from the get-go? That’s the challenge and, it turns out, the glory of “Illinoise,” a mysterious and deeply moving dance-musical hybrid based on Sufjan Stevens’s similarly named 2005 concept album. But not together: Among a thousand other smart choices, Justin Peck (who directed and choreographed) and Jackie Sibblies Drury (who, with Peck, wrote the story) have delaminated the songs from the characters, thus avoiding the jukebox trap that diminishes both. perform a parallel story without being forced into overliteral connections.
Persons: , Justin Peck, Jackie Sibblies Drury, Peck Organizations: Armory Locations: Illinois
The best theatrical songwriting barely requires a theater. Which is a good thing when so many shows close so quickly. Of the 16 musicals that opened on Broadway in 2023, only four are still running. Like loved ones who leave behind scrapbooks or tchotchkes, many shows leave souvenirs of themselves in the form of cast albums. Below, my highly subjective ranking of a selection of musicals that released cast albums.
Persons: Stephen Sondheim, I’ve
That painful history can be alchemized into thrilling entertainment is both the central idea and the takeaway experience of “Jelly’s Last Jam,” the jaw-dropping Encores! It might not be immediately apparent from its strange framework that the musical could produce such an effect. The book, by George C. Wolfe, who also directed the 1992 Broadway original, introduces us to Morton (Nicholas Christopher) at the moment of his death. That’s when he is greeted, in a kind of nightclub limbo, by Chimney Man — so called because this forbidding psychopomp, played by the fascinatingly strict Billy Porter, sweeps souls to their destination. Accompanied by a trio of louche, bespangled “Hunnies,” he first puts Morton through a recap of his life, with an emphasis on his lies, betrayals and musicological self-aggrandizement.
Persons: , Jelly Roll Morton, ferociously, George C, Wolfe, Morton, Nicholas Christopher, That’s, Billy Porter, Organizations: City Center
Broadway’s Crunchtime Is Also Its Best Life
  + stars: | 2024-02-20 | by ( Jesse Green | ) www.nytimes.com   time to read: +1 min
Broadway is the pinnacle of the commercial theater, a billion-dollar cultural enterprise and a jewel of New York City. So why is it run like a Christmas tree farm? I don’t mean that it invites too much tinsel. I mean that it operates at a very low hum for 10 months of the year and then goes into a two-month frenzy of product dumping. From a business standpoint, this is obviously unwise.
Organizations: Broadway Locations: New York City
Bees in the wild have succumbed to a planet-wide die-off, taking almonds, avocados and honey down with them. But in a subterranean lab, three women doing “palliative care” with four remaining broods make a hopeful if gruesome discovery. Call it “Little Hive of Horrors.”That’s the setup, if nowhere near the payoff, of the “The Apiary,” a bright, strange and mesmerizing marvel by Kate Douglas, making her professional playwriting debut with this Off Off Broadway production. I say “almost too good” because a staging so sensitive yet confident could disguise whatever flaws may lurk in the text. The floor, the railings and even the paper in the beekeepers’ desktop inboxes are bumblebee yellow.
Persons: it’s, , Kate Douglas, Tony Kiser, Kate Whoriskey, Walt Spangler’s Organizations: Bees
No one misses the early days and dark theaters of the Covid pandemic, but the emergency workaround of streaming content was good for a few things anyway. People who formerly could not afford admission suddenly could, since much of it was free, and artists from anywhere could now be seen everywhere, with just a Wi-Fi connection. That’s how I first encountered “Russian Troll Farm,” a play by Sarah Gancher intended for the stage but that had its debut, in 2020, as an online co-production of three far-flung institutions: TheaterWorks Hartford, TheaterSquared in Fayetteville, Ark., and the Brooklyn-based Civilians. At the time, I found its subject and form beautifully realized and ideally matched — the subject being online interference in the 2016 presidential election by a Russian internet agency. But the production of “Russian Troll Farm” that opened on Thursday at the Vineyard Theater is an entirely different, and in some ways disappointing, experience.
Persons: Sarah Gancher, , , Darko Tresnjak, Taylor Swift, Biden, Gancher, Russia —, Trumpism, Hillary Clinton Organizations: Vineyard, Internet Research Agency Locations: Hartford, TheaterSquared, Fayetteville, Ark, Brooklyn, Russian, St . Petersburg, Russia
“Kimberly Akimbo” won last year’s Tony Award for best musical, and “Parade” won the Tony for best musical revival. Only “Kimberly Akimbo” and “Sweeney Todd” are still running on Broadway, and if you want to see them in New York, now’s the time: “Kimberly Akimbo” has announced plans to close on April 28 and “Sweeney Todd” is expected to end its run on May 5. “Kimberly Akimbo” is planning a national tour that is scheduled to start in Denver in September. A “Shucked” tour is to begin in Nashville in November, and a “Parade” tour is to begin in January in Schenectady, N.Y., and then Minneapolis. “Some Like It Hot” had announced an intention to tour starting this fall but has not announced any venues.
Persons: Adrianna Hicks, Christian Borle, Billy Wilder, Jack Lemmon, Tony Curtis, Jesse Green, , J, Harrison, NaTasha Yvette Williams, Scott Wittman, Marc Shaiman, Wittman, Shaiman, “ Kimberly Akimbo, Leo Frank, , “ Sweeney Todd, Barber, Stephen Sondheim, “ Kimberly Akimbo ”, Tony, “ Sweeney Todd ” Organizations: Shubert Theater, Broadway, New York Times Locations: Georgia, New York, Denver, Nashville, Schenectady, N.Y, Minneapolis
When I’ve had the opportunity, as a wandering Jew, to visit the houses of worship of friends, I’ve never felt much in danger of conversion. “Terce,” produced by Here as the centerpiece of this year’s Prototype festival, advances three hours to midmorning. (The title derives from the Latin for “third.”) By then, a congregation would presumably be awake enough to absorb its sunlit richness. That richness does not depend on the usual elements of plays or prayer: characters and narratives, pipe organs and priests. “Terce” is not theater except to the extent that religious ritual, being a parent of theater, bears a family resemblance.
Persons: I’ve, That’s, Heather Christian, I’m, , Locations: , Irondale, Fort Greene, Brooklyn
Best Theater of 2023
  + stars: | 2023-12-04 | by ( Jesse Green | Laura Collins-Hughes | Scott Heller | ) www.nytimes.com   time to read: +3 min
Jesse Green’s Best Theater | Unforgettable ExperiencesJESSE GREENYear of the DramedyIf 2023 was a tragedy in the world, on New York stages it was a dramedy year, highlighted not only by serious plays with great jokes, but also by flat-out comedies with dark underpinnings. Its residents included an unemployed man in his 50s, his barely-holding-on mother, a pregnant woman, two refugees — and us. Seated adjacent to the facility’s dingy common room, we became, in the playwright’s own staging, fellow residents. But if the others eyed us like we might steal a precious sandwich, we could blithely leave when the play was over. The New York Theater Workshop audience, too, learned a great deal, as the questions bedeviling so many relationships — the complexity of consent and the meaning of control — played out before us in this perfectly timed hot-button play.
Persons: Jesse Green’s, Alexander Zeldin, , Henrik Ibsen, Jessica Chastain, Nora, Jamie Lloyd’s, Amy Herzog, Chastain, Liliana Padilla, , gorgeously, Rachel Chavkin, Steph Paul Organizations: Armory, Zeldin, bros, New York Locations: New York, York City, Norway, New York City
In Silverman’s telling, the filmmaker, Joris Ivens, a Dutchman working in the United States, is already an undercover infiltrator for Soviet interests when the Spanish Civil War breaks out in 1936. Ivens was a real filmmaker, and his movie “The Spanish Earth,” released in 1937, was a real cause célèbre among leftists and artists. The frenemies Ernest Hemingway and John Dos Passos did write the screenplay, as Silverman relates. (He imagines shooting part of the documentary from an ant’s point-of-view, or a raindrop’s.) Nor, for all his faults, was Hemingway (Danny Wolohan) so complete a buffoon, given to shouting such hollow nonsense.
Persons: , Jen Silverman’s “, ” That’s, Joris Ivens, , Rich, Franco, Ivens, Ernest Hemingway, John Dos Passos, Silverman, Andrew Burnap, Hemingway, Danny Wolohan, Dos Passos, Erik Lochtefeld Organizations: Republican, Rich Fascist Locations: Jen Silverman’s “ Spain, United States, Spanish, Spain, Dos
The Dangers of Making Art With Your Friends
  + stars: | 2023-11-30 | by ( Alex Barron | Lynn Levy | Diane Wong | ) www.nytimes.com   time to read: 1 min
Our theater writers Jesse Green and Elisabeth Vincentelli discuss two of the biggest hits of the fall theater season, both of them shows about the perils of making art with people you love. The new Broadway production of Stephen Sondheim and George Furth’s “Merrily We Roll Along” revitalizes that famously flawed musical, while off Broadway a play called “Stereophonic” dramatizes the creation of a rock album in the 1970s. On today’s episode
Persons: Jesse Green, Elisabeth Vincentelli, Stephen Sondheim, George Furth’s “ Organizations: Broadway
How Jewish People Built the American Theater
  + stars: | 2023-11-29 | by ( Jesse Green | ) www.nytimes.com   time to read: +46 min
Let Us Tell You A Story How Jewish people built the American theater as we know it. The theater, which for many Jews was a major way of becoming American in the first place, seems unable to acknowledge that the danger that American Jews face is not just historical, and not just onstage. (Both of Adler’s parents were Yiddish theater stars — her father, Jacob Adler, was a renowned Shylock in 1903.) Embedding their own observation and experience within Stanislavsky’s, along with the best of Yiddish theater and a generous dollop of Freud, they converted the American theater to Judaism. Sara Krulwich/The New York TimesThe Jewish contribution to the creation of the American theater was built on the acknowledgment of a larger humanity alive within each of us, available to some, with natural empathy and rigorous training.
Persons: Glocca, , Lerner, Loewe, , Isidore Hochberg, Burton Lane, né Burton Levy, William Goldman, “ Killybegs, Sammy Davis Jr, Julie Andrews, Connie Francis, Rosemary Clooney, Tommy Dorsey, Davis, , Arthur Miller’s “, joyously, Jason Schmidt, Christine Jones, Miller, I’ve, Marilyn Monroe, Robert Brustein, Neil Simon’s, ” Cynthia Ozick, Sholom, Philip Roth, Simon, Leonard Bernstein, Matt Nadel, Bradley, Bernstein, “ Maestro, Shylock, William Shakespeare’s “, Venice ”, Shakespeare, Christopher Marlowe’s, Farah Karim, Cooper, Bard ”, “ Merchant, Tom Stoppard’s, Sara Krulwich, Ansky’s, Stella Adler, Bessie Berger, Clifford Odets’s, Arthur Miller, Elia Kazan, Francis Joseph Bruguière, Billy Rose, Eugene Smith, Roth, Arthur Schnitzler, Juliet Stevenson, Ruth Wolff, Lorraine Hansberry’s, Sidney’s, Alex Edelman’s “, Leo Frank, Bernard B, Frank, Mandy Patinkin, James Lapine, Stephen Sondheim’s, George, Martha Swope, outspokenness, creatives, Oscar Isaac, Sidney, “ Sidney Brustein, Isaac, Stevenson, Robert Icke, Roman Catholic Cooper, Rachel Brosnahan, Maisel, Joan Rivers —, Brosnahan, Sidney Brustein’s, Alec Guinness, Fagin, “ Oliver Twist, I’m, Micaela Diamond, Ben Platt, Lucille, Alfred Uhry, Jason Robert Brown’s, Rivers, Wolff, Robert, Republic ”, isn’t, LEE Strasberg, Konstantin Stanislavsky’s, Fyodor Ivanovich, Strasberg, Israel Strassberg, Zalmon, Srulke, Joseph Stein, Sheldon Harnick, Jerry Bock’s “, Bette Midler, Jackie Hoffman, Photofest Stanislavsky, Theater’s, Isaac Butler, Stanislavsky, Harold Clurman, George Bernard Shaw, Henrik Ibsen, Clurman, Adler, Jacob Adler, Freud, Rebecca Naomi Jones, Ruthie Rivkin, Jerome Weidman, Harold Rome’s “, John Weidman, disown Strasberg, Sanford Meisner, Bobby Lewis, , Marlon Brando, James Dean, Meisner, Robert Duvall, Lewis, Meryl Streep, Clifford Odets, Jacob Garfinkle, Jules Garfield, Odets, Sam Feinschreiber, Garfield, Ralph Berger, wasn’t, John, Tovah Feldshuh, Golda Meir, William Gibson’s, Aaron Epstein, exigencies, Bessie, Feinschreiber —, loveless, William Fox, Louis B, Mayer, Jack Warner, Marjorie Morningstar ”, Morgenstern, Marjorie, Natalie Wood, Anne Frank ”, Millie Perkins, Audrey Hepburn, Susan Strasberg —, Ibsen, Sholom Aleichem, August Wilson, Daveed Diggs, Thomas Jefferson, Lin, Manuel Miranda’s “ Hamilton ”, Adrian Lester, Emanuel Lehman —, Barbra Streisand, Marmelstein, George Silk, Miller’s, Sophie Okonedo, Elizabeth Proctor, Ben Whishaw, John Proctor, Jan Versweyveld, Don’t, — Bernstein, Stoppard, Schnitzler, Jeanine Tesori, Tony Kushner’s “ Caroline, Sharon D Clarke, Adam Makké, Noah Gellman, Leo, Stoppard —, Hermine, ” Leo Frank, there’s, Matthew Broderick, Eugene Jerome, it’s, Edelman’s, Queens bigots, David Yosef Shimon ben Elazar Reuven Alexander Halevi Edelman, Woody Allen, Joshua Harmon’s, — George Gershwin, Jerome Kern, Richard Rodgers, Porgy, Bess ”, Barns, Alex Edelman, Paula Vogel, Harvey Fierstein, Jordan Taylor Fuller, — that’s, Wendell Pierce, Friedman, Jacobs, Hirschfeld, Gershwin, Rodgers, PAULA VOGEL, BRANDON URANOWITZ, DAVID CROMER, MICAELA DIAMOND, TONY KUSHNER, Diamond, Monica Rich Kosann, Marco Bicego, JESSE EISENBERG, MATTHEW BRODERICK, AMY HERZOG, LESLIE RODRIGUEZ KRITZER, JOEL GREY, Herzog, Michael Kors, Kritzer, Marco, HARVEY FIERSTEIN, LIEV SCHREIBER, ETHAN SLATER, IDINA MENZEL, TINA LANDAU Organizations: Broadway, Broadway’s Lyceum, , of Venice, New York Times, Defamation League, New York Public Library, Performing, Vandamm, Billy, Billy Rose Theatre Division, Performing Arts, New, Jacobs, Empire State, Nazi, Goyim Defense, The New York Public Library, Roman Catholic, New York City, Street, Moscow Art, Group, Hollywood, Disney, Everett, The New York Times, Philadelphia, Brit, Times Locations: Poland, American, kilts, E.Y, Harburg, Kilkerry, Kildare, Philadelphia, New York, Polish, Massachusetts, Vichy, Biloxi, Venice, Malta, of, , Germany, playgoers, Sweden, England, United States, Pittsburgh, Nazi, Brustein’s, Greenwich, Georgia, Gutenberg, , Atlanta, Republic, New, Konstantin Stanislavsky’s Moscow, Russian, America, Moscow, Stanislavsky’s, Clurman, Eastern Europe, Czech, Austrian, Auschwitz, Heini, Southern, Brighton, Rivers, French Republic, “ Brigadoon
Even in the Golden Age of musical theater, shows so commonly died after intermission that critics came up with a name for the disease. “Second act trouble” presented in many ways: unmoored songs, desperate cutting, illogical crises, hasty workarounds. Yet all those second act symptoms arose from the same underlying condition: first act ambitions. So it’s not really surprising that an enormously ambitious new musical like “Hell’s Kitchen,” the semi-autobiographical jukebox built on the life and catalog of Alicia Keys, disappoints after the mid-show break, tumbling directly into the potholes it spent its first half so smartly avoiding. And since those songs are the show’s selling point, they wind up wagging the story.
Persons: , it’s, Alicia Keys, disappoints, Kristoffer Diaz, Michael Greif, Ali Organizations: Public, verve Locations: Jersey, Midtown Manhattan
If you’ve seen “Monty Python and the Holy Grail,” the 1975 movie spoof of all things Arthurian and many things not, you know the coconuts I mean. And if you’re enough of a Python fan to have also seen “Spamalot,” the 2005 Broadway musical “lovingly ripped off” from the film, you’ve probably memorized the whole bit. That’s the one in which Arthur’s trusted patsy, Patsy, slaps coconut halves together so the deluded king can pretend he has a horse. Among many others, so are a troupe of self-flagellating monks, a cart of corpses, a vulgar French taunter and a Trojan rabbit. This one, directed and choreographed by Josh Rhodes, gives the “ni”-sayers what they want.
Persons: Monty Python, , you’ve, Arthur’s, patsy, Patsy, James, Eric Idle, John Du Prez, , Josh Rhodes, sayers Organizations: St Locations: England
“Acting Like a Maniac” is not your typical acting class: You have to sign a personal injury waiver to join it. But then Meryl Kowalski, with that double whammy of a theatrical name, isn’t your typical student. Though 75, she’s no cute oldster; Hugo Lockerby, the guru-like teacher with a wandering accent, thinks she may even be a genius. “Scene Partners,” by John J. Caswell Jr., with the transcendent Dianne Wiest as Meryl, is definitely more like whoa. In any case, it’s often impossible to tell whether what we’re watching is Meryl’s life, a film about her life, a dream about the film, a hallucination of the dream, or some other nesting doll of narration.
Persons: Meryl Kowalski, Hugo Lockerby, John J, Caswell Jr, Dianne Wiest Locations: Soviet Union, Meryl’s
How strange and, in the end, how ironic that a German singing group, founded in the chaotic last years of the Weimar Republic and forcibly disbanded less than 10 years later, should call itself the Comedian Harmonists. Yet on the evidence of the Barry Manilow musical “Harmony” — for which, yes, he wrote the songs (along with his longtime lyricist, Bruce Sussman) — the internationally famous all-male group had the “harmonist” part of their name just right. Neither the guys nor the grim and eventually bludgeoning show have a gift for levity. Though its title makes it sound as if “Harmony” would be calm and golden, its story isn’t an uplifting one. Soon the brotherhood, symbolized in sound by their questing choral closeness, goes sour — a story that, to be effective, needs vivid contrast so we know what’s been lost.
Persons: Harmonists, Barry Manilow, Bruce Sussman, , Manilow, what’s Organizations: Socialism Locations: Weimar Republic
It’s not often that the standout star of a show is its music supervisor, arranger or orchestrator, but in the gala presentation of “Pal Joey” at New York City Center through Sunday, all three are one man, Daryl Waters. That the rest of the revival (really a new creature, made from spare parts) is more suggestive than convincing is no crime; there has never been a satisfactory “Pal Joey.” Though the 1940 original featured some soon-to-be standards by Rodgers and Hart — “Bewitched, Bothered and Bewildered” chief among them — its book by John O’Hara, based on his epistolary novel and New Yorker stories, didn’t match them in tone or dramatic serviceability. Back then, the problem was thought to be the nature of Joey himself, a greasy heel trying to scheme his way from itinerant crooner to supper club smoothie. Along the way he picked up and discarded an innocent named Linda English, traded sex for financial support with a socialite named Vera Simpson and generally ruined everything he touched with his grifty hands. The problem faced by the various would-be saviors of “Pal Joey” — there were Broadway revivals in 1952, 1963, 1976 and 2008 — is rather what new throughline to impose and how to make the best use of its songs.
Persons: It’s, “ Pal Joey ”, Daryl Waters, Waters, , , Pal Joey, Rodgers, Hart —, John O’Hara, Joey himself, Linda English, Vera Simpson, Brooks Atkinson, J, Pierrepont Finch, Sweeney Todd, Evan Hansen, “ Pal Joey ” — Organizations: New York City Center, , New York Times Locations: New, ’ Da, York , New York
Total: 25