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Search resuls for: "Jean Cocteau"


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Can a Forgotten Hot Spot Reclaim Its Cool?
  + stars: | 2024-01-24 | by ( Chantel Tattoli | ) www.nytimes.com   time to read: +1 min
Anya Firestone’s job as a luxury tour guide in Paris has brought her to many rarefied corners of the city. But only recently did she do something that countless locals and visitors have done over the last 130 years: Book a reservation at Maxim’s, the storied French restaurant that opened in 1893 and has counted Jacqueline Kennedy Onassis, Margrethe II of Denmark, Jean Cocteau, Jane Birkin and Man Ray among its patrons. “The place was packed,” Ms. Firestone, 35, said of the night she ate there in late November. She was not alone in that perception. “Many people, even most, did not realize it was open as a restaurant,” said Pierre Pelegry, a director at Maxim’s who has worked there for 27 years and was hired by Pierre Cardin, the French fashion designer, after he bought the restaurant in 1981.
Persons: Anya Firestone’s, Jacqueline Kennedy Onassis, Margrethe II of Denmark, Jean Cocteau, Jane Birkin, Man Ray, Ms, Firestone, hadn’t, , Pierre Pelegry, Pierre Cardin Locations: Paris, Maxim’s
Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Christie's/Bridgeman Images/Courtesy Barnes FoundationA portrait of Marie Laurencin by Man Ray, 1925. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Bridgeman Images/Courtesy Barnes Foundation"The Woman-Horse (La femme-cheval)," from 1918. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Courtesy Barnes FoundationBut as definitions of femininity have expanded in recent decades, so too has appreciation for Laurencin’s idyllic, women-only world. She often titled her portraits of women “Friends” or “Two Friends,” leaving the exact nature of their intimacy unclear. It’s almost like a radical utopia… a world of women, for women, by women,” Kang said.
Persons: peintre, modèle, Christie's, Marie Laurencin, Man Ray, CNN — Marie Laurencin’s, , Pablo Picasso, Georges Braque —, Simonetta Fraquelli, ” Fraquelli, , Laurencin, Cindy Kang, Barnes, Francisco Goya, Kang, don’t, , Académie Humbert, wasn’t, Rachel Silveri, Adrienne Monnier, airheads, Mademoiselle Chanel, — Picasso, Jean Cocteau, Paul Rosenberg —, Coco Chanel, Maud “ Emerald, Jacques Faujour, Dove ”, Nicole Groult, “ It’s, ” Kang, Natalie Clifford Barney, Gertrude Stein, Berenice Abbott, Otto von Waetjen, Guillaume Apollinaire, Suzanne Moreau, , Musée de, Herve Lewandowski, — Laurencin, Marshal Philippe Pétain, Moreau, Masahiro Takano, Albert C, hasn’t, we’ve Organizations: Foujita, Artists Rights Society, CNN, grays, Barnes Foundation, Palais, Art, Fraquelli, Groult, Museum, Marie, Marie Laurencin Museum Locations: New York, ADAGP, Paris, Philadelphia, Sapphic Paris, Spain, Musée de l'Orangerie, Vichy France, Japan, Tateshina, Japan’s Nagano, Tokyo,
DESIGN PROS’ PERSPECTIVES on animal prints are fiercely divergent. Opponents believe the motifs of zebra and cougar and cowhide hog all the attention in a room, like a miniskirt at a funeral, and as Alexis Barr, instructor at the New York School of Interior Design, said, “carry associations of drama and decadence.” Others believe the prints function as a neutral. Sarah Vaile, an interior designer in Chicago, holds that a critter-pelt pattern actually “falls away” in decor, adding, “The universe knew what it was doing when it made these patterns a camouflage.” Here, two design aficionados take sides. Animal prints bring timeless texture and joie de vivre to a space. The great 20th-century French designer Madeleine Castaing—remembered for befriending avant-garde artists like Jean Cocteau as well as for her affection for wall-to-wall leopard carpet—once summed up her approach to interiors thus: “Be audacious, but with taste.” Is it any wonder she was a devotee of animal prints?
Though Sergey Makhno reached far into Ukraine’s past when building his house in Kozyn, a village south of Kyiv, he also sought to break new ground. “I wanted materials that have been used for centuries,” said the architect and furnishings designer. You might not mix individual “recipes” for the clay walls of every room to give each a distinct personality, as Mr. Makhno did. But as you layer on one-of-a-kind textiles or variegated zellige tiles, your style becomes less imitable. After dinner at the Makhno house one evening, an artist guest obliged his host by painting a grand, whimsical Jean Cocteau-like drawing on the wall of his son’s bedroom.
În februarie 1946, Pierre Cardin a plecat să lucreze pentru Christian Dior, care avea deja deschisă propria afacere. În septembrie 1958, Pierre Cardin a primit premiul "Young Designers" din Boston, SUA. În 1961, Pierre Cardin a început distribuţia liniilor masculine „ready to wear”, urmată în 1963 de linia feminină „ready to wear". Între anii 1978-1979, Cardin a fost în China unde a deschis magazine sub nume propriu. Pierre Cardin a fost considerat un adevărat lider în artă, afaceri şi diplomaţie publică.
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