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Search resuls for: "Isaac Julien"


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Two Black men, in tuxedos, clasp hands and dance in a smoky foreground in a scene from "Looking for Langston," the 1989 film that reevaluated gay and lesbian contributions to the Harlem Renaissance. When Harlem Was ‘as Gay as It Was Black’ Mapping the people, homes and hot spots that transformed the neighborhood during its Renaissance. A map of Harlem with a location labeled “Ma Rainey at the Lincoln Theater” near 135th Street and Lenox Avenue. Michael Ochs Archives/Getty ImagesMap with location labeled “Bessie Smith at Hotel Olga” in the northernmost part of Harlem. was often called the living room of the Harlem Renaissance, and over the years provided a safe and affordable space for Black artists, writers and thinkers.
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Looking for Freedom, Isaac Julien Comes Home
  + stars: | 2023-04-28 | by ( Elizabeth Fullerton | ) www.nytimes.com   time to read: +1 min
Freedom ripples as an undercurrent through the works of the British artist and filmmaker Isaac Julien. For four decades, he has produced boundary-stretching works addressing racism, homophobia, migration and colonialism, from experimental documentaries to lavish multiscreen installations; in all of them an activist spirit is counterbalanced with opulent imagery and sound. Now, a major exhibition at Tate Britain, in London, is the culmination of a trajectory that began on the margins, with films for television and cinema, and evolved into something more elaborate that belongs in a gallery setting. The show, called “What Freedom Is to Me” and running through Aug. 20, is the largest exhibition of the artist’s work ever staged in his home country. The title comes from a quote by the singer Nina Simone in a 1968 interview: “I will tell you what freedom is to me: No fear.”
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