“Deer Woman’s New Certificate-of-Indian-Blood-Skin” by Natalie Ball, which suggests a kind of quilted explosion, certainly has presence. Larger than either are fiber weavings, modeled on Indigenous jewelry forms, by Eric-Paul Riege, the exhibition’s youngest participant. Riege uses them as props in performances — pushes them aside, moves them around — and visitors are permitted (encouraged, even) to touch them. Sound was a vital component of the 1969 vision for a new American Indian Theater, which I take to mean a new Indian Art. In the early 1960s, when a craze for folk and ethnic music was high, a company called Indian Records, Inc. released many LPs of Native music.

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Persons: Natalie Ball, Gabrielle L’Hirondelle Hill’s, Eric, Paul Riege, —, Gibson, Rebecca Belmore, Maria Hupfield —, Ida Halpern, Sonny Assu’s Organizations: American Indian Theater, Indian Records, Inc Locations: British Columbia, Vienna