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Search resuls for: "Frederick Wiseman"


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Frederick Wiseman’s transporting documentary “Menus-Plaisirs — Les Troisgros,” centers on a dynasty of French chefs who live and work in a pastoral region in central France named Ouches, some 65 miles west of Lyon. The chef Daniel Boulud includes the Troisgros salmon recipe in several of his cookbooks. “Menus-Plaisirs” is Wiseman’s 44th documentary and the first that he’s made since “City Hall” (2020), which notionally focuses on the administration building for the city of Boston. (In between “City Hall” and “Menus-Plaisirs,” he made one of his rare forays into fiction, “A Couple,” about Sophia Tolstoy.) Wiseman directed, edited and served as one of the producers on “Menus-Plaisirs,” which runs a heroic four hours (about a half-hour shorter than “City Hall”!).
Persons: Frederick Wiseman’s, Les, Michel, who’s, Bois, Michel’s, Pierre, Jean, Daniel Boulud, he’s, notionally, , Sophia Tolstoy, Wiseman, Le Bois, Marie Organizations: Michelin, , Locations: France, Lyon, Boston, , Roanne
In “Anatomy of a Fall,” Sandra and Samuel’s literary rivalry, and their process of culling their own lives for inspiration, is used against Sandra in court. Triet and Harari treated the feature “as a playground, as well as a nightmare vision of what will never happen to us,” wrote Harari in an email. “Justine is and was more “successful” than I am, but I’m very far from Samuel. Her parents were enthusiastic moviegoers —her father once worked as a projectionist — but her desire to make movies came relatively late. Triet began her filmmaking career making chaotically expressionistic documentary shorts about contemporary politics, including one about the 2007 presidential election in France.
Persons: ” Sandra, Sandra, — Triet, Harari, Samuel, , Justine, ” Triet, Frederick Wiseman, Shirley Clarke, Allan King, Raymond Depardon, Triet, chaotically Locations: Samuel, France
Yet “Welfare,” which shared the opening honors in Avignon with a dance production, Bintou Dembélé’s “G.R.O.O.V.E.,” looks as absurd onstage as it is affecting on-screen. It’s as if the sitcom “That 70s Show” had opted to tackle welfare benefits, complete with well-cut, visibly new costumes. The stories told in Wiseman’s film are loosely reorganized here into a day in the life of a welfare center, as case workers deal with one exasperated claimant after the next. There are comedic moments in the film, but in Deliquet’s stage version, they start to feel involuntarily farcical. The energetic delivery of the cast may be because they need to project in the cavernous space, which holds around 2,000 spectators.
Persons: , Frederick Wiseman, Wiseman, Denis, Deliquet Locations: New York, Saint, France, Avignon
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