Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Christie's/Bridgeman Images/Courtesy Barnes FoundationA portrait of Marie Laurencin by Man Ray, 1925.
Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Bridgeman Images/Courtesy Barnes Foundation"The Woman-Horse (La femme-cheval)," from 1918.
Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Courtesy Barnes FoundationBut as definitions of femininity have expanded in recent decades, so too has appreciation for Laurencin’s idyllic, women-only world.
She often titled her portraits of women “Friends” or “Two Friends,” leaving the exact nature of their intimacy unclear.
It’s almost like a radical utopia… a world of women, for women, by women,” Kang said.
Persons:
peintre, modèle, Christie's, Marie Laurencin, Man Ray, CNN — Marie Laurencin’s, ”, Pablo Picasso, Georges Braque —, Simonetta Fraquelli, ” Fraquelli, “, Laurencin, Cindy Kang, Barnes, Francisco Goya, Kang, don’t, ’, Académie Humbert, wasn’t, Rachel Silveri, Adrienne Monnier, airheads, Mademoiselle Chanel, — Picasso, Jean Cocteau, Paul Rosenberg —, Coco Chanel, Maud “ Emerald, Jacques Faujour, Dove ”, Nicole Groult, “ It’s, ” Kang, Natalie Clifford Barney, Gertrude Stein, Berenice Abbott, Otto von Waetjen, Guillaume Apollinaire, Suzanne Moreau, —, Musée de, Herve Lewandowski, — Laurencin, Marshal Philippe Pétain, Moreau, Masahiro Takano, Albert C, hasn’t, we’ve
Organizations:
Foujita, Artists Rights Society, CNN, grays, Barnes Foundation, Palais, Art, Fraquelli, Groult, Museum, Marie, Marie Laurencin Museum
Locations:
New York, ADAGP, Paris, Philadelphia, Sapphic Paris, Spain, Musée de l'Orangerie, Vichy France, Japan, Tateshina, Japan’s Nagano, Tokyo, “