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☆ You Can Sit There. Really.
▼ + stars: | 2024-04-23 | by ( Ray Mark Rinaldi | Amanda Villarosa | ) www.nytimes.com time to read: +1 min

This article is part of our Museums special section about how institutions are striving to offer their visitors more to see, do and feel. The first thing that greets visitors at the Denver Art Museum’s new exhibition of contemporary furniture is a rather large sign announcing the show’s name. “Have a Seat: Mexican Chair Design Today,” it reads in uppercase letters rendered in an eye-popping, pink font. “have a seat.”That is all the invitation they need to acquaint themselves with the goods in a way they are rarely permitted at serious institutions. That is what the curator, Jorge Rivas Pérez, said he hoped for when assembling the show, which runs through Nov. 3.

Persons: “, Jorge Rivas Pérez Organizations: Denver Art

☆ Provenance of a Museum’s Greek Exhibit Is Questioned, Fueling a Debate
▼ + stars: | 2023-09-17 | by ( Graham Bowley | More About Graham Bowley | ) www.nytimes.com time to read: +1 min

The Museum of Fine Arts in St. Petersburg, Fla., was riding high as “From Chaos to Order,” an exhibition of ancient Greek art, became its first major traveling show in years, making stops at museums in Florida and South Carolina before preparing to head west. “The idea was to look at the origins of Greek art in a new way,” said Michael Bennett, the former St. Petersburg curator who organized the show of works from the Geometric period, circa 900 to 700 B.C. “We felt it had something new to say about Greek art.”But earlier this year, when the exhibition was scheduled to travel to the Denver Art Museum, the staff there balked because many of the 57 artifacts lacked detailed provenances. The Denver museum had recently had its own scandal, when it returned four artifacts to Cambodia. Its director, Christoph Heinrich, suggested postponing the Florida exhibition in the hope that the provenance issues could be resolved.

Persons: ”, Michael Bennett, Sol Rabin, Christoph Heinrich Organizations: of Fine Arts, Denver Art Museum, Denver Locations: St . Petersburg, Fla, Florida, South Carolina, St, Petersburg, Denver, Cambodia

☆ This rare female painter in Edo Japan was ‘coveted’ for her exquisite ink paintings
▼ + stars: | 2023-08-02 | by ( Jacqui Palumbo | ) edition.cnn.com time to read: +9 min

But he laments the fact that Yukinobu — and other women artists from Japan — are not given more prominence beyond occasional inclusion in broad group shows. But she never signed her paintings, according to Kanō tradition, as Kanō Yukinobu. The Denver Art Museum alone has 13 imitations of Yukinobu paintings, and only one authentic work. A peony in the collection of MFA Boston (not on view), which holds several Yukinobu paintings. “There’s a core group of female scholars who are pursuing this (the study of Japanese women artists),” he explained.

Persons: Kiyohara Yukinobu, —, ”, Einor Cervone, Yukinobu, Benzaiten, Paul Berry, “, ” Berry, Kanō Tan’yū, Kusumi Morikage, Berry, Cervone, Yang Guifei, Tang, Xuanzong, it’s, Kiyohara, consort Yang Guifei, ” Cervone, Boston Berry, he’s, don’t, Picasso, I’m, It’s Organizations: CNN, Denver Art Museum, Tokyo National Museum, Miho Museum, Metropolitan Museum of Art, Museum of Fine Arts Boston, Boston, Suntory Museum of Art, Women’s University Locations: Japan, Kyoto, New York, “, Tokyo, Shibuya, East Asia

☆ Native American artist Jeffrey Gibson will represent the United States at the 2024 Venice Biennale
▼ + stars: | 2023-07-28 | by ( Benjamin Sutton | ) edition.cnn.com time to read: +4 min

Editor’s Note: This article was originally published by The Art Newspaper, an editorial partner of CNN Style. (CNN) — Jeffrey Gibson, the Colorado-born, New York-based artist who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent, will represent the United States at the 2024 Venice Biennale, becoming the first Indigenous artist to have a solo exhibition in the US Pavilion. Gibson’s work mixes many traditions, combining techniques from Indigenous beading, weaving, metalwork and more with the formal language of hard-edged abstract painting, Pop Art sculpture. For his exhibition in Venice, Gibson will create installations inside the US Pavilion, on its exterior and in its courtyard, incorporating elements of performance and multimedia in addition to static works. Jeffrey Gibson Brian Barlow“The last 15 years of my career have been about turning inward and trying to make something I really wanted to see in the world,” Gibson, reflecting on his selection for the Biennale, told The New York Times.

Persons: — Jeffrey Gibson, Gibson, Jeffrey Gibson Brian Barlow “, ” Gibson, Kathleen Ash, Louis Grachos, Abigail Winograd, Jeffrey, ”, Milby, Venice —, ” Winograd, Ruth, Elmer Wellin, Leigh Bowery, Simone Leigh Organizations: The Art, CNN, Colorado -, Mississippi Band, Choctaw, Institute of American Indian Arts, Bard College, Biennale, New York Times, Portland Art Museum, SITE, Portland Museum of Art, US State Department, Boston’s Institute of Contemporary Art, Elmer Wellin Museum of Art, Hamilton College, Biennial, Gallery of Art, Buffalo AKG Art Museum, Denver Art Museum, Crystal Bridges Museum of American Art, Seattle Art Museum Locations: Colorado, New York, United States, Venice, Santa Fe , New Mexico, Navajo, Portland , Oregon, SITE Santa Fe, American, Oregon, New Mexico, Clinton , New York, Bentonville , Arkansas

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