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Search resuls for: "Brian Dillon"


2 mentions found


For Teju Cole, Art Is a Lens on a History of Violence
  + stars: | 2023-10-17 | by ( Brian Dillon | ) www.nytimes.com   time to read: +2 min
TREMOR, by Teju ColeNovelist, essayist, critic, photographer, teacher — most writers or artists are content with one or two of these titles, perhaps blurring the distinctions between main and side pursuits. “Tremor” is the most sundry and vagrant of Cole’s works to date, with abrupt changes in form, perspective and theme. (I almost wrote that Cole seems like a postcolonial version of Sebald — but Sebald is already the postcolonial Sebald.) A Nigerian American photographer and professor named Tunde is antiquing in Maine with his Japanese wife, Sadako, when they find a West African antelope headdress, or ci wara. A cheap artifact without provenance, it nonetheless starts Tunde thinking about colonial violence on both sides of the Atlantic.
Persons: Teju Cole, , , Cole, W.G, Saturn ”, Tunde, Sadako Organizations: Harvard Locations: New England, Nigerian American, Maine, West
To Truly Understand the Past, Pick Up an Old Magazine
  + stars: | 2023-06-13 | by ( Brian Dillon | ) www.nytimes.com   time to read: +3 min
And not a single mention yet of AIDS; in a Wrangler ad, a model’s speech bubble announces, oblivious: “I’m Positive.” In these magazine pages, it both is and is not the 1984 of my memory. “Priceless flotsam they seemed to us then,” Elizabeth Hardwick once wrote, recalling her youthful fascination with old jazz records. I’ve long felt the same way about magazines, old and new. Old magazines are cheap time machines, archaeologies of collective desire. Find a print issue, specialist or popular, preferably more than 20 years old (though 10 may do the trick), and read it from cover to cover.
Persons: Kate Bush, won’t, ” It’s, Roland, ” Elizabeth Hardwick, Joan Didion, , Hardwick, Alberto Giacometti, Gordon Parks, William Klein Organizations: Vogue Locations: London, New York, Dublin, ., Mexico City
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