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Sydney CNN —“Australia Day is Dead!” Indigenous activist Gwenda Stanley chants into the loudspeaker, as a crowd of thousands breaks into applause. This is not a day to celebrate.”Nearby, Kevin Shaw-Taylor agrees January 26 is “absolutely not” an appropriate day for national celebrations. On the other side of the city, the Australia Day party was in full swing. A yacht sails in Sydney Harbor to mark Australia Day on January 16, 2024. Instead of guilt on Australia Day, a vast number of Australians “associate it with summer fun,” says Bongiorno, from the ANU.
Persons: Gwenda Stanley, It’s, Lynda, June Coe, Jenny Evans, , Grace, Elise, Kevin Shaw, Taylor, Arthur Phillip, Dan Himbrechts, EFE, Frank Bongiorno, , Asanka Ratnayake, Chelsea Watego, , Peter Dutton, ” Dutton, Dutton, Brad Banducci, Banducci, ” Banducci, Captain Cook, Queen Victoria, Queen, Diego Fedele, “ I’m, UQ’s, we’ve, we’re Organizations: Sydney CNN —, Indigenous, , CNN, Australia, First Nations, Sydney, British Royal Navy, Australian National University, ANU, Aboriginal, Torres Strait Islanders, Voters, Nations, Curumba, Sea, Indigenous Voice, Coalition, Woolworths, Sovereign Movement, Blak Locations: Sydney, “ Australia, Belmore, Sydney’s, Australia, Sydney Harbor, Melbourne, Queensland, Queen Victoria
In 2021, along a two-lane highway in Mandan, N.D., a giant billboard showing masked figures in clothing that was inspired by both Indigenous tradition and science fiction declared: “WE SURVIVE YOU.” Its artist, Cannupa Hanska Luger, is one of 17,000 members enrolled in the Mandan, Hidatsa and Arikara Nations today. In 2007, the Anishinaabe artist Rebecca Belmore photographed an Indigenous woman with a “fringe” of blood (represented by red string) trickling from a diagonal scar across her back. “To me it is a wound that is on the mend,” Belmore has said. “She will get up and go on, but she will carry that mark with her.”Over the years, the Kalaaleq artist Laakkuluk Williamson Bathory has performed Greenlandic mask dances, or uaajeerneq, for audiences around the world: “It is a fearsome, sexy clown act,” she’s written, “that was handed down to me from my mother and other Inuit activist artists from Greenland’s movement to self-government in the 1970s.”
Persons: , Cannupa Hanska Luger, Rebecca Belmore, ” Belmore, , Laakkuluk Williamson Bathory Organizations: N.D, Locations: Mandan, Hidatsa, Arikara Nations
“Deer Woman’s New Certificate-of-Indian-Blood-Skin” by Natalie Ball, which suggests a kind of quilted explosion, certainly has presence. Larger than either are fiber weavings, modeled on Indigenous jewelry forms, by Eric-Paul Riege, the exhibition’s youngest participant. Riege uses them as props in performances — pushes them aside, moves them around — and visitors are permitted (encouraged, even) to touch them. Sound was a vital component of the 1969 vision for a new American Indian Theater, which I take to mean a new Indian Art. In the early 1960s, when a craze for folk and ethnic music was high, a company called Indian Records, Inc. released many LPs of Native music.
Persons: Natalie Ball, Gabrielle L’Hirondelle Hill’s, Eric, Paul Riege, , Gibson, Rebecca Belmore, Maria Hupfield —, Ida Halpern, Sonny Assu’s Organizations: American Indian Theater, Indian Records, Inc Locations: British Columbia, Vienna
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