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Search resuls for: "Barbeau"


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Almost 100 years ago, a hand-carved totem pole was cut down in the Nass Valley in the northwest of Canada’s British Columbia. The 36-foot tall pole had been carved from red cedar in the 1860s to honor Ts’wawit, a warrior from the Indigenous Nisga’a Nation, who was next in line to become chief before he was killed in conflict. A Canadian anthropologist, Marius Barbeau, oversaw the removal of the memorial pole in the summer of 1929, while the Nisga’a people were away from their villages on an annual hunting, fishing and harvesting trip, according to the Nisga’a government. Mr. Barbeau sent the pole to a buyer more than 4,000 miles away: the Royal Scottish Museum in Edinburgh — today known as the National Museum of Scotland.
Persons: Ts’wawit, Marius Barbeau, Barbeau Organizations: Royal Scottish Museum, National Museum of Scotland Locations: Nass, Canada’s British Columbia, Canadian, Edinburgh —
‘Rise’ Review: Step, Repeat, Recover
  + stars: | 2023-06-01 | by ( Natalia Winkelman | ) www.nytimes.com   time to read: +1 min
The remainder of “Rise,” directed by Cédric Klapisch, traces Elise’s lengthy but rather untroubled road to recovery, both of body and of confidence. Much of this coming-of-age work occurs at a picturesque artists’ retreat in a seaside villa where Elise, limping but breezy, accepts a job preparing meals. And what luck that her cooking gig should coincide with the residency of an esteemed contemporary dance troupe — one that includes a break dancing hunk, Mehdi (Mehdi Baki), who Elise had admired back home. This is a sweet, uncomplicated story relayed with enough entrancing dance breaks to fill an American halftime show. It drives home a point we already intuit: the dialogue is incidental when the dancing is this expressive.
Persons: , Cédric Klapisch, Elise, Mehdi, Mehdi Baki, Barbeau Organizations: Paris Opera Ballet, intuit Locations: American
I would have liked to watch a few more episodes," the grandfather bot replied. Yu told Tang his grandmother needed the chatbot to process her emotions and mourn. As for himself, he declined to share his intimate conversations with his grandfather bot. Like Yu's grandfather bot, Wu's bot produced limited responses. "These emotions might have overwhelmed me too much to work and live my life," he told Tang.
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