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☆ Can Marin Alsop Shatter Another Glass Ceiling?
▼ + stars: | 2024-05-06 | by ( Zachary Woolfe | ) www.nytimes.com time to read: +1 min

Marin Alsop’s conducting students were taking turns on the podium recently in a rehearsal room at Meyerhoff Symphony Hall in Baltimore. Alsop, who spent untold hours at Meyerhoff Hall during her 14 years as music director of the Baltimore Symphony Orchestra, a tenure that ended in 2021, teaches in technical, tangible details. In a measure with 11 beats, she suggested using the last as a pickup to the following bar, to give the players an extra bit of clarity. “You’re not accompanying,” she told a rising maestro who seemed to be giving an invisible musician too much leeway. “You’re in charge.”

Persons: Marin Alsop’s, Stravinsky’s, Alsop, “ You’re, ” Organizations: Meyerhoff Symphony, Meyerhoff, Baltimore Symphony Orchestra Locations: Baltimore

☆ Why Don’t More American Maestros Lead American Orchestras?
▼ + stars: | 2024-03-06 | by ( Javier C. Hernández | ) www.nytimes.com time to read: +1 min

When Leonard Bernstein was named music director of the New York Philharmonic in 1958, his appointment was hailed as a breakthrough for orchestra conductors from the United States. For decades, American maestros had been cast aside in classical music, seen as inferior to Europeans. But Bernstein’s rise, recently glamorized in the Oscar-nominated “Maestro,” showed that conductors from the United States could compete with their finest counterparts across the Atlantic. Commentators predicted a golden age for American conductors at the top American orchestras. Four of the 25 largest ensembles in the United States have an American at the podium, and at the nation’s biggest, most prestigious orchestras, American music directors are entirely absent.

Persons: Leonard Bernstein, maestros, Oscar, “ Maestro, ” Organizations: New York Philharmonic, D.C, Baltimore Symphony Orchestra Locations: United States, Atlanta , Baltimore, Boston , New York, San Francisco, Seattle, St, Louis, Washington, American

☆ Lincoln Center Names Conductor for Reimagined Mostly Mozart Orchestra
▼ + stars: | 2023-05-31 | by ( Javier C. Hernández | ) www.nytimes.com time to read: +1 min

Jonathon Heyward, the rising young conductor who this fall will become the first Black music director of the Baltimore Symphony Orchestra, has been tapped to lead Lincoln Center’s summer ensemble, a reimagined version of the Mostly Mozart Festival Orchestra, the center announced on Wednesday. Heyward, 30, will start a three-year contract with Lincoln Center next year. His appointment is part of the center’s changes to the revered Mostly Mozart Festival Orchestra, by giving it a new name, embracing a wider variety of genres and bringing more racial, ethnic and gender diversity to the stage. “It has everything to do with accessibility and presentation.”Heyward succeeds the orchestra’s longtime music director, Louis Langrée, whose contract expires this year. During Langrée’s 21-year tenure, he has helped rejuvenate the ensemble and cement its reputation as an acclaimed interpreter of the music of Mozart and the Classical repertoire.

Persons: Jonathon Heyward, Lincoln, Heyward, ” Heyward, Louis Langrée, Mozart Organizations: Baltimore Symphony Orchestra, Orchestra, Lincoln Center Locations: Charleston

The world’s best-known female conductor, Marin Alsop, revealed that she’s “offended” by her best-known fictional counterpart: Lydia Tár. It’s about women as leaders in our society,” Alsop, the chief conductor of the Vienna Radio Symphony Orchestra and a MacArthur “genius award” winner, told the Sunday Times. Now, there is just one: Stutzmann, who took the podium at the Atlanta Symphony Orchestra in October. While “Tár” may have struck a nerve with Alsop, it appears to have had the opposite effect on film critics. Focus Features, the U.S. distributor of "Tár," did not immediately respond to NBC News' request for comment.

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