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Search resuls for: "Aucoin"


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Peter Sellars wanted to know more. He was in San Francisco a few years ago, attending a performance of “The No One’s Rose,” a fascinatingly idiosyncratic work of music theater that featured some of his favorite artists, from the American Modern Opera Company, and a score by the young composer Matthew Aucoin. One section of the piece stood out: “Deep Water Trawling,” a setting of a poem by Jorie Graham that felt both human and not, both natural and spiritual. Most important, it seemed to have brought out something new, and special, in Aucoin’s writing. After the show Sellars, who at 66 has long been a reigning opera director, asked Aucoin, “What was that?”
Persons: Peter Sellars, , Matthew Aucoin, Jorie Graham, Sellars, Aucoin Organizations: American Modern Opera Company Locations: San Francisco
With tolling bells, grim chords and an uneasy melody, the opening immediately brings to mind Mussorgsky’s “Boris Godunov,” another tale of a king gone mad. This first section, “The Divided Kingdom,” shows Aucoin’s talent for creating orchestral textures that are simultaneously granitic and flickering, like fast-shifting storm clouds. Yannick Nézet-Séguin, the music director of the Metropolitan Opera and the Philadelphia Orchestra, deserves credit for consistently leading this richly gifted composer’s works with both organizations over the past few years. (Aucoin is currently working on an adaptation of Dostoevsky’s “Demons,” planned for the Met.) The Tchaikovsky lacked the passionate opulence that is this score’s reason for being.
Persons: , “ Boris Godunov, , Kurosawa’s, , Yannick Nézet, Dostoevsky’s, Bernstein, Tchaikovsky Organizations: Metropolitan Opera, Philadelphia Orchestra, hiccups Locations: “ Heath,
While the Golden Globes brought several notable nominations and wins for Black performers in television and film, this year’s Oscar nominations look very different. “Till,” starring Danielle Deadwyler as Mamie Till-Mobley, chronicles the 14-year-old’s mother during her quest for justice after her child was brutally murdered. The film earned no Academy Award nominations. “Wakanda Forever” also failed to match the best picture nod earned by 2018’s “Black Panther” — the first superhero movie nominated for the top Oscar. Bassett is also the second oldest Black woman ever nominated for an acting Oscar, behind supporting actress nominee Ruby Dee, who appeared in 2007’s “American Gangster.”
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