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Search resuls for: "Aruna D Souza"


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How an Artist Became the Queen of Baltimore
  + stars: | 2024-06-13 | by ( Aruna D Souza | ) www.nytimes.com   time to read: +1 min
Joyce J. Scott is not an easy woman to interview. It’s not that she is reticent. It’s just hard to get a word in edgewise because practically every person we passed during our day together in Baltimore stopped to talk to her, shouting out “The Queen!” or “Mama Joyce!” whenever we entered one of her local haunts. “It might not be an exaggeration to say she’s the defining artist of Baltimore,” said Lowery Stokes Sims, her longtime friend and curator of her work, in a recent phone call. “She was born here, raised here, went to school here, went out into the world but always had this place as a base — she never left.”
Persons: Joyce J, Scott, It’s, , Mama Joyce, , Lowery Stokes Sims Locations: Baltimore,
When pro-Palestinian student protesters took over Hamilton Hall at Columbia University last month and renamed it “Hind’s Hall,” the banner they unfurled contained images of a cartoon character created over 50 years ago that symbolizes the resilience of Palestinians. On either side of the text were two images of a barefoot boy with tattered clothes and spiky hair, his back turned to us. The character is called Handala (variously transliterated as Hanzala or Handzala), a name derived from a native plant that is deep-rooted, persistent and bears bitter fruit, and has become a potent symbol of the Palestinian struggle. The image was created by the Palestinian political cartoonist Naji Al-Ali in 1969, one of the most widely read cartoonists in the Arab world, who was murdered in London in 1987. (The case remains unsolved.)
Persons: Naji Al, Ali Organizations: Palestinian, Hamilton Hall, Columbia University Locations: London
“I come from show people,” the sculptor and installation artist Karon Davis said in an interview on Wednesday. “The minute I was born, I was handed tap shoes, ballet shoes.” She’s only half joking: her mother, Nancy Bruner, was a ballerina; her sister, Naja, who died at the age of 16, was an aspiring ballerina; and her father is the Tony- and Emmy-award-winning actor, dancer and singer Ben Vereen. That immersion inspired her recent exhibition, “Beauty Must Suffer,” which opened on Oct. 12 at Salon 94 in Manhattan. On the second floor, plaster children practice at the barre, dancers rest, bow and stretch alongside floor-to-ceiling columns composed of pink tutus and piles of “dead” toe shoes. (Until fairly recently, the major makers of ballet slippers didn’t produce a diverse range of colors.)
Persons: Karon Davis, , ” She’s, Nancy Bruner, Naja, Tony, Ben Vereen, they’re Organizations: barre Locations: Manhattan, Paris
The blur offers a similar anonymity to the residents of Harlem in Ming Smith’s nighttime photos from her “Invisible Man” series (1988-91). Where Smith uses long exposure to create her effect, Sondra Perry, in her video loop, “Double Quadruple Etcetera Etcetera I & II” (2013) relies on a tool in Photoshop that removes unwanted elements to partially obscure the bodies of two dancers. John Edmonds overexposes his film to create solarized prints with velvety surfaces in which his Black male subjects take refuge in the shadows. The hoodie, not surprisingly, shows up in many forms. Kevin Beasley casts it in resin in “ … ain’t it?” (2014), while Edmonds depicts young men who are doubly obscured — hoods up and seen from the back — in his large-scale photographs from 2018.
Persons: Smith, Sondra Perry, Joiri Minaya, John Edmonds overexposes, Kevin Beasley, Edmonds, Carrie Mae Weems, Trayvon Martin Locations: Harlem, Ming
The Man Who Pictured Ghana’s Rise at Home and Abroad
  + stars: | 2023-06-30 | by ( Aruna D Souza | ) www.nytimes.com   time to read: +1 min
The 94-year-old British-Ghanaian photographer James Barnor calls himself “Lucky Jim” — he’s been “at the right place at the right time and met the right people” during a career spanning more than six decades and two continents, he said in a recent telephone interview from his London home. It’s easy to believe him looking at “James Barnor: Accra/London,” a major retrospective of his work across genres — studio and street photography, photojournalism and fashion, images that range from the quietly intimate to the historical and iconic. Shown at the Serpentine Galleries in London in 2021, the exhibition is on view in an expanded form at the Detroit Institute of Arts, through Oct. 15. Take a modest picture by Barnor from 1952 of Roy Ankrah, a Commonwealth featherweight boxing champion. Barnor posed the three on Nkrumah’s couch — and then jumped into the frame, perching on an armrest, becoming part of a momentous history unfolding.
Persons: James Barnor, “ Lucky Jim ” — he’s, Barnor, Roy Ankrah, Ankrah, Rebecca, Kwame Nkrumah Organizations: Detroit Institute of Arts, Commonwealth Locations: Ghanaian, Accra, London, , Republic of Ghana
Hidden in a Mini-Mall in Flushing, a Home for Art
  + stars: | 2023-06-21 | by ( Aruna D Souza | ) www.nytimes.com   time to read: +1 min
The flier announcing a new exhibition in Queens, “Home-O-Stasis,” doesn’t give an address. Instead, it has instructions: When you reach the Queens Public Library in Flushing, “go up to Kissena Boulevard till you see the Q17/Q27 stop. Go past the garage gate, enter the mini-mall on the right where scooters and bikes are parked outside.” (How you get to the library is up to you and Google maps.) “Even though I grew up in Flushing my grasp of the language is not whole,” said the sculptor Anne Wu, whose work is on view. “I may not know what a place is called but I can tell you how you get there.”
Persons: doesn’t, , Anne Wu Organizations: Queens Public Library Locations: Queens, Flushing, , , China, Korea, Taiwan
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