In order to face either one head on, you must stand on a small, uneven platform of homemade adobe bricks.
This is a message from the artist: He’s not interested in a seamless viewing experience.
It recalls his contribution to the 2017 Whitney Biennial, where he created a room of adobe bricks.
Here, a winding path of bricks connects life-size portraits of members of esparza’s largely queer community.
The paintings are also on adobe, referencing his Mexican heritage and accentuating his subjects’ brown skin.
Persons:
rafa esparza’s, He’s, JILLIAN STEINHAUER
Organizations:
Art Basel Miami Beach, Biennial
Locations:
Los Angeles, New York