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Search resuls for: "— Bey"


5 mentions found


She weaves in samples and references to Black artists, including Sister Rosetta Tharpe, Chuck Berry, and Roy Hamilton. A cover song isn't just a copyThere's a long history of non-country artists doing country covers. Related storiesFor artists, cover songs "are like a stepping stone. Solis, the ethnomusicologist, pointed out that country music has grown out of a history of people playing other artists' songs, particularly Black artists. Beyoncé's "Jolene" cover is #3 on Apple Music Charts, while "Blackbird" is #12.
Persons: Cowboy Carter, Jolene, , Carter, It's, Queen Bey, she's, Rosetta Tharpe, Chuck Berry, Roy Hamilton, Willie Nelson, Linda Martell, Bey, Dolly Parton, Paul McCartney, Tanner Adell, Brittney Spencer, Tiera Kennedy, Reyna Roberts, Tina Knowles, Gabriel Solis, Patsy Cline's, Bing Crosby, Don Cusic, Beyoncé, — Bey, Solis, " Solis, Tracy Chapman's, Luke Combs, Martell, Nelson, Parton, Cusic Organizations: Service, University of Washington, Western Music Hall of Fame, Spotify, Apple, YouTube Locations: America, Beyoncé
Beyoncé's new album "Cowboy Carter" is framed as songs playing on a fictional country radio station. With KNTRY Radio Texas, she ingeniously beats the gatekeepers at their own game. AdvertisementSix songs into "Cowboy Carter," Beyoncé disappears. Willie Nelson's familiar, worn-in voice introduces the album's central conceit: "Welcome to 'The Smoke Hour' on KNTRY Radio Texas. AdvertisementHowever, the "Cowboy Carter" prologue illuminates the allusive layers at work in KNTRY Radio Texas.
Persons: Carter, , Cowboy Carter, Beyoncé, Sister Rosetta Tharpe, Chuck Berry, Roy Hamilton, Willie Nelson's, Nelson, Dolly Parton, Linda Martell, Jon Batiste, TikTok, Queen Bey, Breland, Shaboozey, Tanner Adell, Tiera Kennedy, Kennedy, Parton, Martell, twangy, Jolene Organizations: KNTRY Radio Texas, Service, KNTRY Radio, KNTRY, YouTube, Spotify, Southern, BI Locations: KNTRY Radio Texas, Nashville, KNTRY Radio, Texas, Adell
LOS ANGELES (AP) — Beyoncé is back with two new country tracks — “Texas Hold 'Em” and “16 Carriages.”After a Verizon commercial starring Beyoncé aired during the Super Bowl ended with the superstar saying “They ready, drop the new music,” the question became — was she serious? Later, a cryptic Instagram video with country iconography appeared on her page, teasing “act ii” on March 29. (Beyoncé’s 2022 album “Renaissance” is frequently referred to as “Act I: Renaissance.”)At the end of the clip, a plucky acoustic guitar riff plays, and Bey’s unmistakable voice kicks in. She sings, “This ain’t Texas / Ain’t no hold ’em / So lay your cards down down down,” in a Southern twang. Under the “music” tab, two titles were listed — “Texas Hold 'Em” and “16 Carriages,” which later appeared as full songs on Tidal, YouTube and Spotify.
Persons: Beyoncé, , , , Tony, Toni, Raphael Saadiq, Tony Hale, Barbie, Hale, Bey, ” Beyoncé, husband Jay Organizations: ANGELES, Verizon, YouTube, Spotify, Locations: Texas, Southern, United States
After days of speculation and online sleuthing by fans — just another week, in other words — Beyoncé used her appearance in a Super Bowl commercial on Sunday to announce that she would soon be releasing new music. In a Verizon ad that ran shortly after halftime, Beyoncé joked with the comedian Tony Hale about doing something that would “break the internet” (i.e. She ran through a few riffs, like “Beyonc-A.I.,” a Barbie-like “Bar-bey” and a presidential “BOTUS.”Then she said, “Drop the new music,” before the commercial ended. Soon after, Beyoncé’s website updated with the announcement that a new album, identified as “Act II,” would be released on March 29. It appeared to be the second part of Beyoncé’s “Renaissance” album project, and perhaps one with a country-rock theme, given the sound and look of two new songs, “Texas Hold ’Em” and “16 Carriages,” that quickly appeared online.
Persons: , Beyoncé, Tony Hale, , bey ”, BOTUS, Organizations: Verizon Locations: Beyoncé’s, Texas
In Richmond the task Bey set himself was still more challenging, with just the path, foliage and water as raw materials. “You would think there’s not much here to look at,” he said as we paused on the trail. “What might those things add up to,” he said, when composed into the frame of a photograph. For Cassel Oliver, the curator, Bey has “mastered the technique of allowing the lens to be the eyes of the body,” inviting, even across the centuries, a kind of empathy. “Through the sheer beauty of the work,” she added, “he’s allowing us to see the trail as we have never seen it.”
Persons: I’m, , Bey, Cassel Oliver, Organizations: Railroad, Evergreen Locations: In Ohio, Evergreen Plantation, Louisiana, Richmond
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