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Singer Harry Belafonte speaks during a press junket at The Bing Decision Maker Series with the “Sing Your Song” Cast and Filmmakers on January 22, 2011 in Park City, Utah. American singer Harry Belafonte performing in a recording studio, circa 1957. By the early 1960s, Belafonte had become a force in the civil rights movement. A crowd of over 10,000 civil rights marchers gathers in the Manhattan Garment Center as Harry Belafonte sings at spiritual at a civil rights rally. A capacity audience of civil rights advocates turned out to watch a glittering array of theater personalities perform.
Belafonte was born in New York City's borough of Manhattan but spent his early childhood in his family's native Jamaica. A few weeks before the launch, Belafonte told Rolling Stone magazine that singing was a way for him to express injustices in the world. "We were instructed to never capitulate, to never yield, to always resist oppression," Belafonte told Yes! "The Navy came as a place of relief for me," Belafonte told Yes! Belafonte was the first Black performer to win a major Emmy in 1960 with his appearance on a television variety special.
In the summer of 2013, I participated in a daylong series of talks at the Ford Foundation in Midtown Manhattan. The event, the Road Ahead for Civil Rights: Courting Change, was meant to mark the semicentennial of the civil rights movement. My panel was in the morning, but I stayed for the lunch session because Harry Belafonte was participating in it, along with the activist Dolores Huerta. I didn’t know the Belafonte my parents knew, the young, handsome calypso singer. But there were no notes that I could see; we were witnessing the brilliance of Belafonte in real time.
Harry Belafonte, the singer, actor and activist whose wide-ranging success blazed a trail for other Black artists in the 1950s, died on Tuesday at age 96. A child of Harlem, Mr. Belafonte used his platform at the height of the entertainment world to speak out frequently on his music, how Black life was depicted onscreen and, most important to him, the civil rights movement. Here are some of the insights Mr. Belafonte provided to The New York Times during his many decades in the public spotlight, as they appeared at the time:His musicMr. Belafonte’s string of hits, including “Day-O (The Banana Boat Song)” and “Jamaica Farewell,” helped create an American obsession with Caribbean music that led his record company to promote him as the “King of Calypso.”But Mr. Belafonte never embraced that sort of monarchical title, rejecting “purism” as a “cover-up for mediocrity” and explaining that he saw his work as a mash-up of musical styles. He told The New York Times Magazine in 1959 that folk music had “hidden within it a great dramatic sense, and a powerful lyrical sense.” He also plainly conceded: “I don’t have a great voice.”
He provided money to bail Dr. King and other civil rights activists out of jail. His spacious apartment on West End Avenue in Manhattan became Dr. King’s home away from home. The suit was settled the next year, with Mr. Belafonte retaining possession.) In an interview with The Washington Post a few months after Dr. King’s death, Mr. Belafonte expressed ambivalence about his high profile in the civil rights movement. In Atlanta for a benefit concert for the Southern Christian Leadership Conference in 1962, Mr. Belafonte was twice refused service in the same restaurant.
Harry Belafonte: A Life in Photos
  + stars: | 2023-04-25 | by ( Peter Keepnews | ) www.nytimes.com   time to read: +1 min
Harry Belafonte, born in Harlem to West Indian immigrants, captivated audiences with his singing and almost single-handedly ignited a craze for Caribbean music. He achieved movie stardom with his striking good looks and won a Tony Award for best featured actor in a musical. But Mr. Belafonte, who died on Tuesday, was more than an entertainer; his primary focus from the late 1950s until the end of his life was civil rights. Dr. Martin Luther King Jr. and took part in the March on Washington in 1963. In the 1980s, he helped organize a cultural boycott of South Africa under apartheid to raise money to fight famine in Africa.
Watch These Great Harry Belafonte Screen Performances
  + stars: | 2023-04-25 | by ( Jason Bailey | ) www.nytimes.com   time to read: 1 min
With the death of Harry Belafonte, America lost a musical genius and an icon of activism, who rose from a life of poverty to one of massive record sales and sellout concerts, using his fame as a performer to shed light on the causes he believed in. But Belafonte was also a major movie star, and though his cinematic output wasn’t exactly prolific — he appeared, surprisingly, in fewer than two dozen feature films during his 65-year film career — he made a memorable impression each time he was onscreen. Below are a few highlights, all available to stream. ‘Carmen Jones’ (1954)Rent or buy it on Amazon, Apple TV, Google Play, Vudu and YouTube.
April 25 (Reuters) - Harry Belafonte, a singer, songwriter and groundbreaking actor who started his entertainment career belting "Day O" in his 1950s hit song "Banana Boat" before turning to political activism, died on Tuesday at age 96, the New York Times reported. (This story has been refiled to fix the case in the headline)Reporting by Brendan O'Brien; Editing by Doina Chiacu;Our Standards: The Thomson Reuters Trust Principles.
Bob Marley and the Wailers’ ‘Catch a Fire’ Turns 50
  + stars: | 2023-04-15 | by ( Marc Myers | ) www.wsj.com   time to read: 1 min
Jamaican music was hardly foreign to American ears or the U.S. pop charts in 1973. Starting with Harry Belafonte ’s recording of “Day-O (The Banana Boat Song)” in 1956, singles became hits using Jamaica’s brassy ska and mellow rocksteady styles. These included Millie Small’s “My Boy Lollipop” (1964), Johnny Nash ’s “Hold Me Tight” (1968) and “I Can See Clearly Now” (1972), the Beatles’ “Ob-La-Di, Ob-La-Da” (1968) and Desmond Dekker & the Aces’ “Israelites” (1968). Then, in February 1973, the Jamaican crime film “The Harder They Come,” starring singer Jimmy Cliff , was released in the U.S. along with the soundtrack album. Many Americans were exposed for the first time to reggae—a bass-heavy rhythmic style that emerged in 1968 with the Maytals’ “Do the Reggay.”
Duran Duran stumbled but stayed sophisticated. The four acts found very different ways to celebrate on Saturday night, but all can now forever say they’re Rock & Roll Hall of Famers. “Rock & Roll is not a color,” he said. “One, I know, is that I’m a rapper and this is the Rock & Roll Hall of Fame.”He’s only the 10th hip-hop artist among well over 300 members of the Hall of Fame. “I‘ve been rockin’ rockin’ rockin’ rockin’ since the day I was born,” she sang, “and I’ll be rockin’ to the day I’m gone.”She closed the night leading an all-star jam of her fellow inductees on her country classic “Jolene.” Le Bon, Benatar and even Judas Priest singer Rob Halford took a verse.
CNN —In theory there’s only so much to be done with a celebrity biography, but when the subject is Sidney Poitier, that’s an unusually target-rich environment. “Sidney,” a documentary from director Reginald Hudlin produced by Oprah Winfrey, does the actor justice, providing context, depth and considerable warmth in chronicling his remarkable life and trailblazing career. “He was given big shoulders, but he had to carry a lot of weight,” says Denzel Washington. “Sidney” casts its own warming glow, in a way that sheds light not only Poitier’s path but also the decades in which he carved it out. “Sidney” premieres September 23 in select theaters and on Apple TV+.
When Harry Belafonte turned 93 on March 1, he celebrated with a tribute at the Apollo Theater in Harlem, which ended with a thunderous audience singalong to a riff on his star-making 1956 hit, “The Banana Boat Song,” complete with the rapper Doug E. Fresh beatboxing over its famous “Day-O!” refrain. It was a fitting salute at a building which Mr. Belafonte, in his 2011 memoir, called a “cathedral of spirituality.” But, just a few blocks uptown, he is receiving a quieter but no less momentous celebration. The Schomburg Center for Research in Black Culture, a division of the New York Public Library, has acquired Mr. Belafonte’s personal archive — a vast maze of photographs, recordings, films, letters, artwork, clipping albums and other materials. It illuminates not just his career as an musician and actor, but as an activist and connector who seemed to know everyone, from Paul Robeson and Marlon Brando to Martin Luther King Jr., the Kennedys and Nelson Mandela.
Harry Belafonte Knows a Thing or Two About New York
  + stars: | 2017-02-03 | by ( John Leland | ) www.nytimes.com   time to read: +1 min
Harry Belafonte’s New York was a lot like yours and mine. Dr. Martin Luther King Jr. in a Harlem church basement through Adam Clayton Powell Jr., and met W. E. B. Mr. Belafonte could tell you a thing or two about New York. He has been the best-selling singer in America and a pillar in the civil rights movement. Takes a lot of courage and a lot of power to step into the space and lead a holy war.”
It wasn’t easy, and sometimes it wasn’t pretty, but we did it, together. We achieved full rights for women, and fought to let people of all genders and sexual orientations stand in the light. Lost as so many powerful interests would have us lose the benefits of the social welfare state, privatize Social Security, and annihilate Obamacare altogether. If he wins this Tuesday, Donald J. Trump would be, at 70, the oldest president ever elected. Like a bar of gold, perhaps, or a bank vault, or one of the lifeless, anonymous buildings he loves to put up.
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