Unlike “Daughter of the Dragon” the film, “Daughter of the Dragon” the book is clearly intended as a form of reclamation and subversion. “Anna May drew attention to or even exploded the stereotype by overacting these roles,” Huang writes, not entirely convincingly. “She has to take what is offered.” Especially when she is an Asian American woman at a time when Asian roles often went to white actors in adhesive tape and yellowface. The Production Code of 1930, which banned onscreen portrayals of miscegenation and interracial relationships, was a “virtual form of foot-binding for Anna May,” Huang writes. (The only film in which she was kissed by a white man was “Java Head,” a British production.)

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Persons: Huang, ”, Anna May, ” Huang, Julian Barnes, ” Wong, Wong, — “ Dietrich, Anna, Mary, Mary despaired, Pearl Organizations: Java Locations: ”, Asian American, Hollywood, British, China, yellowface