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Search resuls for: "Kirill Petrenko"


4 mentions found


☆ Carnegie Hall’s 2024-25 Season Feature a Latin Music Festival `Nuestros Sonidos'
  + stars: | 2024-02-07 | by ( Associated Press | Feb. | At A.M. | ) www.usnews.com   time to read: +2 min
NEW YORK (AP) — Carnegie Hall’s 2024-25 season will feature a festival celebrating Latin music titled “Nuestros Sonidos (Our Sounds).”Gustavo Dudamel opens the season and the festival on Oct. 8, leading the Los Angeles Philharmonic in Rachmaninoff’s Piano Concerto No. A dozen festival concerts were announced Wednesday and more will be added, with events throughout New York City. The London Symphony Orchestra, in its first season with chief conductor Antonio Pappano, plays at Carnegie Hall for the first time since 2005 when it performs on March 5, 2025. Pianist Igor Levit gives a Jan. 12 recital in which he performs Liszt’s transcription of Beethoven’s Seventh Symphony. Soprano Asmik Grigorian has a recital on Dec. 17, then returns March 18 for Strauss’ “Vier letzte Lieder (Four Last Songs)” with the Cleveland Orchestra and music director Franz Welser-Möst.
Persons: —, ” Gustavo Dudamel, Lang Lang, Gustavo Castillo, Dudamel's, Gabriela Ortiz, Alisa Weilerstein, Mendelssohn’s, María Valverde, Natalia Lafourcade, ”, ” “ We've, Clive Gillinson, Carnegie, ” Gillinson, Kirill Petrenko, Riccardo Muti, Antonio Pappano, Igor Levit, Asmik Grigorian, Strauss, Franz Welser Organizations: — Carnegie, Los Angeles Philharmonic, Music, Arts of South, ” Carnegie, Berlin Philharmonic, Chicago Symphony Orchestra, Jan, Vienna Philharmonic, London Symphony Orchestra, Carnegie Hall, Cleveland Orchestra Locations: Spanish, New York City, Arts of South Africa, America
☆ Italy's La Scala to open new season with Verdi classic
  + stars: | 2023-05-29 | by ( Sara Rossi | ) www.reuters.com   time to read: +2 min
[1/2] People watch a live broadcast of Modest Musorgskij's opera "Boris Godunov" on a giant screen at the Vittorio Emanuele II Gallery during La Scala Opera House's gala season opener in Milan, Italy, December 7, 2022. The opening night of the La Scala season has become a highlight of the calendar for the country's business and political elite, coinciding with the city's Feast of St. Ambrose holiday. Verdi's works have been performed at La Scala since 1839 and the choice of a historical work by a local favourite is likely to prove less contentious on Dec. 7. La Scala last year mitigated the impact by cutting consumption of gas and electricity by 22% and around 15% respectively, its artistic director Dominque Meyer said on Monday. In its new season, La Scala will host 14 operas, seven ballets, as well as concerts featuring Italian conductor Riccardo Muti, Briton Daniel Harding and Russian-born Kirill Petrenko.
☆ After a Surprise Debut, the Conductor Thomas Guggeis Is Rising Fast
  + stars: | 2023-05-27 | by ( Joshua Barone | ) www.nytimes.com   time to read: +1 min
Now, Guggeis might read about a discovery related to something he remembers studying in school. In between classes one day, he sat in on a rehearsal of Strauss’s “Die Frau Ohne Schatten” led by Petrenko. He recalled watching the young conductor lead a rehearsal and immediately thinking he was gifted. “And he was obviously a very natural conductor. He moved his arms in a natural way, and was naturally in command.
☆ The Boston Symphony Finds Surprises and Strengths in New Music
  + stars: | 2023-04-26 | by ( Oussama Zahr | ) www.nytimes.com   time to read: +1 min
When orchestras come to Carnegie Hall, their programs typically tell you two things: who they are and what they can do. Or when the Berlin Philharmonic and Kirill Petrenko opened up the complex worlds of Mahler’s Seventh with coordinated virtuosity. And over two nights at Carnegie this week, the Boston Symphony Orchestra and its music director, Andris Nelsons, told their story gradually, one piece at a time, in canonical works by Ravel, Rachmaninoff, Sibelius and Mozart. Among American orchestras, the Boston Symphony’s sound is enviably rich. That opulence was readily apparent in the ceaseless flow of cantabile melodies in Rachmaninoff’s Second Symphony.
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