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Search resuls for: "Gautier Capucon"


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[1/2] The French National Orchestra plays during the George Enescu Classical Music Festival, in Bucharest, Romania, September 21, 2023. The 27th Enescu festival, a biennial event, could bring in American orchestras for the first time in years, said Cristina Uruc, one of the main planners, alongside established festival performers. The 26th Enescu festival, named after Romania's most famous composer and begun in 1958, ends on Sunday with a performance by the Dutch-based Royal Concertgebouw Orchestra. "If we had a proper concert hall, top orchestras could play in Bucharest outside the festival as well, we could build on the classical music tradition this festival has created." Asked whether the rise of generative artificial intelligence threatened classical music performances, one artist at the festival said he was not concerned.
Persons: George Enescu, George Calin, Enescu, Cristina Uruc, Maestro Macelaru, Cristian Macelaru, Simon Rattle, Zubin Mehta, Vladimir Jurowski, Yuja Wang, Martha Argerich, Gautier Capucon, Uruc, Artexim, Capucon, Luiza Ilie, Matthew Lewis Organizations: French National Orchestra, George Enescu Classical, REUTERS Acquire, Rights, Enescu, Reuters, Concertgebouw Orchestra, London Symphony Orchestra, Rome's National Academy of Santa Cecilia Orchestra, Musicians, Communist Party, Thomson Locations: Bucharest, Romania, Rights BUCHAREST, Dutch, French, Sala
When orchestras come to Carnegie Hall, their programs typically tell you two things: who they are and what they can do. Or when the Berlin Philharmonic and Kirill Petrenko opened up the complex worlds of Mahler’s Seventh with coordinated virtuosity. And over two nights at Carnegie this week, the Boston Symphony Orchestra and its music director, Andris Nelsons, told their story gradually, one piece at a time, in canonical works by Ravel, Rachmaninoff, Sibelius and Mozart. Among American orchestras, the Boston Symphony’s sound is enviably rich. That opulence was readily apparent in the ceaseless flow of cantabile melodies in Rachmaninoff’s Second Symphony.
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