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☆ Glenn Lowry, director of New York’s MoMA, to step down after 30 years
▼ + stars: | 2024-09-11 | by ( Oscar Holland | ) edition.cnn.com time to read: +3 min

CNN —Glenn Lowry, the longest-serving director of New York’s Museum of Modern Art (MoMA), is stepping down after three decades in the role, he announced Tuesday. Spencer Platt/Getty ImagesJoining MoMA from Canada’s Art Gallery of Ontario in 1995, Lowry is the sixth director in the storied museum’s 95-year history. Welcoming 2.7 million visitors a year, according to the latest figures, MoMA is the USA’s third-most-visited art museum after the nearby Metropolitan Museum of Art and Washington DC’s National Gallery of Art. Through exhibitions, commissions and acquisitions, Lowry used art to address some of the most pressing social themes of the day. Tuesday’s announcement comes just over a week after Lowry sat down with CNN’s Richard Quest for an interview at MoMA.

Persons: Glenn Lowry, “, ”, Spencer Platt, Lowry, CNN’s Richard Quest, Quest, Paul Cézanne’s “, Robert Rauschenberg, India’s Kiran Organizations: CNN, New York’s Museum of Modern Art, New York Times, Times, MoMA, Modern Art, Getty, Canada’s Art, of Ontario, Art, Metropolitan Museum of Art, Washington DC’s, of Art, Robert Rauschenberg Foundation Locations: Manhattan, Queens, Red, ”

☆ Time Traveling Through London With an Impressionist Painter
▼ + stars: | 2024-06-28 | by ( Mike Ives | ) www.nytimes.com time to read: 1 min

In the early 1870s, an émigré painter watched from a railway footbridge as a steam engine left a station on London’s suburban fringe. His name was Camille Pissarro and he was developing a style of plein-air painting that would soon be called “Impressionism.”Pissarro and a fellow émigré, Claude Monet, only stayed in London for a few months. By April 1874 they were among the painters holding the first Impressionist exhibition in Paris, the subject of a retrospective that runs until July 14 at the Musée d’Orsay and opens on Sept. 8 at the National Gallery of Art in Washington D.C. But London was one of their early muses. Monet painted the River Thames and the Palace of Westminster, among other central landmarks, while Pissarro captured scenes in suburbs where houses and train tracks were replacing forests and farmland.

Persons: Camille Pissarro, ” Pissarro, Claude Monet, Monet, Pissarro Organizations: National Gallery of Art, London Locations: London, Paris, Washington, Westminster

☆ Why the pioneering abstract painter Janet Sobel disappeared from the art world at the height of her fame
▼ + stars: | 2024-04-01 | by ( Helen Stoilas | ) edition.cnn.com time to read: +10 min

Edward C. Robison III/Courtesy The Menil CollectionSobel’s rise in the New York art scene was speedy — and short-lived. An untitled Sobel work, featuring totemic figured rendered in crayon and gouache on drawing pad paper. There’s a lot to still learn.”An untitled Sobel work, circa 1946. Courtesy the Museum of Modern Art/The Menil CollectionAn untitled Sobel work, circa 1946-1948. James Craven/Courtesy The Menil CollectionWhat the exhibition demonstrates above all is how innovative Sobel was, in both her media and methods of application.

Persons: Jackson Pollock, Willem de Kooning, Janet Sobel, you’ve, Sobel, Edward C, Robison III, Sol Sobel, Sidney Janis, Janis, “ Janet Sobel, Clement Greenberg, Pollock, ” Greenberg, —, totemic, Paul Hester, Len Sobel —, — Sobel, Baruch, ” Len Sobel, Peggy Guggenheim, Guggenheim, Louise Bourgeois, Lee Krasner, Leonora Carrington, New Jersey —, Natalie Dupêcher, ” Dupêcher, Len Sobel, William Rubin, Rubin, Sobel —, Len Sobel’s, I’m, James Craven, …, ”, Dupêcher, “ Organizations: CNN, Brooklyn Daily Eagle, Art Students League, Arts Club of Chicago, Brooklyn Daily, New, Puma, ”, Museum of Modern Art, National Gallery of Art, Menil, Brooklyn, Pennsylvania Academy, Fine Arts, Guggenheim, EPA, of Modern Art, MoMA, San Diego Museum of Art, Crystal Bridges Museum of American Locations: New York, Paris, Brighton Beach , Brooklyn, Brooklyn, Washington ,, Houston —, Ukrainian, New Jersey, York, Manhattan, Venice, Perth Amboy, Plainfield , New Jersey, Ukraine, Bentonville , Arkansas, America

☆ Was John Singer Sargent also the first celebrity stylist?
▼ + stars: | 2024-03-01 | by ( Leah Dolan | ) edition.cnn.com time to read: +8 min

London CNN —In the spring of 1888, New York socialite Eleanora Iselin welcomed the portrait artist John Singer Sargent into her home, feverish over the question of what she would wear. Despite curating a selection of her best frocks, Eleanor Iselin was captured in her casual day dress at the insistence of Sargent. Working during the rise of haute couture, both Sargent and his subjects were living through a new dawn of fashion. Rachel was styled in a scrap of pink fabric which Sargent manipulated on canvas to become a dress. “Their work was ready-to-wear, using off the (rack) elements of portraiture, whereas with Sargent it always was bespoke.

Persons: Eleanora Iselin, John Singer Sargent, Eager, Iselin, “ Sargent, Eleanor Iselin, Sargent, It’s, James Finch, ”, —, Finch, Margaret Oliphant, Edith Wharton, Gretchen, Rachel Warren, Isabella Stewart Gardner, Rachel, Tate Britain “ He’s, ” Finch, “ He’s, ” Sargent, Sybil Sassoon, couturier Charles Fredrick Worth, Worth, Sassoon, ’ Reframing, Lily, Lily Rose ”, Sybil Sassoon’s, “, they’ve, Ellen Terry, Lady Macbeth, Jai Monaghan, Tate Britain ‘, Sargent’s Organizations: London CNN —, Fashion, Tate, of Art, Tate Britain, CNN, Boston’s Museum of Fine Arts, Fenway Court, Isabella Stewart Gardner Museum, of Fine Arts, Boston Museum of Fine Arts Locations: New York, Tate Britain, of Art , Washington, London, Scottish, Boston, Worth, Paris

☆ Opinion | Can Culture Be Society’s Savior?
▼ + stars: | 2024-02-17 | by ( ) www.nytimes.com time to read: +1 min

To the Editor:Re “How to Save a Sad, Lonely, Angry and Mean Society,” by David Brooks (column, Jan. 28):As a published author married to a writer/filmmaker, I deeply appreciated Mr. Brooks’s column. It pains me to witness the modern-day devaluation of the arts and humanities. When I was a child, my art history major mother dragged me to many of the world’s great museums: the National Gallery of Art, the Met, the Louvre. I may have protested after the first hour, but certain works left indelible impressions: the terrifying passion of Klimt’s “Kiss,” the seductive movement of the Calder mobile. Likewise, literature plunged me into different perspectives.

Persons: David Brooks, Ingalls, Brooks, MeiMei Fox, David Brooks’s Organizations: Gallery of Art, Met, Calder, mater, Stanford University, “ College Locations: Louvre, “, MeiMei Fox Honolulu

☆ Mark Rothko at Full Scale, and in Half Light
▼ + stars: | 2023-10-25 | by ( Jason Farago | More About Jason Farago | ) www.nytimes.com time to read: +1 min

Melt the world away, lose its details, dissolve its borders; it doesn’t sound like such an unwelcome prospect right now. The most substantial Mark Rothko retrospective in a generation has opened at the Fondation Louis Vuitton, and it is a show of monumental dispersion: a pull-out-all-the-stops blockbuster where life passes into vapor. From 1949, when his early figurative pictures finally liquefied into stains of translucent color, Rothko painted with no allusions, no particulars. A lot of people find his large paintings consoling, or seek the Romantic sublime in the depths of his reds and violets. “Behind the color lies the cataclysm,” he said in 1959 — a citation that rarely makes the auction preview catalogs.

Persons: Rothko, Fondation Louis Vuitton, ”, it’s, Frank Gehry Organizations: Fondation, Art Basel, National Gallery of Art, Whitney, Fondation Vuitton, Boulogne Locations: Paris, Washington, New York, Bois

☆ Brice Marden, Who Rejuvenated Painting in the 1960s, Dies at 84
▼ + stars: | 2023-08-10 | by ( William Grimes | ) www.nytimes.com time to read: +2 min

While in Boston, he became immersed in the city’s folk music scene and married Pauline Baez, the older sister of the singer Joan Baez. In addition to Helen Marden, his second wife, he is survived by a son from his first marriage, Nicholas; two daughters from his second marriage, Mirabelle and Melia Marden; a younger sister, Mary Carroll Marden; and two grandchildren. After receiving a master’s degree in fine arts in 1963, Mr. Marden moved to New York. His first monochromatic panels were exhibited in 1964 at Swarthmore College and, soon after that, at the Bykert Gallery. And this was my way of thinking, well, there are things that haven’t been done,” he told Mr. Cooper of the National Gallery.

Persons: Pauline Baez, Joan Baez, Helen Marden, Nicholas, Mirabelle, Melia Marden, Mary Carroll Marden, Michael, Marden, Nancy Graves, Chuck Close, Richard Serra, Frank Stella, “, ”, Harry Cooper, Robert Indiana, Jasper Johns, Robert Rauschenberg, Cooper Organizations: Yale, Yale University School of Art, National Gallery of Art, Mr, Chiron Press, Jewish Museum, Swarthmore College, “ Locations: Boston, Norfolk, Conn, Washington, New York

☆ Native American artist Jeffrey Gibson will represent the United States at the 2024 Venice Biennale
▼ + stars: | 2023-07-28 | by ( Benjamin Sutton | ) edition.cnn.com time to read: +4 min

Editor’s Note: This article was originally published by The Art Newspaper, an editorial partner of CNN Style. (CNN) — Jeffrey Gibson, the Colorado-born, New York-based artist who is a member of the Mississippi Band of Choctaw Indians and of Cherokee descent, will represent the United States at the 2024 Venice Biennale, becoming the first Indigenous artist to have a solo exhibition in the US Pavilion. Gibson’s work mixes many traditions, combining techniques from Indigenous beading, weaving, metalwork and more with the formal language of hard-edged abstract painting, Pop Art sculpture. For his exhibition in Venice, Gibson will create installations inside the US Pavilion, on its exterior and in its courtyard, incorporating elements of performance and multimedia in addition to static works. Jeffrey Gibson Brian Barlow“The last 15 years of my career have been about turning inward and trying to make something I really wanted to see in the world,” Gibson, reflecting on his selection for the Biennale, told The New York Times.

Persons: — Jeffrey Gibson, Gibson, Jeffrey Gibson Brian Barlow “, ” Gibson, Kathleen Ash, Louis Grachos, Abigail Winograd, Jeffrey, ”, Milby, Venice —, ” Winograd, Ruth, Elmer Wellin, Leigh Bowery, Simone Leigh Organizations: The Art, CNN, Colorado -, Mississippi Band, Choctaw, Institute of American Indian Arts, Bard College, Biennale, New York Times, Portland Art Museum, SITE, Portland Museum of Art, US State Department, Boston’s Institute of Contemporary Art, Elmer Wellin Museum of Art, Hamilton College, Biennial, Gallery of Art, Buffalo AKG Art Museum, Denver Art Museum, Crystal Bridges Museum of American Art, Seattle Art Museum Locations: Colorado, New York, United States, Venice, Santa Fe , New Mexico, Navajo, Portland , Oregon, SITE Santa Fe, American, Oregon, New Mexico, Clinton , New York, Bentonville , Arkansas

☆ After a Year of Climate Protests, the Toll Rises for Museums and Activists
▼ + stars: | 2023-07-11 | by ( Zachary Small | More About Zachary Small | ) www.nytimes.com time to read: +1 min

Two climate activists made a beeline for a beautiful Monet painting exhibited at the National Museum in Sweden on a recent Wednesday morning. They wanted to convey the urgency of the environmental crisis — pollution, global warming and other man-made disasters — that could turn the artist’s gorgeous gardens at Giverny into a distant memory. So the young protesters followed what has become a familiar playbook: gluing a hand to the artwork’s protective glass and smearing it with red paint. Similar scenes have unfolded at more than a dozen museums over the last year, leaving cultural workers on edge and at a loss for how to prevent climate activists from targeting delicate artworks. Just last weekend, the Metropolitan Museum of Art in Manhattan was targeted for the second time, as more than 40 activists occupied galleries, silently holding signs that proclaimed “No art on a dead planet.” Meanwhile, the costs for security, conservation and insurance are growing, according to cultural institutions that have experienced attacks.

Persons: Monet, Degas, “ Organizations: National Museum, National Gallery of Art, Metropolitan Museum of Art Locations: Sweden, Giverny, Washington, Manhattan

☆ Can You Spot the Dog Hidden in This Picasso Painting?
▼ + stars: | 2023-05-17 | by ( Jesus Jiménez | ) www.nytimes.com time to read: +1 min

In Pablo Picasso’s 1900 painting “Le Moulin de la Galette,” revelers sporting dresses or top hats appear to be drinking, dancing and chatting. Beneath the partyers, under layers of paint, there is a hidden dog that the artist seems to have hastily painted over. But recent research and extensive restoration of the painting for an exhibition revealed an auburn-coated King Charles spaniel with a red bow. The treatment revealed subtleties — such as the brushwork, color palette and spatial definition — that had previously gone unnoticed in the painting. Then, technical imaging unveiled an earlier version of the painting that included the lap dog in the foreground.

CNN —Conservators at the Guggenheim Museum in New York have uncovered a small dog hidden beneath the surface of a Pablo Picasso painting. The image of a charming lapdog wearing a red bow was revealed by museum experts during a technical analysis of the Spanish artist’s painting “Le Moulin de la Galette” ahead of an exhibition of his early works. “Le Moulin de la Galette” depicts a lively scene at the titular venue — a famous Parisian dance hall that was painted by other artists including Pierre-Auguste Renoir. Modifying paintings later became part of Picasso’s regular practice, Barten said, adding that “Le Moulin de la Galette” is now considered one of the earliest examples of this. “Le Moulin de la Galette” is the “centerpiece” of the Guggenheim’s show, said Barten, whose team of conservators also restored the artwork’s surface by removing decades of dirt and non-original varnish.

☆ James Harithas, Maverick Museum Director and Founder, Dies at 90
▼ + stars: | 2023-04-28 | by ( Alex Williams | ) www.nytimes.com time to read: +1 min

James Harithas, a celebrated museum director and founder who viewed curation as a form of activism, highlighting iconoclastic, often socially conscious work both by little-known artists as well as maverick luminaries like Yoko Ono and Nam June Paik, died on March 23. His death was confirmed by his sister, Paula Yankopoulos. Mr. Harithas had been an aspiring painter as a youth, but instead he became an artistic force as the director of the Corcoran Gallery of Art in Washington in the late 1960s, before moving to the Everson Museum of Art in Syracuse, N.Y., and later the Contemporary Arts Museum in Houston. Never afraid to push boundaries or ruffle feathers, he fought to open the museum experience to artists and patrons well outside the insular establishment art scene. “It was his commitment to social justice, political change, the representation of minority artists that really made him stand out.”

☆ An American Collector in Egypt
▼ + stars: | 2022-12-23 | by ( Peter Saenger | ) www.wsj.com time to read: +1 min

The American industrialist Charles Lang Freer collected all kinds of art, from Asian ceramics to paintings by James McNeill Whistler. But he considered ancient Egyptian art the “greatest” in the world, acquiring more than a hundred small-scale Egyptian treasures as much as five millennia old. Freer’s rise to riches was a classic Gilded Age story. Born in Kingston, N.Y., in 1854, he made a fortune in railcar manufacturing, and by his mid-40s he could step back from business. I have tried lately to reason a little with myself; to think to what purpose to devote my few remaining years.”

☆ ‘Vermeer’s Secrets’ Review: A Master Under the Microscope
▼ + stars: | 2022-11-26 | by ( Mary Tompkins Lewis | ) www.wsj.com time to read: +1 min

WashingtonThe disparate realms of art and science have often converged in attempts to explicate the rarefied and indescribably beautiful paintings of Johannes Vermeer (1632-1675). Revered by his fellow painters in Delft, the Dutch artist fell into obscurity after his death, in part because of the scarcity of his output. Vermeer’s rediscovery by 19th-century scholars, connoisseurs, and especially the French art critic Théophile Thoré-Bürger spurred a crucial reassessment of his art, his stature in Holland’s Golden Age likened to that of Rembrandt. While only about 35 works can now be ascribed with certainty to the artist, a smattering of others—including likely copies, outright counterfeits, and paintings inspired by his own—have been considered over the years as candidates for inclusion in his prestigious oeuvre. “Vermeer’s Secrets,” a small exhibition at the National Gallery of Art that is drawn exclusively from its own holdings, navigates this contested territory with the aid of new research and imaging technology, and the results are as riveting as they are convincing (the show is a prelude to the Vermeer retrospective to be held in 2023 at the Rijksmuseum in Amsterdam).

☆ Amazon's new 65-inch Fire TV is better and currently costs less than last year's model
▼ + stars: | 2022-11-21 | by ( Sofia Pitt | ) www.cnbc.com time to read: +5 min

In this article AMZN Follow your favorite stocks CREATE FREE ACCOUNTAmazon's Fire TV Omni QLED Series 4K UHD smart TV. AmazonI've been testing Amazon 's new 65-inch Fire TV Omni QLED Series 4K UHD smart TV. Amazon's Fire TV Omni QLED Series 4K UHD smart TV with widget display. Amazon Fire TV Omni QLED Series 4K UHD. Amazon Fire TV Omni QLED Series 4K UHD Prime UI.

The repatriation is part of a worldwide movement by cultural institutions to return artifacts that were often stolen during colonial wars. African nations and scholars have put pressure on the United Nations Educational, Scientific and Cultural Organization, or UNESCO, to return stolen African artifacts for years, according to Chika Okeke-Agulu, program director of African studies at Princeton University. But he said most African artifacts tend to remain in Europe. The following year, he commissioned a report focusing on restitution efforts, which commenced a repatriation movement of African artifacts throughout Europe. Abba Isa Tijani, director-general of Nigeria’s National Commission for Museums and Monuments, agrees, hoping the recent transfer of the African bronze sculpture inspires more museums to return African artifacts, opening the door for better relationships.

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